Reprint of the original, first published in 1840.

In this book, Dennis C. Dickerson examines the long history of the African Methodist Episcopal Church and its intersection with major social movements over more than two centuries. Beginning as a religious movement in the late eighteenth century, the African Methodist Episcopal Church developed as a freedom advocate for blacks in the Atlantic World. Governance of a proud black ecclesia often clashed with its commitment to and resources for fighting slavery, segregation, and colonialism, thus limiting the full realization of the church's emancipationist ethos. Dickerson recounts how this black institution nonetheless weathered the inexorable demands produced by the Civil War, two world wars, the civil rights movement, African decolonization, and women's empowerment, resulting in its global prominence in the contemporary world. His book also integrates the history of African Methodism within the broader historical landscape of American and African-American history.

Publication is an act of power. It brings a piece of writing to the public and identifies its author as a person with an intellect and a voice that matters. Because nineteenth-century Black Americans knew that publication could empower them, and because they faced numerous challenges getting their writing into print or the literary market, many published their own books and pamphlets in order to garner social, political, or economic rewards. In doing so, these authors nurtured a tradition of creativity and critique that has remained largely hidden from view. Bryan Sinche surveys the hidden history of African American self-publication and offers new ways to understand the significance of publication as a creative, reformist, and remunerative project. Full of surprising turns, Sinche's study is not simply a look at genre or a movement; it is a fundamental reassessment of how print culture allowed Black ideas and stories to be disseminated to a wider reading public and enabled authors to retain financial and editorial control over their own narratives.