History as you have never heard it - cartoons and amusing text and illustrations give readers the lowdown on what life was like in ancient Greece and in England under Roman occupation.

Stirring and triumphant photographs taken by "LIFE" photographer Adelman evoke the heady days of the Civil Rights Movement when America faced its worst nightmare only a generation ago. Concluding on a note of celebration, the photographs reveal ever-increasing signs of racial reconciliation.

Mine Eyes Have Seen (1918) is a one-act play by Alice Dunbar Nelson. Published in The Crisis, the influential journal of the NAACP, Mine Eyes Have Seen is a brutal portrait of race and identity in twentieth century America. Exploring themes of violence, faith, patriotism, and economic struggle, Dunbar Nelson crafts a poignant and unforgettable work of fiction. When their father, a successful black man, is lynched by vengeful white neighbors, Dan, Chris, and Lucy flee north with their mother. They reach the city safely, but their mother soon dies from heartbreak and exhaustion, leaving her children to fend for themselves. Dan, the eldest, manages to support his siblings until an accident at the factory leaves him crippled. This forces Chris, a bitter young man, to take financial responsibility for the family. When the United States enters the First World War, authorizing the Selective Service Act of 1917, Chris is drafted into the military. Despite his hesitation and distrust of a government that allowed his father to be murdered with impunity, he soon comes under the influence of patriotic white neighbors who encourage him to sacrifice his life for the nation. With a beautifully designed cover and professionally typeset manuscript, this edition of Alice Dunbar Nelson’s Mine Eyes Have Seen is a classic of African American literature reimagined for modern readers.

An expansion of the 1989 edition which was a companion to the PBS series. Annotation copyright by Book News, Inc., Portland, OR

From the days of the thirteen colonies to the age of the computer, this history of America by the people encompasses a wide-ranging collection of excerpts from diaries, memoirs, trial testimony, public documents, news reports and interviews, and other eye-witness accounts that sheds light on every corner of American life.

In his final speech “I've Been to the Mountaintop,” Martin Luther King Jr. delivered his support of African American garbage workers on strike in Memphis. Although some consider this oration King's finest, it is mainly known for its concluding two minutes, wherein King compares himself to Moses and seems to predict his own assassination. But King gave an hour-long speech, and the concluding segment can only be understood in relation to the whole. King scholars generally focus on his theology, not his relation to the Bible or the circumstance of a Baptist speaking in a Pentecostal setting. Even though King cited and explicated the Bible in hundreds of speeches and sermons, Martin Luther King's Biblical Epic is the first book to analyze his approach to the Bible and its importance to his rhetoric and persuasiveness. Martin Luther King's Biblical Epic argues that King challenged dominant Christian supersessionist conceptions of Judaism in favor of a Christianity that affirms Judaism as its wellspring. In his final speech, King implicitly but strongly argues that one can grasp Jesus only by first grasping Moses and the Hebrew prophets. This book also traces the roots of King's speech to its Pentecostal setting and to the Pentecostals in his audience. In doing so, Miller puts forth the first scholarship to credit the mostly unknown, but brilliant African American architect who created the large yet compact church sanctuary, which made possible the unique connection between King and his audience on the night of his last speech.

Mine Eyes Have Seen the Glory is a hard-hitting history of the impact of racism and religion on the political, social, and economic development of the American nation from Jamestown to today, in particular the nefarious effects of slavery on U.S. society and history. Going back to England's rise as a colonial power and its use of slavery in its American colonies, Steven L. Dundas examines how racism and the institution of slavery influenced the political and social structure of the United States, beginning with the writing of the Declaration of Independence and the Constitution. Dundas tackles the debates over the Constitution's three-fifths solution on how to count Black Americans as both property and people, the expansion of the republic and slavery, and the legislation enacted to preserve the Union, including the Missouri Compromise, the Compromise of 1850, and the Kansas-Nebraska Act--as well as their disastrous consequences. Mine Eyes Have Seen the Glory squarely faces how racism and religion influenced individual and societal debates over slavery, Manifest Destiny, secession, and civil war. Dundas deals with the struggle for abolition, emancipation, citizenship, and electoral franchise for Black Americans, and the fierce and often violent rollback following Reconstruction's end, the civil rights movement, and the social and political implications today. Mine Eyes Have Seen the Glory is the story of perpetrators, victims, and bystanders; slaves and slaveholders; preachers, politicians, and propagandists; fire-eaters and firebrands; civil rights leaders and champions of white supremacy; and the ordinary people in the South and the North whose lives were impacted by it all.

