Documenting the artistic practice of Rita Keegan: from exhibitions at major venues to everyday life as a working Black female artist. From the Bronx to Soho to Brixton, Mirror Reflecting Darkly is an exploration of the artist Rita Keegan's archive collection. Part autobiography and part critical history, it reproduces a cross-section of Keegan's archive, mapping an artistic practice that ranges from her exhibitions at such major museums and galleries as the ICA and the Tate to her curatorship of the Women of Colour Index, a groundbreaking 1987 initiative that documented Black and Asian women artists. It includes records of Keegan's journey through different creative environments of London in the 1980s and 1990s, offering rare ephemera drawn from her involvement in the Black British Art movement, covering her years as a fixture of Soho clubland, and documenting the intimate traces of her everyday life as a working Black female artist. Accompanying the selections from the archive are essays and personal reflections from a range of writers, academics, and artists--including Keegan herself--which expand upon the themes from the material: networks of creative kinship, the story of British Black Arts, self-archiving, and archiving as activism. Contributors Barby Asante, Ego Ahaiwe Sowinski, Mora J. Beauchamp-Byrd, Janice Cheddie, Lauren Craig, Lucy Davies, Althea Greenan, Joy Gregory, Hiroko Hagiwara, Matthew Harle, Rita Keegan, Shaheen Merali, Naomi Pearce

Preliminary Material /Bentley Layton -- The Domestication of Gnosis /Henry Chadwick -- Gnosis and Psychology /Gilles Quispel -- The Challenge of Gnostic Thought for Philosophy, Alchemy, and Literature /Carsten Colpe -- Lying Against Time: Gnosis, Poetry, Criticism /Harold Bloom -- In Search of Valentinus /G. C. Stead -- Religio-Historical Observations on Valentinianism /Ugo Bianchi -- Valentinian Gnosis and the Apocryphon of John /Gilles Quispel -- Valentinianism and the Gospel of Truth /R. McL. Wilson -- The Dog and the Mushrooms /Rowan A. Greer -- Self-Generating Principles in Second-Century Gnostic Systems /John Whittaker -- La Gnose Valentinienne et les Oracles Chaldaïques /Michel Tardieu -- Gnostic Writings as Witnesses for the Development of the Sayings Tradition /Helmut Koester -- Gnostic and Orthodox views of Christ's Passion: Paradigms for the Christian's Response to Persecution? /Elaine H. Pagels -- Gnosis and the Piety of Metaphor: The Gospel of Truth /Joel Fineman -- Gnosis und Christentum /Barbara Aland -- Concluding Discussion -- The Descent of the Soul in Middle Platonic and Gnostic Theory /John Dillon -- Gnosticism and the Making of the World in Plotinus /Dominic J. O'meara -- Gnostic Monism and the Gospel of Truth /William R. Schoedel -- Valentinisme italien et valentinisme oriental: leurs divergences à propos de la nature du corps de Jésus /Jean-Daniel Kaestli -- Conflicting Versions of Valentinianism? Irenaeus and the Excerpta ex Theodoto /James F. Mccue -- Les «Mythes» Valentiniens de la création et de l'eschatologie dans le langage d'Origène: le mot hypothesis /Marguerite Harl -- «Vraie» et «fausse» gnose d'après Clément d'Alexandrie /Andre Mehat -- Did Gnostics Make Pictures? /Paul Corby Finney -- Preliminary Material /Bentley Layton -- Philo on Seth /Robert Kraft -- Report on Seth Traditions in the Armenian Adam Books /Michael E. Stone -- The Figure of Seth in Gnostic Literature /Birger A. Pearson -- Discussion /Bentley Layton -- Some Related Traditions in the Apocalypse of Adam, the Books of Adam and eve, and 1 Enoch /George W. E. Nickelsburg -- Sethian and Zoroastrian Ages of the World /Carsten Colpe -- Discussion /Bentley Layton -- Stalking Those Elusive Sethians /Frederik Wisse -- Die “Sethianische” Gnosis--Eine häresiologische Fiktion? /Kurt Rudolph -- Discussion /Bentley Layton -- The Phenomenon and Significance of Gnostic Sethianism /Hans-Martin Schenke -- Triade uno Trinität in den Schriften von Nag Hammadi /Alexander Böhlig -- Discussion /Bentley Layton -- Sethians and Johannine Thought /James M. Robinson -- Discussion /Bentley Layton -- Concluding Discussion /Bentley Layton -- The Arrogant Archon and the Lewd Sophia /Nils A. Dahl -- Aspects of the Jewish-Gnostic Controversy /Ithamar Gruenwald -- Literary Criticism of the Cologne Mani Codex /Albert Henrichs -- From Baptism to the Gnosis of Manichaeism /Ludwig Koenen -- Gnostic Instructions on the Organization of the Congregation /Klaus Koschorke -- The Naassene Psalm in Hippolytus (Haer. 5. 10.2) /M. Marcovich -- Le cadre scolaire des traités de l'Ame et le Deuxième Traité du Grand Seth (CG VII, 2) /Louis Painchaud.

