More and more people-- especially millennials-- are turning to religion as a source of comfort and solace in our increasingly chaotic world. Rather than live a cloistered life of seclusion, the Daughters of Saint Paul actively embrace social media to evangelize, collectively calling themselves the #MediaNuns. In this collective memoir, eight of these Sisters share their own discernment journeys, struggles and crises of faith that they have overcome, and episodes from their daily lives. They offer practical takeaways and tips for living a more spiritually-fulfilled life, no matter your religious affiliation. -- adapted from jacket

More and more people-- especially millennials-- are turning to religion as a source of comfort and solace in our increasingly chaotic world. Rather than live a cloistered life of seclusion, the Daughters of Saint Paul actively embrace social media to evangelize, collectively calling themselves the #MediaNuns. In this collective memoir, eight of these Sisters share their own discernment journeys, struggles and crises of faith that they have overcome, and episodes from their daily lives. They offer practical takeaways and tips for living a more spiritually-fulfilled life, no matter your religious affiliation. -- adapted from jacket

When her husband left Christianity several years into their marriage, Stina Kielsmeier-Cook was left struggling to live the Christian life on her own. In this memoir, she tells the story of her mixed-faith marriage and how she found unexpected community with an order of Catholic nuns, discovering that she was not "spiritually single" after all—and that no one really is.

A Place to Belong: Letters from Catholic Women explores what it means to be a woman of faith today. Edited by Corynne Staresinic, the founder of the nonprofit The Catholic Woman, this stunning anthology of twenty-five deeply personal letters, wisdom from women saints, reflection questions, art, photography, and prayers will inspire you to live your femininity along your own unique life path as you find--and provide for others--a place to belong.

I mean no disrespect to Mr. Blatchford in saying that our difficulty very largely lies in the fact that he, like masses of clever people nowadays, does not understand what theology is. To make mistakes in a science is one thing, to mistake its nature another. And as I read God and My Neighbour, the conviction gradually dawns on me that he thinks theology is the study of whether a lot of tales about God told in the Bible are historically demonstrable. This is as if he were trying to prove to a man that Socialism was sound Political Economy, and began to realise half-way through that the man thought that Political Economy meant the study of whether politicians were economical. Aeterna Press

A National Book Foundation "5 Under 35" Honoree “An enchanting, sparkling book about the many meanings of sisterhood.” —Kristin Iversen, Refinery29 Claire Luchette's debut, Agatha of Little Neon, is a novel about yearning and sisterhood, figuring out how you fit in (or don’t), and the unexpected friends who help you find your truest self Agatha has lived every day of the last nine years with her sisters: they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life. But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a former mill town now dotted with wind turbines. They take over the care of a halfway house, where they live alongside their charges, such as the jawless Tim Gary and the headstrong Lawnmower Jill. Agatha is forced to venture out into the world alone to teach math at a local all-girls high school, where for the first time in years she has to reckon all on her own with what she sees and feels. Who will she be if she isn’t with her sisters? These women, the church, have been her home. Or has she just been hiding? Disarming, delightfully deadpan, and full of searching, Claire Luchette’s Agatha of Little Neon offers a view into the lives of women and the choices they make.

An introduction to the Dharma for millennials by a young Tibetan lama. This unique and fresh presentation of Tibetan Buddhism provides all the tools a millennial needs to navigate the Buddhist path in a modern world. The twenty-five-year-old lama, Avikrita Vajra Sakya, was born and raised in America and now lives in a monastery in India, training in and teaching meditation and Buddhist philosophy to hundreds of monks and nuns. He has thousands of students all over the world, with over 100,000 people following him on Facebook. His style of writing is frank and open, hitting straight to the heart of young people's concerns for why they should bother with a spiritual path in the age of cell phones and shopping malls. There is no other book like this available that makes such a direct argument for being a twenty-first century Buddhist, whether you are living in Seattle or in a Himalayan hermitage. Fundamentally, we all have the same hang-ups and all equally have the potential to become buddhas ourselves by cultivating loving-kindness, compassion, and wisdom. And this book teaches readers to do just that.

Just five weeks after its publication in January 1836, Awful Disclosures of the Hotel Dieu Nunnery, billed as an escaped nun's shocking exposé of convent life, had already sold more than 20,000 copies. The book detailed gothic-style horror stories of licentious priests and abusive mothers superior, tortured nuns and novices, and infanticide. By the time the book was revealed to be a fiction and the author, Maria Monk, an imposter, it had already become one of the nineteenth century's best-selling books. In antebellum America only one book, Uncle Tom's Cabin, outsold it. The success of Monk's book was no fluke, but rather a part of a larger phenomenon of anti-Catholic propaganda, riots, and nativist politics. The secrecy of convents stood as an oblique justification for suspicion of Catholics and the campaigns against them, which were intimately connected with cultural concerns regarding reform, religion, immigration, and, in particular, the role of women in the Republic. At a time when the term "female virtue" pervaded popular rhetoric, the image of the veiled nun represented a threat to the established American ideal of womanhood. Unable to marry, she was instead a captive of a foreign foe, a fallen woman, a white slave, and a foolish virgin. In the first half of the nineteenth century, ministers, vigilantes, politicians, and writers--male and female--forged this image of the nun, locking arms against convents. The result was a far-reaching antebellum movement that would shape perceptions of nuns, and women more broadly, in America.

ONE OF THE NEW YORK TIMES BOOK REVIEW'S 10 BEST BOOKS OF THE YEAR NAMED ONE OF THE 50 BEST MEMOIRS OF THE PAST 50 YEARS BY THE NEW YORK TIMES SELECTED AS A BEST BOOK OF THE YEAR BY: The Washington Post * Elle * NPR * New York Magazine * Boston Globe * Nylon * Slate * The Cut * The New Yorker * Chicago Tribune WINNER OF THE THURBER PRIZE FOR AMERICAN HUMOR “Affectionate and very funny . . . wonderfully grounded and authentic. This book proves Lockwood to be a formidably gifted writer who can do pretty much anything she pleases.” – The New York Times Book Review From Booker Prize finalist Patricia Lockwood, author of the novel No One Is Talking About This, a vivid, heartbreakingly funny memoir about balancing identity with family and tradition. Father Greg Lockwood is unlike any Catholic priest you have ever met—a man who lounges in boxer shorts, loves action movies, and whose constant jamming on the guitar reverberates “like a whole band dying in a plane crash in 1972.” His daughter is an irreverent poet who long ago left the Church’s country. When an unexpected crisis leads her and her husband to move back into her parents’ rectory, their two worlds collide. In Priestdaddy, Lockwood interweaves emblematic moments from her childhood and adolescence—from an ill-fated family hunting trip and an abortion clinic sit-in where her father was arrested to her involvement in a cultlike Catholic youth group—with scenes that chronicle the eight-month adventure she and her husband had in her parents’ household after a decade of living on their own. Lockwood details her education of a seminarian who is also living at the rectory, tries to explain Catholicism to her husband, who is mystified by its bloodthirstiness and arcane laws, and encounters a mysterious substance on a hotel bed with her mother. Lockwood pivots from the raunchy to the sublime, from the comic to the deeply serious, exploring issues of belief, belonging, and personhood. Priestdaddy is an entertaining, unforgettable portrait of a deeply odd religious upbringing, and how one balances a hard-won identity with the weight of family and tradition.