As hard as she tries, trouble keeps finding Cyan. The people in her orbit keep getting hurt. Cyan has been pushed too far this time. She is about to explode...

Wendy Gale isn't the kind of girl you marry. She's not even the kind of girl you date. She's not a friend with benefits, she's not a one-night-stand, and regardless of what she thinks, she has never been a rebound. Wendy Gale is kind of girl you kidnap and lock in your basement so she can't ever escape. She's the kind of girl you tie up. You put a collar on her. A leash. Handcuffs. You chain her to things and gag her mouth. A blindfold isn't a bad idea, either. Because Wendy Gale is the kind of girl you grab on to-any way you can-and you never let go. Wendy. Babe. You only need to know one thing about me, OK? I will never let go. Gorgeous Misery is a dark romantic thriller about one man's desperate desire to save the woman he loves at all costs. It is the third book in the Creeping Beautiful series and must be read in order.

Gin has recently accepted that she is a lesbian. She also may just remain a loner for all of eternity. Meanwhile, across from her in class, Johnny is battling life at school and at home. His day-to-day life consists of a heavy dose of bulimia, self-hate, and abuse from his father. The two loners come together, connected by shared misery, but can they admit how much they need each other before it's too late?

Once I started, I couldn't stop. It felt like falling down the stairs.... Meet David Gould: abandoned by his girlfriend, pushing the deadline for his first book, tormented by writer's block, and obsessed with the impossibly sexy, overwhelmingly alive diaries young people keep online. Outside it's a beautiful, Brooklyn summer. But inside his apartment David is sleeping in, screening calls, draining beer after beer, and dreaming of Miss Misery -- aka twenty-two-year-old provocateur Cath Kennedy -- a total stranger with impeccable music taste and an enviable nightlife. Now meet David Gould online. Here, in his fictional diary, he's a downtown DJ and an inveterate night owl, drinking and charming countless girls until the sun comes up. But when Miss Misery moves to New York City and begins canoodling with an insufferable hipster, David's diary mysteriously begins updating itself. The reason? David Gould has a doppelgänger, an obnoxious shadow set on claiming David's newly glamorous life as his own. Even worse for David, the phone calls from his editor are becoming increasingly desperate, and the voice mails from his girlfriend -- an ocean away -- are becoming more and more distant. And then there are all of the instant messages from seventeen-year-old Ashleigh Bortch, an emo kid in Salt Lake City with an inappropriate crush on David and a knack for showing up at precisely the wrong time. Forced out of his apartment, David Gould is facing the fight of his life. With humor, heart, and a vibrant, genre-jumping soundtrack, Andy Greenwald captures the essence of what it means to be young and struggling with identity in the new century. From cyberspace to nightclub bathrooms, from New York City to Utah, Miss Misery is a fast-paced, funny story about the timeless need to become the main character in your own life.

Charlize "Charlie" Edwards finally has it all: a house in Silverlake, L.A.'s hippest neighborhood, two fabulous best friends who always have her back, and a great (though hectic) job as the personal assistant to Hollywood's hottest movie star, Drew Stanton. But best of all, Charlie has a newly feathered love nest with Jordan, the sexy photographer she recently started dating. Maybe Charlie's journal of smart-alecky life advice--which she's always been better at writing than following--has finally helped put her on the right track. Unfortunately for Charlie, Drew is causing complete havoc on his new movie set, her eccentric family is descending upon L.A. for the upcoming holiday season, and her love life may be back to square one. Jordan has left L.A. to work on a film shooting in Paris, where the women are gorgeous, sophisticated, and possibly after her man. And Drew's handsome new producer, Liam, is an old crush who has reappeared to tug at Charlie's heartstrings. Charlie's torn between the misery of waiting for Jordan and the tingly feelings she has for Liam. But there's nothing misery--or seduction--loves better than a great glass of cabernet.

Don’t tell me it’s terrifying. Terrify me. Filled with grief, Jules Belleno rarely leaves the house since her husband’s death while on duty as a police officer. Other than the reviews Jules writes on her blog, she has little contact with the outside world. But one day when she ventures out to the local grocery store, Jules bumps into a fellow customer . . . and recognizes him as her favorite author, Patrick Reagan. Jules gushes and thoroughly embarrasses herself before Regan graciously talks with her. And that’s the last thing she remembers—until she wakes up in a strange room with a splitting headache. She’s been kidnapped. And what she discovers will change everything she believed about her husband’s death . . . her career . . . and her faith.

This book reveals the strain of a moment in American cultural history that led several remarkable writers -- Emerson, Warner, and Melville -- to render loss in innovative ways. These three key writers rejected Calvinist and sentimental models of bereavement, creating instead the compensations of a mature American literature.