Minimalism as a concept was first used in the world of art to characterize the work of Donald Judd, Sol Le Witt and several others. Soon afterwards, this creative approach began to take hold in architecture, and the works of many contemporary architects are rooted in Minimalism to a greater or lesser degree. This publication goes to the heart of this trend, looking first at Loos, Wittgenstein, Mies van der Rohe, and Asplund, the definitive precursors of Minimalism. Then the works of today ́s protagonists, who include Tadao Ando, Luìs Barragàn, Alberto Campo Baeza, A.G. Fronzoni, Michael Gabellini, John Pawson, Claudio Silvestrin, Eduardo Souto Moura, and Peter Zumthor are covered extensively. A selection of texts contributed by the featured architects conclude the volume. With a clear even austere presentation, this book not only reflects its contents but provides a comprehensive overview of Minimalism, one of the dominant trends in contemporary architecture.

This volume presents an introduction to minimalism. It describes movements in various forms of art and design, especially visual art and music, where the work is stripped down to its most fundamental features. It is rooted in the reductive aspects of Modernism, and is often interpreted as a reaction against Abstract expressionism and a bridge to Postmodern art practices.

This book examines computer architecture, computability theory, and the history of computers from the perspective of minimalist computing - a framework in which the instruction set consists of a single instruction. This approach is different than that taken in any other computer architecture text, and it is a bold step. The audience for this book is researchers, computer hardware engineers, software engineers, and systems engineers who are looking for a fresh, unique perspective on computer architecture. Upper division undergraduate students and early graduate students studying computer architecture, computer organization, or embedded systems will also find this book useful. A typical course title might be "Special Topics in Computer Architecture." The organization ofthe book is as follows. First, the reasons for studying such an "esoteric" subject are given. Then, the history and evolution of instruction sets is studied with an emphasis on how modern computing has features ofone instruction computing. Also, previous computer systems are reviewed to show how their features relate to one instruction computers. Next, the primary forms of one instruction set computing are examined. The theories of computation and of Turing machines are also reviewed to examine the theoretical nature of one instruction computers. Other processor architectures and instruction sets are then mapped into single instructions to illustrate the features of both types of one instruction computers. In doing so, the features of the processor being mapped are highlighted.

Minimalism, the leading decorative trend in the past decade, uses simplicity as an expression of aesthetic beauty and functionality. The 24 minimalist-based homes featured in this book exemplify how a multitude of original architectural works can result from ideas inspired by the principles of minimalism.

"This book offers a broad and practical view of minimalist home design, with numerous examples"--Page 6

Joel Beath and Elizabeth Price explore this question drawing inspiration from a diverse collection of apartment designs, all smaller than 50m2/540ft2. Through the lens of five small-footprint design principles and drawing on architectural images and detailed floor plans, the authors examine how architects and designers are reimagining small space living. Full of inspiration we can each apply to our own spaces, this is a book that offers hope and inspiration for a future of our cities and their citizens in which sustainability and style, comfort and affordability can co-exist. Never Too Small proves living better doesn’t have to mean living larger.

The one instruction set computer (OISC) is the ultimate reduced instruction set computer (RISC). In OISC, the instruction set consists of only one instruction, and then by composition, all other necessary instructions are synthesized. This is an approach completely opposite to that of a complex instruction set computer (CISC), which incorporates complex instructions as microprograms within the processor. Computer Architecture: A Minimalist Perspective examines computer architecture, computability theory, and the history of computers from the perspective of one instruction set computing - a novel approach in which the computer supports only one, simple instruction. This bold, new paradigm offers significant promise in biological, chemical, optical, and molecular scale computers. Features include: · Provides a comprehensive study of computer architecture using computability theory as a base. · Provides a fresh perspective on computer architecture not found in any other text. · Covers history, theory, and practice of computer architecture from a minimalist perspective. Includes a complete implementation of a one instruction computer. · Includes exercises and programming assignments. Computer Architecture: A Minimalist Perspective is designed to meet the needs of a professional audience composed of researchers, computer hardware engineers, software engineers computational theorists, and systems engineers. The book is also intended for use in upper division undergraduate students and early graduate students studying computer architecture or embedded systems. It is an excellent text for use as a supplement or alternative in traditional Computer Architecture Courses, or in courses entitled "Special Topics in Computer Architecture."

The New Yorker staff writer and Filterworld author Kyle Chayka examines the deep roots-and untapped possibilities-of our newfound, all-consuming drive to reduce. “Less is more”: Everywhere we hear the mantra. Marie Kondo and other decluttering gurus promise that shedding our stuff will solve our problems. We commit to cleanse diets and strive for inbox zero. Amid the frantic pace and distraction of everyday life, we covet silence-and airy, Instagrammable spaces in which to enjoy it. The popular term for this brand of upscale austerity, “minimalism,” has mostly come to stand for things to buy and consume. But minimalism has richer, deeper, and altogether more valuable gifts to offer. In The Longing for Less, one of our sharpest cultural critics delves beneath the glossy surface of minimalist trends, seeking better ways to claim the time and space we crave. Kyle Chayka's search leads him to the philosophical and spiritual origins of minimalism, and to the stories of artists such as Agnes Martin and Donald Judd; composers such as John Cage and Julius Eastman; architects and designers; visionaries and misfits. As Chayka looks anew at their extraordinary lives and explores the places where they worked-from Manhattan lofts to the Texas high desert and the back alleys of Kyoto-he reminds us that what we most require is presence, not absence. The result is an elegant synthesis of our minimalist desires and our profound emotional needs. With a new afterword by the author.

The notion of Minimalism is proposed as a theoretical tool supporting a more differentiated understanding of reduction and thus forms a standpoint that allows definition of aspects of simplicity. Possible uses of the notion of minimalism in the field of human–computer interaction design are examined both from a theoretical and empirical viewpoint, giving a range of results. Minimalism defines a radical and potentially useful perspective for design analysis. The empirical examples show that it has also proven to be a useful tool for generating and modifying concrete design techniques. Divided into four parts this book traces the development of minimalism, defines the four types of minimalism in interaction design, looks at how to apply it and finishes with some conclusions.