Quincy Troupe's candid account of his friendship with Miles Davis is a revealing portrait of a great musician and an intimate study of a unique relationship. It is also an engrossing chronicle of the author's own development, both artistic and personal. As Davis's collaborator on Miles: The Autobiography,Troupe--one of the major poets to emerge from the 1960s--had exceptional access to the musician. This memoir goes beyond the life portrayed in the autobiography to describe in detail the processes of Davis's spectacular creativity and the joys and difficulties his passionate, contradictory temperament posed to the men's friendship. It shows how Miles Davis, both as a black man and an artist, influenced not only Quincy Troupe but whole generations. Troupe has written that Miles Davis was "irascible, contemptuous, brutally honest, ill-tempered when things didn't go his way, complex, fair-minded, humble, kind and a son-of-a-bitch." The author's love and appreciation for Davis make him a keen, though not uncritical, observer. He captures and conveys the power of the musician's presence, the mesmerizing force of his personality, and the restless energy that lay at the root of his creativity. He also shows Davis's lighter side: cooking, prowling the streets of Manhattan, painting, riding his horse at his Malibu home. Troupe discusses Davis's musical output, situating his albums in the context of the times--both political and musical--out of which they emerged. Miles and Me is an unparalleled look at the act of creation and the forces behind it, at how the innovations of one person can inspire both those he knows and loves and the world at large.

Presents an in-depth exploration of the musician's controversial electric period and the impact it had on the jazz community, as drawn from firsthand recollections about his artistic and personal life. Reprint.

The story of the final recordings of one of the greatest jazz musicians of the twentieth century

Eleven-year-old Kate's ordinary life in a small Massachusetts town becomes quite extraordinary when she becomes involved with Maudie Schmidt and an inter-school reading project.

The dynamic duo of Hugo and Miles travels to Paris in this fun adventure thatlets young readers see the world from a different angle. Full color.

Describes the depth, height, and steadiness of one's love for another by comparing it with the deepest drill, tallest crane, and steadiest tugboat.

Miles discusses his life and music from playing trumpet in high school to the new instruments and sounds from the Caribbean.

The first monograph from the brilliant fashion photographer Miles Aldridge. With a cinematic approach to fashion photography, Miles Aldridge creates singular scenes with psychologically complex characters in surreal and fantastic settings. His brilliant, candy-colored images engage viewers with an appealing mix of overt sexuality and sweetness. No detail is left uncovered in his eye-popping, erotically charged fashion photographs, which transform slightly sordid scenarios into acid-hued glamour. Each photograph is a complex world unto itself, and these lush images invite viewers to linger, for there is always something else to see, some deeper layer of meaning to uncover. Including hand-drawn storyboards that Aldridge uses to fix the idea of a shoot in his mind, as well as previously unpublished material, this monograph is filled with intimate insight into the photographer’s point of view and process. With deliciously naughty scenes and lushly evocative photography, this book lures readers into Aldridge’s irresistible world.

Fifty years ago, Norman Mailer asserted, "William Burroughs is the only American novelist living today who may conceivably be possessed by genius." Few since have taken such literary risks, developed such individual political or spiritual ideas, or spanned such a wide range of media. Burroughs wrote novels, memoirs, technical manuals, and poetry. He painted, made collages, took thousands of photographs, produced hundreds of hours of experimental recordings, acted in movies, and recorded more CDs than most rock bands. Burroughs was the original cult figure of the Beat Movement, and with the publication of his novel Naked Lunch, which was originally banned for obscenity, he became a guru to the 60s youth counterculture. In Call Me Burroughs, biographer and Beat historian Barry Miles presents the first full-length biography of Burroughs to be published in a quarter century-and the first one to chronicle the last decade of Burroughs's life and examine his long-term cultural legacy. Written with the full support of the Burroughs estate and drawing from countless interviews with figures like Allen Ginsberg, Lucien Carr, and Burroughs himself, Call Me Burroughs is a rigorously researched biography that finally gets to the heart of its notoriously mercurial subject.

This exhaustively researched, revised edition of Ian Carr's classic biography throws new light on Davis' life and career: from the early days in New York with Charlie Parker; to the Birth of Cool; through his drug addiction in the early 1950s and the years of extraordinary achievements (1954-1960), during which he signed with Columbia and collaborated with such unequaled talents as John Coltrane, Bill Evans, Wynton Kelly and Cannonball Adderly. Carr also explores Davis' dark, reclusive period (1975-1980), offering firsthand accounts of his descent into addiction, as well as his dramatic return to life and music. Carr has talked with the people who knew Miles and his music best including Bill Evans, Joe Zawinul, Keith Jarrett, and Jack DeJohnette, and has conducted interviews with Ron Carter, Max Roach, John Scofield and others.