DigiCat Publishing presents to you this special edition of "Miss Cayley's Adventures" by Grant Allen. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

When her stepfather dies, Miss Lois Cayley finds herself alone in the world with only twopence in her pocket. Undaunted, the intelligent, attractive, and infinitely resourceful young woman decides to set off in search of adventure. Her travels take her from London to Germany, Italy, Egypt, and India, as she faces various challenges and meets an assortment of eccentric characters. But when her true love, Harold Tillington, finds himself accused of forging a will and faces prison, Miss Cayley will need all her ingenuity to investigate the case, solve the mystery, and save Harold from the diabolical plot! One of the first novels to feature a female detective, Grant Allen's Miss Cayley's Adventures (1899) remains as witty, enjoyable, and engaging today as when first published. This edition includes a new introduction by Elizabeth Foxwell. "Scholars might be loath to hear this, but, popular culture being the continuum that it is, Miss Cayley's Adventures can be seen as a superior example of the chick lit of its era. Its heroine remains to this day as appealing and amusing as any Bridget Jones, and her exploits are filled with moments of wit, action, and sheer fun."- Michele Slung, editor, Crime on her Mind: Fifteen Stories of Female Sleuths from the Victorian Era to the Forties

The Greatest Feminist Classics in One Volume curates an unparalleled collection of literary works that together trace the evolution and impact of feminist thought across generations and geographies. Including an array of literary styles from the pioneering novel to insightful essays, and groundbreaking plays this anthology situates itself within a critical period of social and literary history where the voices of women, and some supportive men, began to loudly question and dismantle the patriarchal structures limiting their lives. The breadth of diversity and the literary richness of works, inclusive of seminal pieces by figures like Virginia Woolf and Harriet Martineau, illustrate the multifaceted nature of feminist discourse, showcasing variations in approach, perspective, and outcome that have enriched the dialogue on gender equality and womens rights. The contributors to this volume, ranging from Henrik Ibsen to Elizabeth Cady Stanton, are as varied in their backgrounds as in their writing styles, representing a wide spectrum of the 19th and early 20th centuries' intellectual and cultural landscape. These authors, collectively, offer insights into feminist thought's evolution, aligning with several critical movements from Romanticism to Modernism. Their works collectively highlight how different cultures, historical periods, and personal experiences have shaped understandings and expressions of gender and identity, providing readers with a comprehensive overview of feminisms literary and social significance. For readers seeking to immerse themselves in the foundational texts of feminist literature, The Greatest Feminist Classics in One Volume presents a unique and enriching opportunity. It invites a broad audience to explore the transformative power of words in shaping societal norms and values regarding gender. This collection not only serves as an educational resource but also as a starting point for discussions about the diversity of feminist perspectives and the ongoing struggle for equality. Engaging with these texts offers an unparalleled insight into the legacy of feminist thought, making this anthology an essential addition to any literary collection.

e-artnow presents to you the world's iconic women characters in fiction and the real-life heroines in this power-packed meticulously edited and formatted collection:_x000D_ Fiction:_x000D_ Camilla (Fanny Burney)_x000D_ Maria; Or, The Wrongs of Woman (Mary Wollstonecraft)_x000D_ Pride and Prejudice (Jane Austen)_x000D_ Jane Eyre (Charlotte Brontë)_x000D_ The Scarlet Letter (Nathaniel Hawthorne)_x000D_ Lady Macbeth of the Mzinsk District (Nikolai Leskov)_x000D_ Hester (Margaret Oliphant)_x000D_ Life in the Iron Mills (Rebecca Davis)_x000D_ Little Women (Louisa May Alcott)_x000D_ The Portrait of a Lady (Henry James)_x000D_ Anna Karenina (Leo Tolstoy)_x000D_ Tess of the d'Urbervilles (Thomas Hardy)_x000D_ Wives and Daughter (Elizabeth Gaskell)_x000D_ The Yellow Wallpaper (Charlotte Perkins Gilman)_x000D_ A Doll's House (Henrik Ibsen)_x000D_ The Awakening (Kate Chopin)_x000D_ The Woman Who Did (Grant Allen)_x000D_ Miss Cayley's Adventures (Grant Allen)_x000D_ The Story of a Baby (Ethel Sybil Turner)_x000D_ New Amazonia (Elizabeth Corbett)_x000D_ A Daughter of the Land (Gene Stratton-Porter)_x000D_ The Iron Woman (Margaret Deland)_x000D_ My Ántonia (Willa Cather)_x000D_ The Song of the Lark (Willa Cather)_x000D_ The House of Mirth (Edith Wharton)_x000D_ Sister Carrie (Theodore Dreiser)_x000D_ Sisters (Ada Cambridge)_x000D_ Hagar (Mary Johnston)_x000D_ Samantha on the Woman Question (Marietta Holley)_x000D_ The Precipice (Elia Wilkinson Peattie)_x000D_ Voyage Out (Virginia Woolf)_x000D_ Parnassus on Wheels (Christopher Morley)_x000D_ The Job (Sinclair Lewis)_x000D_ Miss Lulu Bett (Zona Gale)_x000D_ The Rainbow (D. H. Lawrence)_x000D_ The Enchanted April (Elizabeth von Arnim)_x000D_ Fanny Herself (Edna Ferber)_x000D_ So Big (Edna Ferber)..._x000D_ Memoirs:_x000D_ Madame Vigée Lebrun _x000D_ Jane Austen _x000D_ Caroline Herschel _x000D_ Mrs. Seacole _x000D_ Elizabeth Cady Stanton_x000D_ My Own Story (Emmeline Pankhurst)_x000D_ Mother Jones_x000D_ Margaret Sanger_x000D_ Helen Keller_x000D_ Biographies:_x000D_ Lucretia_x000D_ Sappho_x000D_ Aspasia of Cyrus_x000D_ Portia_x000D_ Octavia_x000D_ Cleopatra_x000D_ Mariamne_x000D_ Julia Domna_x000D_ Zenobia_x000D_ Valeria_x000D_ Hypatia_x000D_ The Lady Rowena_x000D_ Roswitha the Nun_x000D_ Marie de France_x000D_ Laura de Sade_x000D_ Joan of Arc _x000D_ Catharine of Arragon_x000D_ Anne Boleyn_x000D_ Margaret Roper_x000D_ Mary, Queen of Scots_x000D_ The Pocahontas _x000D_ Queen Anne_x000D_ Maria Theresa_x000D_ Marie Antoinette_x000D_ Florence Nightingale _x000D_ Maria Mitchell _x000D_ Harriet Tubman_x000D_ Madame de Stael…

