Mushtaq Ahmed Yousufi’s last published work Mirages of the Mind traces an arc of nostalgia between Pakistan and India. Its main characters—Indian Muslim immigrants to Pakistan—reminisce about and long for an impossible return to their pre-Partition life in India. The book’s lightly fictionalized anecdotes, both humorous and poignantly sad, form a treasure trove of the arcana and subtle differences of twentieth-century Muslim life in the subcontinent. A cultural memoir, multi-layered biography, and anecdotal chain, Mirages of the Mind chronicles a milieu that has all but disappeared. Its narratives portray the hardships, heartbreak, and humour of colonial north-Indian Muslim life and its subsequent forms in post-colonial India and Pakistan. The book’s central character Basharat serves the role of a wise fool—equally ridiculous and full of penetrating, bizarre sense. Basharat’s tales about his friends paint a rare, and perhaps the last, authentic picture of the literary and cultural life of South Asia’s Urdu speakers. The first Urdu anthologies recalled the lives of poets exclusively in anecdotes. With Mirages of the Mind, Mushtaq Ahmed Yousufi rekindles this form and briefly illuminates the beauty of a culture that is fast receding into the darkness of the past.

Poems of contemplation

Mirages opens at the dawn of World War II, when Anaïs Nin fled Paris, where she lived for fifteen years with her husband, banker Hugh Guiler, and ends in 1947 when she meets the man who would be “the One,” the lover who would satisfy her insatiable hunger for connection. In the middle looms a period Nin describes as “hell,” during which she experiences a kind of erotic madness, a delirium that fuels her search for love. As a child suffering abandonment by her father, Anaïs wrote, “Close your eyes to the ugly things,” and, against a horrifying backdrop of war and death, Nin combats the world’s darkness with her own search for light. Mirages collects, for the first time, the story that was cut from all of Nin’s other published diaries, particularly volumes 3 and 4 of The Diary of Anaïs Nin, which cover the same time period. It is the long-awaited successor to the previous unexpurgated diaries Henry and June, Incest, Fire, and Nearer the Moon. Mirages answers the questions Nin readers have been asking for decades: What led to the demise of Nin’s love affair with Henry Miller? Just how troubled was her marriage to Hugh Guiler? What is the story behind Nin’s “children,” the effeminate young men she seemed to collect at will? Mirages is a deeply personal story of heartbreak, despair, desperation, carnage, and deep mourning, but it is also one of courage, persistence, evolution, and redemption that reaches beyond the personal to the universal.

Court of Lions is the long-awaited second and final installment in the “smart, sexy, and devilishly clever” Mirage series by Somaiya Daud (Renée Ahdieh, New York Times bestselling author of The Beautiful)! On a planet on the brink of revolution, Amani has been forced into isolation. She’s been torn from the boy she loves and has given up contact with her fellow rebels to protect her family. In taking risks for the rebel cause, Amani may have lost Maram’s trust forever. But the princess is more complex than she seems, and now Amani is once more at her capricious nature. One wrong move could see her executed for high treason. On the eve of Maram’s marriage to Idris comes an unexpected proposal: in exchange for taking her place in the festivities, Maram will keep Amani’s rebel associations a secret. Alone and desperate, Amani is thrust into the center of the court, navigating the dangerous factions on the princess's behalf. But the court is not what she expects. As a risky plan grows in her mind, and with the rebels poised to make their stand, Amani begins to believe her world might have a future. But every choice she makes comes with a cost. Can Amani risk the ones she loves the most for a war she's not sure she can win?

Argues that the key to understanding ourselves and consciousness is the "strange loop," a special kind of abstract feedback loop that inhabits the brain.

The third of Russ Kick’s bestselling Disinformation Guides gathers another all-star line-up of exposés: Juries have ruled in recent trials that Watergate was really about a Democratic Party prostitution ring. Ignored in the U.S. and distorted elsewhere, the Milosevic tribunal hasn’t gone the way authorities were anticipating. (We present exclusive first-hand reporting from the trial). Most theologians don’t believe in the physical Resurrection of Jesus. In 2001, the U.S. uncovered the biggest spy ring in the country since WWII, yet most people never heard about it. The U.S. is engaging in bioweapons research that violates international treaties and federal law. (The New York Times knows about this but refuses to report it). Teddy Roosevelt and Wall Street created Panama for profit. Gandhi wasn’t so wonderful, after all. These are just some of the revelations in the third of our all-star anthologies. Following up on bestsellers You Are Being Lied To and Everything You Know Is Wrong, editor Russ Kick has again assembled a line-up of leading investigative journalists, academics, activists, commentators, and independent researchers, covering CIA assassinations, the anthrax attacks, fluoride, TWA 800, Abraham Lincoln, child protective services, the tobacco industry, forgotten uprisings, the government's missing trillions, even more revelations about 9/11 and much more. Contributors include Gary Webb, Greg Palast, Noreena Hertz, Howard Zinn, Douglas Valentine, Jim Hougan, Kristina Borjesson, Arianna Huffington and many more well-known writers—some of whom you’ll be extremely surprised to see in these pages!

Originally published in 1967. This is an examination of warrant statements – statements which indicated something about the grounds on behalf of some further judgement, choice or action. The first part of the study is concerned with the role of warrant statements in theoretical discourse; while the second part concerns their role in practical discourse. Also examined are necessity, probability, knowing, seeing and the complex of terms which allow us to introduce an argumentative structure into discourse.