She Is Everywhere! Volume 3 presents a bold, brave, and beautiful compilation of womanist/feminist essays, poems, and artwork showcasing work from an international community of women and men who honor the Sacred Female. The fifty contributors in this anthology-scholars, creative writers, and visual artists-share their vision for a world that reclaims the inviolability of the Divine Female in all Her many and varied manifestations. She Is Everywhere! Volume 3 is the latest edition of a leading-edge series which, like its predecessors, offers an invaluable contribution to women's spirituality, religion, philosophy, and women's studies. The contemporary voices contained within its pages echo an ancient clarion call to embrace the values of justice with compassion, equality for all people, and transformation. "We have a calling in this world-namely, to prevent the destruction from continuing." -Claudia von Werlhof "I am in the presence of a divine Mother, and She is fulfilling a deep longing inside of me." -Nicole Margiasso-Tran "She was, I am, my daughter is because we are all Her." -Etoyle McKee Just as dark matter (mother) in space shapes galaxies and holds them together, we are shaped and held by the African Dark Mother who has given us Her life force, and resides in the very depths of our being, where the macrocosm is literally reflected in the microcosm." -Leslene della-Madre Front cover: Black Madonna Cradles the Earth (c) 2010 Yvonne M. Lucia Back cover: Contemplate Creation (c) 2006 Sheila Marie Hennessy

Romantic Indians considers the views that Britons, colonists, and North American Indians took of each other during a period in which these people were in a closer and more fateful relationship than ever before or since. It is, therefore, also a book about exploration, empire, and the forms of representation that exploration and empire gave rise to-in particular the form we have come to call Romanticism, in which 'Indians' appear everywhere. It is not too much to say that Romanticism would not have taken the form it did without the complex and ambiguous image of Indians that so intrigued both the writers and their readers. Most of the poets of the Romantic canon wrote about them-not least Southey, Wordsworth, and Coleridge; so did many whom we have only recently brought back to attention-including Bowles, Hemans, and Barbauld. Yet Indians' formative role in the aesthetics and politics of Romanticism has rarely been considered. Tim Fulford aims to bring that formative role to our attention, to show that the images of native peoples that Romantic writers received from colonial administrators, politicians, explorers, and soldiers helped shape not only these writers' idealizations of 'savages' and tribal life, but also their depictions of nature, religion, and rural society. The romanticization of Indians soon affected the way that real native peoples were treated and described by generations of travellers who had already, before reaching the Canadian forest or the mid-western plains, encountered the literary Indians produced back in Britain. Moreover, in some cases Native Americans, writing in English, turned the romanticization of Indians to their own ends. This book highlights their achievement in doing so-featuring fascinating discussions of several little-known but brilliant Native American writers.

Reprint of the original, first published in 1875.