Faye Martin, a 15 year old lightning strike survivor, returns to the mysterious camp Milestone in hopes of fulfilling her secret destiny and reuniting with her friends. Once more, she begins her summer anticipating the arrival of new campers and pining over her love, Benji, who has since found a new girlfriend. However, things quickly take a turn for the worst and Faye catapults into a dark world where her loved ones are in danger. As she attempts to undo the damages done by an anonymous force, Faye realizes she cannot possibly save her friends and camp without help. But with all the changes, downfalls and drama, how can she know who to trust? And what will happen if the camp is destroyed? Most importantly, who is responsible for the demise of the camp? In the second installment of the Milestones trilogy, Hodges describes the collapse of this beloved fantasy world and leads us down the path that ends in an uncertain ever after.

One day. That's how long it took for fourteen year-old Faye Martin's ordinary life to take a dramatic and unexpected turn. First, she gets struck by lightning. Second, Benjamin Parker, the object of her obsession, witnessed her near-death experience. Finally, her parents force her to leave her hometown of Seattle to attend an overnight summer camp, aptly named 'Camp Milestone'. Only, Camp Milestone is no ordinary camp. Before she knows it, Faye finds herself caught in a whirlwind of uncertainty, torture, calamine lotion and romance....all in the name of summer camp. But as the summer unfolds, she realizes there is much more to Camp Milestone than meets the eye. Will she be able to unravel the mystery that surrounds this unusual camp? And more importantly, will she be able to survive the madness long enough to put the pieces together?

Camp Milestone is no more. Faye Martin has lost her friends including her best friend Diane, who is now determined to kill her. Despite her best efforts to forgive and forget, Faye realizes this is impossible. Her future actions are crucial to the survival of her kind, and of the world. Can she get through to Diane and make her remember their history and friendship? Will she be able to warn her camp friends in time before the next natural disaster hits? Will she be reunited with Benji again? The third and final chapter in the Milestones trilogy answers these questions and leaves us wondering if "happily ever after" can truly carry through to the next generation.

An insightful and powerful look at the magic of summer camp—and why it is so important for children to be away from home . . . if only for a little while. In an age when it’s the rare child who walks to school on his own, the thought of sending your “little ones” off to sleep-away camp can be overwhelming—for you and for them. But parents’ first instinct—to shelter their offspring above all else—is actually depriving kids of the major developmental milestones that occur through letting them go—and watching them come back transformed. In Homesick and Happy, renowned child psychologist Michael Thompson, PhD, shares a strong argument for, and a vital guide to, this brief loosening of ties. A great champion of summer camp, he explains how camp ushers your children into a thrilling world offering an environment that most of us at home cannot: an electronics-free zone, a multigenerational community, meaningful daily rituals like group meals and cabin clean-up, and a place where time simply slows down. In the buggy woods, icy swims, campfire sing-alongs, and daring adventures, children have emotionally significant and character-building experiences; they often grow in ways that surprise even themselves; they make lifelong memories and cherished friends. Thompson shows how children who are away from their parents can be both homesick and happy, scared and successful, anxious and exuberant. When kids go to camp—for a week, a month, or the whole summer—they can experience some of the greatest maturation of their lives, and return more independent, strong, and healthy.

The authors of the cultural phenomenon Bar Mitzvah Disco pick up the story of their generation's coming of age where that tome left off, painstakingly retelling tall tales of golden summers from the 1970s to the early 1990s. Full-color photos throughout.

Wajikra's story details his life before the WWII and the last days. when he was with his parents, how he survived on his own and his treatment on the farm where he hid for a while. He details aspects of "underground" activities and lets others tell their stories. The last chapter is a rather horrifying story of a raid on a farm and the defensive actions he and others had to take.

With their lavish costumes and sets, ebullient song and dance numbers, and iconic movie stars, the musicals that mgm produced in the 1940s seem today to epitomize camp. Yet they were originally made to appeal to broad, mainstream audiences. In this lively, nuanced, and provocative reassessment of the mgm musical, Steven Cohan argues that this seeming incongruity—between the camp value and popular appreciation of these musicals—is not as contradictory as it seems. He demonstrates that the films’ extravagance and queerness were deliberate elements and keys to their popular success. In addition to examining the spectatorship of the mgm musical, Cohan investigates the genre’s production and marketing, paying particular attention to the studio’s employment of a largely gay workforce of artists and craftspeople. He reflects on the role of the female stars—including Judy Garland, Debbie Reynolds, Esther Williams, and Lena Horne—and he explores the complex relationship between Gene Kelley’s dancing and his masculine persona. Cohan looks at how, in the decades since the 1950s, the marketing and reception of the mgm musical have negotiated the more publicly recognized camp value attached to the films. He considers the status of Singin’ in the Rain as perhaps the first film to be widely embraced as camp; the repackaging of the musicals as nostalgia and camp in the That’s Entertainment! series as well as on home video and cable; and the debates about Garland’s legendary gay appeal among her fans on the Internet. By establishing camp as central to the genre, Incongruous Entertainment provides a new way of looking at the musical.

Fourteen-year-old Francis Tucket is heading west on the Oregon Trail with his family by wagon train. When he receives a rifle for his birthday, he is thrilled that he is being treated like an adult. But Francis lags behind to practice shooting and is captured by Pawnees. It will take wild horses, hostile tribes, and a mysterious one-armed mountain man named Mr. Grimes to help Francis become the man who will be called Mr. Tucket.

This new volume in this influential series of anthologies covers the vibrant and turbulent period in which the editorial make-up and policy of the journal changed radically, and theory, history and politics dominated critical debate.