e-artnow presents to you this meticulously edited collection of world's greatest classics with the most influential female protagonists in literature:_x000D_ Camilla (Fanny Burney)_x000D_ Maria; Or, The Wrongs of Woman (Mary Wollstonecraft)_x000D_ Pride and Prejudice (Jane Austen)_x000D_ Jane Eyre (Charlotte Brontë)_x000D_ The Scarlet Letter (Nathaniel Hawthorne)_x000D_ Lady Macbeth of the Mzinsk District (Nikolai Leskov)_x000D_ Hester (Margaret Oliphant)_x000D_ Life in the Iron Mills (Rebecca Harding Davis)_x000D_ Little Women (Louisa May Alcott)_x000D_ Behind a Mask (Louisa May Alcott)_x000D_ The Portrait of a Lady (Henry James)_x000D_ Daisy Miller (Henry James)_x000D_ The Bostonians (Henry James)_x000D_ Anna Karenina (Leo Tolstoy)_x000D_ Tess of the d'Urbervilles (Thomas Hardy)_x000D_ North and South (Elizabeth Gaskell)_x000D_ Wives and Daughter (Elizabeth Gaskell)_x000D_ The Yellow Wallpaper (Charlotte Perkins Gilman)_x000D_ Herland (Charlotte Perkins Gilman)_x000D_ A Doll's House (Henrik Ibsen)_x000D_ Hedda Gabler (Henrik Ibsen)_x000D_ The Awakening (Kate Chopin)_x000D_ The Woman Who Did (Grant Allen)_x000D_ Miss Cayley's Adventures (Grant Allen)_x000D_ The Story of a Baby (Ethel Sybil Turner)_x000D_ New Amazonia (Elizabeth Burgoyne Corbett)_x000D_ Ann Veronica (H. G. Wells)_x000D_ A Girl of the Limberlost (Gene Stratton-Porter)_x000D_ A Daughter of the Land (Gene Stratton-Porter)_x000D_ The Iron Woman (Margaret Deland)_x000D_ O Pioneers! (Willa Cather)_x000D_ My Ántonia (Willa Cather)_x000D_ The Song of the Lark (Willa Cather)_x000D_ The House of Mirth (Edith Wharton)_x000D_ Summer (Edith Wharton)_x000D_ Sister Carrie (Theodore Dreiser)_x000D_ Jennie Gerhardt (Theodore Dreiser)_x000D_ Sisters (Ada Cambridge)_x000D_ Hagar (Mary Johnston)_x000D_ Samantha on the Woman Question (Marietta Holley)_x000D_ The Precipice (Elia Wilkinson Peattie)_x000D_ Voyage Out (Virginia Woolf)_x000D_ Parnassus on Wheels (Christopher Morley)_x000D_ The Job (Sinclair Lewis)_x000D_ Miss Lulu Bett (Zona Gale)_x000D_ The Rainbow (D. H. Lawrence)_x000D_ The Lost Girl (D. H. Lawrence) _x000D_ The Enchanted April (Elizabeth von Arnim)_x000D_ Fanny Herself (Edna Ferber)_x000D_ So Big (Edna Ferber)

Redefining the Modern spans nearly a century and a half in a series of essays that capture the crucial shifts and transformations marking the change from the Victorian to the Modern period. At the center of the collection is the understanding that literature responds to, as well as initiates, social, intellectual, and sometimes political change. It also recognizes that historical categories, like genres, need to be realigned. The diverse material ranges from Jane Austen's laughter to female detectives and black fiction. It coheres, however, through its focus on the interaction of language and society and the way language and culture maintain a persistent and dynamic exchange. Rather than deny links between one period and another, this collection argues for continuity and development, emphasizing revision and renewal rather than rejection and refusal. No longer do critics accept fierce divides or unbridgeable paths between the work of the Victorians and moderns. Recent approaches to the period, reflecting gender, cultural studies, and new historicism, provide fresh means of assessment. Central to this reconception is the recognition that if the Victorians invented us, we, in turn, h