Millie the millipede discovers the different colors decorating her body as she travels through a fruit grove, in a book designed to teach young readers to identify colors. On board pages.

Originally published: New York: Random House Children's Books, 2015.

Middle school crushes are WAY more complicated when you have a love potion. Everyone knows love potions don’t really work. But Cleo got one as a gift. And it would be crazy not to at least try it . . . right? The plan is simple: make Cleo’s ex–best friend Samantha and her (secret) crush Larry fall in love. If it works, Sam will be so happy, she’ll want to be Cleo’s friend again! But when Sam gets suspicious, only Larry drinks the love potion. And now suddenly Larry is in love with . . . Cleo? And then it gets worse. Cleo’s dad drank the other glass of punch, and suddenly he’s in love with Samantha’s mom. Which would have been really cool when Cleo and Sam were still friends . . . but now that they’re frenemies? Disaster! Is there a potion to make everything go back to normal? Fans of Sarah Mlynowski, Lauren Myracle, and Wendy Mass will love this fresh contemporary story with just a touch of magic.

Adrienne Kisner's Six Angry Girls is a story of mock trial, feminism, and the inherent power found in a pair of knitting needles. Raina Petree is crushing her senior year, until her boyfriend dumps her, the drama club (basically) dumps her, the college of her dreams slips away, and her arch-nemesis triumphs. Things aren’t much better for Millie Goodwin. Her father treats her like a servant, and the all-boy Mock Trial team votes her out, even after she spent the last three years helping to build its success. But then, an advice columnist unexpectedly helps Raina find new purpose in a pair of knitting needles and a politically active local yarn store. This leads to an unlikely meeting in the girls’ bathroom, where Raina inspires Millie to start a rival team. The two join together and recruit four other angry girls to not only take on Mock Trial, but to smash the patriarchy in the process.

The gang’s all here for another delicious serving of Garfield goodies! In the volume, Garfield becomes matchmaker for some neighborhood dogs, and picks up the trenchcoat once again for another Sam Spayed adventure. Writers Mark Evanier and Scott Nickel, and artist Antonio Alfaro bring laughs and shenanigans for the whole family.

Beyond Appalachia is a collection of short stories, some written several decades ago and some written recently specifically for this collection. There are travel stories, romances (sort of), museum stories, and ironic stories. The most poignant story is titled "Dirty OB," a description of unsafe abortion practices prior to Roe v. Wade. 1

Princess Bare Foot and The Tales from Togetherland came about through a chance meeting of John Townsend with Nimsi Micaelo. That chance meeting revealed Nimsi's ideas for a book for children. She had the title already in her head, Princess Bare Foot. From their repeated conversations and exchanges of ideas, with John turning Nimsi's ideas into short stories along with his own ideas, Princess Bare Foot and The Tales from Togetherland was born. The flow of ideas from Nimsi and John has continued resulting in a second book, even into a third book. The book holds fast to childhood--innocent, dreamlike, and happy.

Presenting a powerful and stimulating approach to writing, "Location Writing" allows children to escape the confines of the classroom and develop written responses to their environment. The book features: activities covering prose, poetry, non-fiction and faction; examples of written work by both children and professional writers; detailed lesson plans and ideas; advice on establishing writers' trails; cross-curricular links; and lists of resources and suggestions for location writing around the UK.

Is it truth or fiction? Memoir or essay? Narrative or associative? To a writer like Michael Martone, questions like these are high praise. Martone’s studied disregard of form and his unruffled embrace of the prospect that nothing--no story, no life--is ever quite finished have yielded some of today’s most splendidly unconventional writing. Add to that an utter weakness for pop Americana and what Louise Erdrich has called a “deep affection for the ordinary,” and you have one of the few writers who could pull off something like Racing in Place. Up the steps of the Washington Monument, down the home stretch at the Indy Speedway, and across the parking lot of the Moon Winx Lodge in Tuscaloosa, Alabama, Martone chases, and is chased by, memories--and memories of memories. He writes about his grandfather’s job as a meter reader, those seventies-era hotels with atrium lobbies and open glass elevators, and the legendary temper of basketball coach Bob Knight. Martone, as Peter Turchi has said, looks “under stones the rest of us leave unturned.” So, what is he really up to when he dwells on the make of Malcolm X’s eyeglasses or the runner-up names for Snow White’s seven dwarfs? In “My Mother Invents a Tradition,” Martone tells how his mom, as the dean of girls at a brand-new high school in Fort Wayne, Indiana, “constructed a nostalgic past out of nothing.” Sitting at their dining room table, she came up with everything from the school colors (orange and brown) to the yearbook title (Bear Tracks). Look, and then look again, Martone is saying. “You never know. I never know.”

"Michael Martone, by Michael Martone, continues the author's exploration of the parts of books nobody ever reads. Michael Martone is its own appendix, comprising forty-two "contributors notes," each of which identifies in exorbitant biographical detail the author of the other forty-one. Full of fanciful anecdotes and preposterous reminiscences, Martone's self-inventions prove as Protean as fiction itself, continuously transforming the past with every new attribution but never identifying the author by name. It is this missing personage who, from first note to last, constitutes the unformed subject of Michael Martone."--BOOK JACKET.