Anita Brookner was known for writing boring books about lonely, single women. Misreading Anita Brookner unlocks the mysteries of the Brookner heroine by creating entirely new ways to read six Brookner novels. Drawing on diverse intertextual sources, Peta Mayer illustrates how Brookner’s solitary twentieth-century women can also be seen as variations of queer nineteenth-century male artist archetypes.

Anita Brookner was known for writing boring books about lonely, single women. Misreading Anita Brookner unlocks the mysteries of the Brookner heroine by creating entirely new ways to read six Brookner novels. Drawing on diverse intertextual sources, Peta Mayer illustrates how Brookner's solitary twentieth-century women can also be seen as variations of queer nineteenth-century male artist archetypes.

With this novel, Booker Prize-winning author Anita Brookner confirms her reputation as an unparalleled observer of social nuance and deeply felt longings. Brief Lives chronicles an unlikely friendship: that between the flamboyant, monstrously egocentric Julia and the modest, self-effacing Fay, who is at once fascinated and appalled by Julia's excesses. Thrust together by their husbands' business partnership -- and by a guilty secret -- Julia and Fay develop an intense bond that is nonetheless something less than intimacy, a relationship in which we see our own uneasy compromises, not only with other people, but with life itself.

BOOKER PRIZE WINNER • When romance writer Edith Hope’s life begins to resemble the plots of her own novels, she flees to Switzerland, where the quiet luxury of the Hotel du Lac promises to restore her to her senses. "Brookner's most absorbing novel ... wryly realistic ... graceful and attractive." —Anne Tyler, The New York Times Book Review But instead of peace and rest, Edith finds herself sequestered at the hotel with an assortment of love's casualties and exiles. She also attracts the attention of a worldly man determined to release her unused capacity for mischief and pleasure. Beautifully observed, witheringly funny, Hotel du Lac is Brookner at her most stylish and potently subversive. In the novel that won her the Booker Prize and established her international reputation, Anita Brookner finds a new vocabulary for framing the eternal question "Why love?"

In one of her most delicate and suspenseful novels to date, Anita Brookner brings us an exquisite story of friendship and duty. Rachel Kennedy and Oscar Livingston were not precisely friends or family. Rachel had been acquanted with Oscar for some time, first as her father’s accountant, and then as her own. Part owner of a London bookshop, Rachel is thoroughly independent and somewhat distant, determinedly restrained in her feelings for others, but above all responsible. And it is this trait that leads Oscar and his wife Dorrie to seek out Rachel as a mentor for their twenty-seven-year-old daughter, Heather. Yet when Heather seems poised to make an unsuitable romantic decision, Rachel decides to speak out and intervene, causing an unwitting and devastating insight.

At twenty-six, Emma Roberts comes to the painful realization that if she is ever to become truly independent, she must leave her comfortable London flat and venture into the wider world. This entails not only breaking free from a claustrophobic relationship with her mother, but also shedding her inherited tendency toward melancholy. Once settled in a small Paris hotel, Emma befriends Françoise Desnoyers, a vibrant young woman who offers Emma a glimpse into a turbulent life so different from her own. In this exquisite new novel of self-discovery, Booker Prize-winner Anita Brookner addresses one of the great dramas of our lives: growing up and leaving home.

Booker Prize-winner Anita Brookner captures the magic and depth of real life with this story of an ordinary man whose unexpected longings, doubts, and fears are universal. Paul Sturgis is resigned to his bachelorhood and the quietude of his London flat. He occasionally pays obliging visits to his nearest living relative, Helena, his cousin’s widow. To avoid having to turn down her Christmas invitation, Paul sets off for a holiday in Venice where he meets Mrs. Vicky Gardner, an intriguing woman in the midst of a divorce. Upon his return to England, a former girlfriend, Sarah, reenters Paul’s world and these two women spark a transformation in Paul, culminating in a shocking decision.

Anita Brookner is justly famous for her elegant, almost Jamesian character studies of women poised on the threshold of life. But in Lewis Percy, she performs a remarkable leap of imaginative empathy in her portrayal of a man torn between the reassuring cloister of the library and the alluring but terrifying world of the senses, a world populated by women who persist in bewildering him.

In an ambitious departure from her usual form, Anita Brookner expands her canvas in Family and Friends to create a richly textured novel about the life of a wealthy Jewish family in London, focusing on the generation that came to maturity between the two World Wars. Presiding over the Dorn household is the formidable Sofka, an elegant and circumspect widow who watches as her four children find their way into adulthood. Frederick, the sybaritic eldest son, escapes to the comforts of the Riviera while stern, dutiful Alfred runs the family business and burns with unrealized longings; Betty—pleasure-loving, vain, and selfish—makes her ambitious way from Paris to Hollywood, leaving her dreamy, passive sister Mimi to languish at home. A brilliant social novel of lost innocence and the complex nature of family bonds, Family and Friends meticulously portrays the emotional cost of everyday life.

'Literature for me was a magnificent destiny for which I was not yet fully prepared.' Paul and Henrietta Manning and their solitary, academic daughter Jane have nothing in common with Dolly, widow of Henrietta's brother. Corseted and painted, Dolly is a frivolous, superficial woman, who has little time for those without that inestimable quality - charm. Jane, in particular, falls into this category, especially after the death of her parents. But Jane has money - and a conscience - and these bind her to Dolly. Through disagreements, disappointments and disapprovals, Jane and Dolly are enmeshed in an uneasy alliance in which history and family create closer ties than friendship ever could.