An uplifting Christian romance novel that follows the journey of young Miriam Yung who, deserted by the man she loves, abandons her dreams and God, and is now struggling to reclaim both.

Ten-year-old Miriam Bloom is excited to learn that she and her family are leaving their shtetl in Russia to move to America, but she could never predict the challenges her family would encounter along their journey and how Jewish values restore hope and strength to her family.

Passover this year was not all at what Miriam expected.

A delightful but powerful story that offers children lifelong lessons about believing in themselves, bolstering their self-esteem, and turning the words "I Can't" into "I Can!" Molly has been chosen to be the next Star of the Day! Most kids would be excited. Molly, however, is terrified! She just can't speak in front of her class. She worries all day. She frets all night. "I can't . . . I can't," Molly convinces herself. Or can she? I Can Believe in Myself is a book that challenges children to change the way they think. Other themes in this book include compassion, confidence, and self-esteem as Molly convines her classmates--and even her teacher--that they can, indeed, change their perceptions and do things they never thought possible.

As the Israelites, freed from slavery in Egypt, follow Moses through the desert, his sister Miriam comforts them through the wilderness. Miriam's grandson Bezalel draws pictures in the sand as he dreams of the future. When his great-uncle Moses clibs the mountain to receive God's laws, Bezalel learms he is the chosen artist who will craft the Holy Ark.

A lyrical kid-friendly telling of the famous Bible story of baby Moses in his basket being set on the River Nile by big sister Miriam, who continues to watch over him as he becomes the Prince of Egypt

When Sr. Miriam James Heidland’s life as a successful college athlete proved unfulfilling, she went searching for something deeper and ended up falling in love with Jesus. By charting her own journey toward wholeness, Heidland invites young Catholics to pursue their own relationship with Jesus. Although originally full of athletic ambition and goals for a career in sports news, Heidland was transformed in a very slow but deep way during her undergraduate years, moving from party girl to bride of Christ. In Loved as I Am: An Invitation to Conversion, Healing, and Freedom through Jesus, Heidland helps readers learn from her experience of seeking love in the wrong places and instead finding it in Christ. She shares her struggles—learning she was adopted, battling alcoholism, and healing from childhood sexual abuse—as signs of hope that anyone who desires to know Christ can find him and be loved intimately by him in return. By bringing readers into Heidland’s healing process, Loved as I Am provides a gentle and subtle template for finding peace and freedom in Jesus.

The author presents the calendar year, with recipes and remembrances for as she cooked with her mother-in-law, a Holocaust survivor, "she learned other secrets as well; for as Miriam cooked, she talked: about growing up in a Polish village, about the war years, about pioneer times in Israel, about becoming a Yankee, about worlds lost and survival."

This study examines the transformative relationship between Victorian mothers and their modern daughters in the works of six early British modernists (E. M. Forster, Dorothy Richardson, D.H. Lawrence, May Sinclair, Radclyffe Hall, and Virginia Woolf). The emphasis upon a female hero is a significant and largely unremarked similarity in some of the most significant works of these authors. In these novels, the female hero, in order to attain her full potential as an agent of social and artistic changes, must undergo a maturation process that leads from the father's world of language and public action to a new appreciation of the mother's unrecognized, alternative virtues. Exploring the emergence of the young, modern woman as the hero in the works of these formative authors, Hill traces the gendered development of notions of modernity and the negotiation of new forms of mother-daughter relationship at the birth of modernity and modernist art, providing a more richly nuanced understand of the issue of gender in modernism.