A deliciously dark Wizard of Oz for the twenty-first century. A funny, scary and magical fantasy for young readers, this full-colour graphic novella features art from the film of Mirrormask (story by Gaiman and McKean, directed by McKean, produced by the Jim Henson Company) interspersed with new illustrations

Designing was done ad lib on the day, doodling in 3D or acting out nonsense in the studio. So this book is a collection of images, some factual, some descriptive, but many just suggestive, a record of the feeling of making the film rather than a definitive handbook. Book jacket.

This ebundle includes: Death's Mistress, Shroud of Eternity, Siege of Stone, and Heart of Black Ice. In the world of Terry Goodkind’s New York Times-bestselling Sword of Truth saga, fan-favorite warrior Nicci and her travel companion Richard Rahl explore new and fantastical realms, encountering familiar allies, dangerous magic, and creatures forged by twisted sorcery. One-time lieutenant of the evil Emperor Jagang, known as “Death’s Mistress” and the “Slave Queen”, the deadly Nicci captured Richard Rahl in order to convince him that the Imperial Order stood for the greater good. Now, with the reign of Richard and Kahlan finally stabilized, Nicci has set out on her own for new adventures. Death's Mistress: It’s no easy task keeping the unworldly prophet Nathan out of trouble as they scout the far reaches of Richard Rahl’s realm. This task will take her and Nathan to visit the mysterious witch-woman Red, to tangle with the street life of the port city of Tanimura, to fight lethal battles on the high seas, and ultimately to a vast magical confrontation far from home...with the future of life itself, in the Old World and the New, at stake. Shroud of Eternity: Guided by the witch-woman Red's mysterious prophecy, the trio makes their way south of Kol Adair towards a wondrous city shrouded behind time, Ildakar. But the grotesque omens on their path—severed Norukai heads on pikes, a genetically modified monster, and a petrified army of half a million—are just a taste of the unimaginable horrors that await within the Shroud of Eternity. Siege of Stone: Nicci, Nathan, and Bannon have to help Ildakar survive an unbreakable siege, using all the magical defenses of the legendary city. Nicci knows the battle won’t remain in the city; if she can’t stop this threat, two invincible armies can sweep across the Old World and destroy D’Hara itself. Heart of Black Ice: In the wake of the brutal war that swept the Old World, a new danger is forming along the coast. Taken captive by their enemies, King Grieve, along with Lila and Bannon are about to discover the terrifying force that threatens to bring destruction to the Old World. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Shroud of Eternity picks up where Terry Goodkind’s New York Times bestseller Death’s Mistress left off, promising a thrilling brew of bloodshed, sex, deception, and sorcery. The formidable sorceress Nicci and her companions—the newly powerless Nathan and the youthful Bannon—set out on another quest after driving ruthless Norukai slavers out of Renda Bay. Their mission: restore Nathan’s magic and, for Nicci, save the world. Guided by the witch-woman Red's mysterious prophecy, the trio makes their way south of Kol Adair towards a wondrous city shrouded behind time, Ildakar. But the grotesque omens on their path to Nathan's salvation—severed Norukai heads on pikes, a genetically modified monster, and a petrified army of half a million—are just a taste of the unimaginable horrors that await within the Shroud of Eternity. The Nicci Chronicles 1. Death's Mistress 2. Shroud of Eternity 3. Siege of Stone At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Over the past twenty years, Neil Gaiman has developed into the premier fantasist of his generation, achieving that rarest of combinations—unrivaled critical respect and extraordinary commercial success. From the landmark comic book series The Sandman to novels such as the New York Times bestselling American Gods and Anansi Boys, from children's literature like Coraline to screenplays for such films as Beowulf, Gaiman work has garnered him an enthusiastic and fiercely loyal, global following. To comic book fans, he is Zeus in the pantheon of creative gods, having changed that industry forever. For discerning readers, he bridges the vast gap that traditionally divides lovers of "literary" and "genre" fiction. Gaiman is truly a pop culture phenomenon, an artist with a magic touch whose work has won almost universal acclaim. Now, for the first time ever, Prince of Stories chronicles the history and impact of the complete works of Neil Gaiman in film, fiction, music, comic books, and beyond. Containing hours of exclusive interviews with Gaiman and conversations with his collaborators, as well as wonderful nuggets of his work such as the beginning of an unpublished novel, a rare comic and never-before-seen essay, this is a treasure trove of all things Gaiman. In addition to providing in depth information and commentary on Gaiman's myriad works, the book also includes rare photographs, book covers, artwork, and related trivia and minutiae, making it both an insightful introduction to his work, and a true "must-have" for his ever growing legion of fans.