Psalm 119:18 Open thou mine eyes, that I may behold wondrous things out of thy law. The scriptures in the bible, contain, wonderful, truths, about life. But by far, the most wonderful thing, contained in the bible, is God's love for us. God's love is the most wonderful thing, any human being can ever have. His love, is hidden, inside of every word, in the bible. Their is also knowledge, wisdom, and understanding, which all come from his word. Inside of his word, we will find individual revelations, that will impart, the strength we need, to overcome anything the enemy might throw against us. Proverbs 25:2 It is the glory of God to conceal a thing: but the honour of kings is to search out a matter. Inside of God's word, are hidden treasures. Treasures, who's worth far exceeds that, of rubies, and gold. All we need to do, to find them, is look for them. They are carefully concealed, inside of God's word. This book is a treasure chest, full of great riches.

It was sung at Ronald Reagan's funeral, and adopted with new lyrics by labor radicals. John Updike quoted it in the title of one of his novels, and George W. Bush had it performed at the memorial service in the National Cathedral for victims of September 11, 2001. Perhaps no other song has held such a profoundly significant--and contradictory--place in America's history and cultural memory than the "The Battle Hymn of the Republic." In this sweeping study, John Stauffer and Benjamin Soskis show how this Civil War tune has become an anthem for cause after radically different cause. The song originated in antebellum revivalism, with the melody of the camp-meeting favorite, "Say Brothers, Will You Meet Us." Union soldiers in the Civil War then turned it into "John Brown's Body." Julia Ward Howe, uncomfortable with Brown's violence and militancy, wrote the words we know today. Using intense apocalyptic and millenarian imagery, she captured the popular enthusiasm of the time, the sense of a climactic battle between good and evil; yet she made no reference to a particular time or place, allowing it to be exported or adapted to new conflicts, including Reconstruction, sectional reconciliation, imperialism, progressive reform, labor radicalism, civil rights movements, and social conservatism. And yet the memory of the song's original role in bloody and divisive Civil War scuttled an attempt to make it the national anthem. The Daughters of the Confederacy held a contest for new lyrics, but admitted that none of the entries measured up to the power of the original. "The Battle Hymn" has long helped to express what we mean when we talk about sacrifice, about the importance of fighting--in battles both real and allegorical--for the values America represents. It conjures up and confirms some of our most profound conceptions of national identity and purpose. And yet, as Stauffer and Soskis note, the popularity of the song has not relieved it of the tensions present at its birth--tensions between unity and discord, and between the glories and the perils of righteous enthusiasm. If anything, those tensions became more profound. By following this thread through the tapestry of American history, The Battle Hymn of the Republic illuminates the fractures and contradictions that underlie the story of our nation.

In this special seasonal edition, bestselling author Robert J. Morgan shares the incredible stories behind traditional holiday hymns of faith, including Christmas, Easter, and more. Is there a festive season of the year that is complete without one of your favorite hymns? Not only do hymns connect you to great memories, but they also reveal the faith of those who lived throughout history. As Robert Morgan explored the stories behind some of the best-loved hymns, he found fascinating accounts of tribulations, triumphs, struggles, and hope—ordinary people who connected with God in amazing ways, sharing their experiences through song. Included inside this special edition are: 150 devotional-style stories with the words and music to each hymn Includes hymns for holidays including Christmas, Easter, Thanksgiving, and more Jagged edged paper, giving it a classic feel Includes a complete hymn index by title, first line, and songwriter Perfect for use as a daily devotional, teaching illustration, or for song leaders and music ministers Discover the inspiration behind your favorite hymns. Find new favorites as you relate to the people whose walk of faith led them to write these classic songs of praise. Share these stories with your family, friends, and church, and find more depth and meaning as you worship God through song.