Bob Arctor is a dealer of the lethally addictive drug Substance D. Fred is the police agent assigned to tail and eventually bust him. To do so, Fred takes on the identity of a drug dealer named Bob Arctor. And since Substance D--which Arctor takes in massive doses--gradually splits the user's brain into two distinct, combative entities, Fred doesn't realize he is narcing on himself. Caustically funny, eerily accurate in its depiction of junkies, scam artists, and the walking brain-dead, Philip K. Dick's industrial-grade stress test of identity is as unnerving as it is enthralling.

Gnosticism was for C.G. jung the chief prefiguration of his analytical psychology. In this volume Robert Segal, an authority on theories of myth and Gnosticism, has searched the Jungian corpus for Jung's main discussions of this ancient form of spirituality. The progression in Gnosticism from sheer bodily existence to the release of the immaterial spark imprisoned in the body - and the reunion of that spark with the godhead - represents for Jung the psychological progression from ego consciousness to the ego's rediscovery of the unconscious, and the ego's integration with the unconscious to forge the self. Included in this volume are both Jung's sole work devoted entirely to Gnosticism, "Gnostic Symbols of the Self," and his own Gnostic myth, "Seven Sermons to the Dead." The book also contains key essays by Father Victor White and Gilles Quispel, whose "C.G. Jung und die Gnosis" is here translated for the first time. In his extensive introduction Segal discusses the parallel for Jung between ancient Gnostic and contemporary Jungian patients, the Jungian meaning of Gnostic myths and of the Seven Sermons, Jung's possible misinterpretation of Gnosticism, and the common characterization of Jung himself as a Gnostic.

This book examines scriptural authority and its textual and visual instruments, asking how words and images interacted to represent and by representing to constitute authority, both sacred and secular, in Northern Europe between 1400 and 1700.

Bedeckt defined himself by the list of crimes he was unwilling to commit. It was such a short list. How could straying from it have gone so wrong? Now Bedeckt must undo the damage caused by wandering from his precious list. The Geborene god seeks to remake the world with his obsessive need for cleanliness and perfection, but Bedeckt is going to bring him down. Nothing can stop him. Not even death. The two friends he abandonded in the Afterdeath chase after Bedeckt, bent on revenge. Psychotic assassins hunt him. Something cold and evil follows, lurking in the clouds above, shredding reality with its delusions. Madness and sanity war, stretching and tearing the very fabric of existence. The dead shall rise.

This collection surveys madness in drama. It includes articles on 'The Duchess of Malfi'; virginity and hysteria in 'The Changeling'; the confined spectacle of madness in Beys's 'The Illustrious Madmen'; The male gaze in 'Woyzeck' - representing Marie and madness; and other drama examples.

A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity

“A stunningly atmospheric fantasy that doubles as an exceptional character study . . . we can’t wait to see where Dabos takes it next.” —Entertainment Weekly (“The 10 Best YA Books of 2018”) One of Publishers Weekly’s Best YA Books of the Year A National Indie Bestseller Lose yourself in the fantastic world of the arks and in the company of unforgettable characters in this French runaway hit, Christelle Dabos’ The Mirror Visitor quartet. Plain-spoken, headstrong Ophelia cares little about appearances. Her ability to read the past of objects is unmatched in all of Anima and, what’s more, she possesses the ability to travel through mirrors, a skill passed down to her from previous generations. Her idyllic life is disrupted, however, when she is promised in marriage to Thorn, a taciturn and influential member of a distant clan. Ophelia must leave all she knows behind and follow her fiancé to Citaceleste, the capital of a cold, icy ark known as the Pole, where danger lurks around every corner and nobody can be trusted. There, in the presence of her inscrutable future husband, Ophelia slowly realizes that she is a pawn in a political game that will have far-reaching ramifications not only for her but for her entire world. The World of the Arks Long ago, following a cataclysm called the Rupture, the world was shattered into many floating celestial islands, now known as arks. Over each, the spirit of an omnipotent and immortal ancestor abides. The inhabitants of these arks each possess a unique power. Ophelia, with her ability to read the pasts of objects, must navigate this fantastic, disjointed, perilous world using her trademark tenacity and quiet strength.

Time has laid itself upon the man. Time has laid itself upon the man in that there are changes. Such changes have caused the souls of men to be placed to a time press. Like the time piece that is flipped and thus placed into motion, will the sand pieces fall in accordance to the laws assigned to it. As the sand pieces are, so has the man become. By what consideration is so to such sand pieces, will that man proceed. Though the man observes the falling of sand pieces, there is confusion. There is confusion for he is found wanting, in reference to what measure he declares is so. As what function is so increases with force, the sky reflects such shift in authority, as the outward conditions amass great to that which is found internally. Such ordinances, confusion, displays itself in themes, reoccurring arrangements displaying obscure realities. If such arrangements do not change, in that the man does not discover how to live, what perceived ordinances are so will kill him! Can the man determine truth from untruth as to depict what true function is so? Is the man able to do such things? Is the man able to overcome such themes? Can he figure out how to live? Join the great expedition presenting to mankind, on the discord of life's meaning, through the overlying themes of the life of Caitlin Elizabeth Demery to discover how to live. This is my first ebook. Thank you for your purchase.