This collection of new essays looks carefully at the broad spectrum of Neil Gaiman's work and how he interacts with feminism. Sixteen diverse essays from Gaiman scholars examine highlights from Gaiman's graphic novels, short stories, novels, poems and screenplays, and confront the difficult issues he raises, including femininity, the male gaze, issues of age discrimination, rape, and feminine agency. Altogether the essays probe the difficult and complex representation of women and issues of femininity in the worlds of Neil Gaiman.

Provides a fresh perspective on British fantasy film Combines a methodological approach of textual analysis, critical discourse and production histories to expand current knowledge and appreciation of British fantasy film Promotes new avenues for film studies by investigating a comprehensive range of British film titles previously disputed or overlooked in existing academic scholarship Informs a more general understanding which is focused on contemporary fantasy but contributes to a broader, historical assessment of the fantastic within British cinema In the period since 2001, cinema has witnessed a notable influx in fantasy film. Many constitute adaptations from British fantasy literature, often created and produced in the UK, and showcase domestic talent both in front and behind the screen. This includes massive box office hits such as the Harry Potter series (2001 – 2011) through to smaller scale and independent endeavours like Nanny McPhee (2005), MirrorMask (2005) and Franklyn (2008). However, such films have received minimal critical attention as British fantasy films. The reasons for this absence are manifold; leaving many films contested, ignored and omitted from established canons. This book re-addresses prevailing scholarship on the fantasy genre, national film production and representation on screen, providing readers with a revised appraisal of the contemporary film landscape. It delivers a fresh perspective across a broad range of films which all embrace the fantastic within British cinema.

Jim Henson’s creations have inspired generations with characters that are among the world’s most recognizable cultural icons. From Kermit the Frog, Miss Piggy and their Muppet friends to the legendary Sesame Street and Children’s Television Workshop, Henson revolutionized children’s educational entertainment. Combining live action and puppeteering into fantastical narratives like The Dark Crystal and Labyrinth, as well as the whimsical Fraggle Rock and The Storyteller, Henson transformed imagination into reality, weaving together powerful philosophical messages on identity, community, diversity, love, death, and friendship. Henson never shied away from exploring deep questions, nor did he underestimate the ability of children (or adults) to grapple with profound philosophical questions. Jim Henson and Philosophy explores the entertaining and educational world of the genius’s creations, revealing what it is about Henson’s world that has touched us so deeply and improved our lives in such meaningful ways. Contributions by: Lauren Ashwell, Kimberly Baltzer-Jaray, David R. Burns, Samantha Brennan, Amanda Cawston, Brooke Covington, Christopher M. Culp, Ryan Cox, Natalie M. Fletcher, Victoria Hubbell, Dena Hurst, Christopher Ketcham, S. Evan Kreider, Shaun Leonard, Jennifer Marra, Michael J. Muniz, Laurel Ralston, Rhona Trauvitch, and Sheryl Tuttle Ross

This ISBN refers to the ebook edition of this text, available directly from the publisher. It has erroneously been listed as paperback by some online vendors. The true paperback edition is indeed available at online vendors. Paste this ISBN into the search box: 9780874217810. In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, "the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress)." As Jack Zipes says further in the foreword, “Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles, and in our dreams and daydreams. The artistic re-creations of fairy-tale plots and characters in film—the parodies, the aesthetic experimentation, and the mixing of genres to engender new insights into art and life— mirror possibilities of estranging ourselves from designated roles, along with the conventional patterns of the classical tales.” Here, scholars from film, folklore, and cultural studies move discussion beyond the well-known Disney movies to the many other filmic adaptations of fairy tales and to the widespread use of fairy tale tropes, themes, and motifs in cinema.