Milton and the Natural World overturns prevailing critical assumptions by offering a fresh view of Paradise Lost, in which the representation of Eden's plants and animals is shown to be fully cognizant of the century's new, scientific natural history. The fabulous lore of the old science is wittily debunked, and the poem embraces new imaginative and symbolic possibilities for depicting the natural world, suggested by the speculations of Milton's scientific contemporaries including Robert Boyle, Thomas Browne and John Evelyn. Karen Edwards argues that Milton has represented the natural world in Paradise Lost, with its flowers and trees, insects and beasts, as a text alive with meaning and worthy of close reading.

Undertake a sacred passage into the temple of nature, guided by meditation master and vision quest leader John P Milton. Since the 1940's, this pioneering spiritual teacher has led over 10,000 vision quests into the wilds of Colorado, the Himalayas, Bali, the Arctic, Mexico, and other sacred sites around the world. Now this pathfinder guides readers back to the wilderness within themselves, to discover how they are connected with the vast and sacred mystery of nature. Highlights include: why meditation in nature is unequaled in its power to transform lives, a full-body meditation for the deepest relaxation of one's life, how nature's healing energy can renew the body, how to clear and open blocked internal pathways to open them to earth's energy, and a 10-minute practice to restore one's internal balance with the natural world.

Out of this World is a lively biography of Canada's "People's Poet," Milton Acorn, exploring – and exposing – his larger-than-life myths, and tracing his tragic rise and fall: from his youth in Charlottetown, to Montréal in the late '50s, to Toronto and Vancouver in the '60s. His poetry was at once political and personal, informed by both Marxist dogma and intimate experience; his voice unique among Canadian poets. For better or worse, Acorn fearlessly and recklessly embraced life as only he could. A man of great myth, and the subject of much speculation, Acorn died having established himself as one of Canada's most celebrated and popular poets.

The focus of this study is the perception of nature in the language of poetry and the languages of natural philosophy, technology, theology, and global exploration, primarily in seventeenth-century England. Its premise is that language and the perception of nature vitally affect each other and that seventeenth-century poets, primarily John Milton, Andrew Marvell, and Henry Vaughan, but also Margaret Cavendish, Thomas Traherne, Anne Finch, and others, responded to experimental proto-science and new technology in ways that we now call 'ecological' - concerned with watersheds and habitats and the lives of all creatures. It provides close readings of works by these poets in the contexts of natural history, philosophy, and theology as well as technology and land use, showing how they responded to what are currently considered ecological issues: deforestation, mining, air pollution, drainage of wetlands, destruction of habitats, the sentience and intelligence of animals, overbuilding, global commerce, the politics of land use, and relations between social justice and justice towards the other-than-human world. In this important book, Diane McColley demonstrates the language of poetry, the language of responsible science, and the language of moral and political philosophy all to be necessary parts of public discourse.

In The Nature of Space, pioneering Afro-Brazilian geographer Milton Santos attends to globalization writ large and how local and global orders intersect in the construction of space. Santos offers a theory of human space based on relationships between time and ontology. He argues that when geographers consider the inseparability of time and space, they can then transcend fragmented realities and partial truths without trying to theorize their way around them. Based on these premises, Santos examines the role of space, which he defines as indissoluble systems of objects and systems of actions in social processes, while providing a geographic contribution to the production of a critical social theory.

div What does eating have to do with aesthetic taste? While most accounts of aesthetic history avoid the gustatory aspects of taste, this book rewrites standard history to uncover the constitutive and dramatic tension between appetite and aesthetics at the heart of British literary tradition. From Milton through the Romantics, the metaphor of taste serves to mediate aesthetic judgment and consumerism, gusto and snobbery, gastronomes and gluttons, vampires and vegetarians, as well as the philosophy and physiology of food. The author advances a theory of taste based on Milton’s model of the human as consumer (and digester) of food, words, and other commodities—a consumer whose tasteful, subliminal self remains haunted by its own corporeality. Radically rereading Wordsworth’s feeding mind, Lamb’s gastronomical essays, Byron’s cannibals and other deviant diners, and Kantian nausea, Taste resituates Romanticism as a period that naturally saw the rise of the restaurant and the pleasures of the table as a cultural field for the practice of aesthetics. /DIV

"This collection of essays takes a 'green' approach to representations of Eden while also considering the role of gender, politics, and poetics, discussing relevant issues of both literature and culture"--Provided by publisher.

Back to the Garden presents a frightening and tragic possibility for our future but doesn't ignore our affirmative connection to the wilderness and to other people. The novel attempts to open people's eyes to the importance of respecting limits, before it's too late.