This book features the fascinating, funny and strange side of Minnesota, in small blocks of text, with accompanying photographs.

THE LOUDER THAN WAR #1 BOOK OF THE YEAR A ROUGH TRADE, THE TIMES, MOJO, UNCUT, THE HERALD BOOK OF THE YEAR This is not a book about a rock band. This is not even a book about Mark E Smith. This is a book about The Fall group - or more precisely, their world. 'To 50,000 Fall Fans: please buy this inspired & inspiring, profound & provocative, beautiful & bonkers Book of Revelations.' DAVID PEACE 'Mind blowing . . . there is so much to enjoy in this brilliant book.' TIM BURGESS 'A container sized treasure trove . . . I strongly advise you to buy it.' MAXINE PEAKE 'The most wonderful, unashamedly intellectual, pretentious, ridiculous, exciting hymn to this incredible group.' ANDY MILLER, BACKLISTED Over a prolific forty-year career, the Fall created a world that was influential, idiosyncratic and fiercely original - and defied simple categorisation. Their frontman and lyricist Mark E. Smith spun opaque tales that resisted conventional understanding; the Fall's worldview was an education in its own right. Who wouldn't want to be armed with a working knowledge of M. R. James, shipping-dock procedures, contemporary dance, Manchester City and Can? The group inspired and shaped the lives of those who listened to and tried to make sense of their work. Bringing together previously unseen artwork, rare ephemera and handwritten material, alongside essays by a slate of fans, EXCAVATE! is a vivid, definitive record - an illumination of the dark corners of the Fall's wonderful and frightening world.

The Weight of Images explores the ways in which media images can train their viewers’ bodies. Proposing a shift away from an understanding of spectatorship as being constituted by acts of the mind, this book favours a theorization of relations between bodies and images as visceral, affective engagements that shape our body image - with close attention to one particularly charged bodily characteristic in contemporary western culture: fat. The first mapping of the ways in which fat, gendered bodies are represented across a variety of media forms and genres, from reality television to Hollywood movies, from TV sitcoms to documentaries, from print magazine and news media to online pornography, The Weight of Images contends that media images of fat bodies are never only about fat; rather, they are about our relation to corporeal vulnerability overall. A ground-breaking volume, engaging with a rich variety of media and cultural texts, whilst examining the possibilities of critical auto-ethnography to unravel how body images take shape affectively between bodies and images, this book will appeal to scholars and students of sociology, media, cultural and gender studies, with interests in embodiment and affect.

Stone himself serves as guide to this no-holds-barred retrospective—an extremely candid and comprehensive monograph of the renowned and controversial writer, director, and cinematic historian in interview form. Over the course of five years, Academy Award-winning filmmaker Oliver Stone (Midnight Express, Scarface, Platoon, JFK, Natural Born Killers, Snowden) and New York Times bestselling author Matt Zoller Seitz (The Wes Anderson Collection) discussed, debated, and deconstructed the arc of Stone's outspoken, controversial life and career with extraordinary candor. This book collects those conversations for the first time, including anecdotes about Stone's childhood, Vietnam, his struggles with post-traumatic stress disorder, and his continual struggle to reinvent himself as an artist. Their dialogue is illustrated by hundreds of never-before-seen photographs and documents from Stone's personal archive, dating back to Stone's birth: personal snapshots, private correspondence, annotated script pages and storyboards, behind-the-scenes photography, and production files from all of his films to date—through 2016's Snowden, and including Stone's epic Showtime mini-series Untold HIstory of the United States. Critical commentary from Seitz on each of Stone's films is joined by original essays from filmmaker Ramin Bahrani; writer, editor, and educator Kiese Laymon; writer and actor Jim Beaver; and film critics Walter Chaw, Michael Guarnieri, Kim Morgan, and Alissa Wilkinson. At once a complex analysis of a master director’s vision and a painfully honest critical biography in widescreen technicolor, The Oliver Stone Experience is as daring, intense, and provocative as Stone’s films—it's an Oliver Stone movie about Oliver Stone, in the form of a book. Both this book and Stone’s highly anticipated film, Snowden, will be released in September 2016 to coincide with Stone’s seventieth birthday (September 15, 1946). Also available from Matt Zoller Seitz: Mad Men Carousel, The Wes Anderson Collection: Bad Dads, The Wes Anderson Collection: The Grand Budapest Hotel, and The Wes Anderson Collection.

A revised edition of the hilarious Minnesotan culture guide from a former writer for A Prairie Home Companion Fans of the Minnesota-set movie Fargo will love this uproarious culture guide to all-things Minnesotan. With his dry wit and distinctive voice, Howard Mohr won millions of fans across the country on Garrison Keillor’s radio show A Prairie Home Companion. His popular commercials and ad spots, including one for “Minnesota Language Systems,” became the best of the best of Minnesota humor. Now, Mohr has updated his classic guide, How to Talk Minnesotan, to advise visitors on the use of Twitter and Facebook, cell phone etiquette, and more while in the Land of 10,000 Lakes. “Ranging in flavor from satiric pungency to lunatic lusciousness, this is glorious, uproarious humor. Or as they say in Minnesota, ‘a heckuva deal, you bet.’”—Booklist

On a hot July day in 1922, small town dreamer Ralph Samuelson strapped two pine boards to his feet and rode the waves of the mighty Mississippi into history as the world's first water skier. This book captures the inspiring true story of the ordinary man whose extraordinary faith enabled him to accomplish the impossible, walk on water. This previously unpublished manuscript was reborn and updated by his granddaughter Gail Eadie.

"I am peculiar, compact with no spare parts included," announces Erin Lynn Marsh in the opening poem of Disability isn't Sexy," and from this to the last line of the collection, her intimate, occasionally undersea poems inhabit a space poised between confidence and longing, vulnerability and power. Marsh's embodied experience of the world is set forth in lyric forms that explore how attraction and dis/connection intersect with difference. A distinctive debut. Paula Cisewski, author and winner of the Diode Editions Book Prize

Perfect for fans of Where’d You Go, Bernadette and Small Admissions, a wry and cleverly observed debut novel about the privileged bubble that is Liston Heights High—the micro-managing parents, the overworked teachers, and the students caught in the middle—and the fallout for each of them when the bubble finally bursts. When a devoted teacher comes under pressure for her progressive curriculum and a helicopter mom goes viral on social media, two women at odds with each other find themselves in similar predicaments, having to battle back from certain social ruin. Isobel Johnson has spent her career in Liston Heights sidestepping the community’s high-powered families. But when she receives a threatening voicemail accusing her of Anti-Americanism and a liberal agenda, she’s in the spotlight. Meanwhile, Julia Abbott, obsessed with the casting of the school’s winter musical, makes an error in judgment that has far-reaching consequences for her entire family. Brought together by the sting of public humiliation, Isobel and Julia learn firsthand how entitlement and competition can go too far, thanks to a secret Facebook page created as an outlet for parent grievances. The Liston Heights High student body will need more than a strong sense of school spirit to move past these campus dramas in an engrossing debut novel that addresses parents behaving badly and teenagers speaking up, even against their own families.