Eroticism isn t just about sex: it s about anticipation, desire, intimacy and romance. It can be wild, hilarious, beautiful and alarming, and it may be hard to define but you ll know it when you see it. Mildly Erotic Verse skips the mechanics and dives straight into the emotional core of sex, celebrating the diversity and eccentricity of human ......

How does Shakespeare's treatment of human sexuality relate to the sexual conventions and language of his times? Pre-eminent Shakespearean critic Stanley Wells draws on historical and anecdotal sources to present an illuminating account of sexual behaviour in Shakespeare's time, particularly in Stratford-upon-Avon and London. He demonstrates what we know or can deduce of the sex lives of Shakespeare and members of his family. He also provides a fascinating account of depictions ofsexuality in the poetry of the period and suggests that at the time Shakespeare was writing most of his non-dramatic verse a group of poets catered especially for readers with homoerotic tastes.The second part of Shakespeare, Sex, - and Love focuses on the variety of ways in which Shakespeare treats sexuality in his plays and at how he relates sexuality to love. Wells shows that Shakespeare's attitude to sex developed over the course of his writing career, and devotes whole chapters to 'The Fun of Sex' - to how he raises laughter out of the matter of sex in both the language and the plotting of some of his comedies; portrayals of sexual desire; to Romeo and Julietas the play in which Shakespeare focuses most centrally on issues relating to sex, love, and the relationship between them; to sexual jealousy, traced through four major plays; 'Sexual Experience'; and 'Whores and Saints'. A final chapter, 'Just Good Friends' examines Shakespeare's rendering of same-genderrelationships.

There is a deep tradition of eroticism in American poetry. Thoughtful, provocative, moving, and sometimes mirthful, the poems collected in The Best American Erotic Poems celebrate this exuberant sensuality. These poems range across the varied landscapes of love and sex and desire -- from the intimate parts of the body to the end of an affair, from passion to solitary self-pleasure. With candor and imagination, they capture the delights and torments of sex and sexuality, nudity, love, lust, and the secret life of fantasy. David Lehman, the distinguished editor of the celebrated Best American Poetry series, has culled a witty, titillating, and alluring collection that starts with Francis Scott Key, Emily Dickinson, Walt Whitman, and Hart Crane, encompasses Frank O'Hara, Anne Sexton, John Updike, Charles Simic, Billy Collins, Kevin Young, and Sharon Olds, and concludes with the rising stars of a whole new generation of versifiers, including Sarah Manguso, Ravi Shankar, and Brenda Shaughnessy. In a section of the book that is sure to prompt discussion and further reading, the living poets write about their favorite works of erotic writing. This book will delight, surprise, and inspire.

Gothic verse liberated the dark side of Romantic and Victorian verse: its medievalism, melancholy and morbidity. Some poets intended merely to shock or entertain, but Gothic also liberated the creative imagination and inspired them to enter disturbing areas of the psyche and to portray extreme states of human consciousness. This anthology illustrates that journey. This is the first modern anthology of Gothic verse. It traces the rise of Gothic in the late eighteenth century and follows its footsteps through the nineteenth century. Gothic has never truly died as it constantly reinvents itself, and this lively, illustrated and annotated anthology offers students the atmospheric poetry that originally studded terror novels and inspired horror films. Alongside canonical verse by Coleridge, Keats and Poe, it introduces readers to lesser-known authors excursions into the macabre and the grotesque. A wide range of poetic forms is included: as well as ballads, tales, lyrics, meditative odes and dramatic monologues, a medievalist romance by Scott and Gothic drama by Byron are also included in full. A substantial introduction by Caroline Franklin puts the rise of Gothic poetry into its historical context, relating it both to Romanticism and Enlightenment historicism. Although Gothic fiction has now been receiving serious critical attention for twenty years, Gothic verse has been largely overlooked. It is therefore hoped that this anthology will stimulate scholarly interest as well as readers pleasure in these unearthly poems.

Funny, sexy, celebratory, this anthology includes both the very best of erotic verse down the ages and a host of new, modern voices. Included are masterpieces of the great tradition from Ovid to Rochester, Sappho to Whitman, Aretino to Verlaine, and work from many contemporary writers and poets such as John Agard, Fiona Pitt-Kethley, Gavin Ewart, Paul Muldoon, Stevie Smith, Paul Dorcan and Sharon Olds.

Sexual politics in revolutionary England recounts a dramatic transformation in English sexual polemic that unfolded during the kingdom’s mid-seventeenth-century civil wars. In early Stuart England, explicit sexual language was largely confined to manuscript and oral forms by the combined regulatory pressures of ecclesiastical press licensing and powerful cultural notions of civility and decorum. During the early 1640s, however, graphic sex-talk exploded into polemical print for the first time in English history. Over the next two decades, sexual politics evolved into a vital component of public discourse, as contemporaries utilized sexual satire to reframe the English Revolution as a battle between licentious Stuart tyrants and their lecherous puritan enemies. By the time that Charles II regained the throne in 1660, this book argues, sex was already a routine element of English political culture.

The Original and Still the Greatest Book of Hypnotic Seduction Poetry. These seduction poems give you the ability to hypnotize women and give them post-hypnotic suggestions to adore and want you - simply by reading them some mildly erotic poems. The NLP for PUA Foreword explains the hypnosis and neuro-linguistic programming (NLP) language patterns used to capture and lead a woman's imagination (and body) into bed. Here are some of the many positive comments I have received from men and women:"Women accept them because of their unobtrusive and romantic nature, without realizing the deep hidden commands that are taking place ..." (Richard G. Butler PhD DD)"Thanks phil they really do work astonishing well. esp when the 7 hypsosis secrets are applied" (Anon) "OMG!!!! This is amazing! Even this sample worked like magic!" (Bob) "wow... These rocked my life! Thanks!" (Anon) "My wife loves the poems and when I put her into a trance and read them to her I get Great results." (Bill) "I read your poem to one woman who I haven't touched in years....She is literally begging me now since getting back in touch with me (bumped into each other at work and was still horny for me anyway,) but now even more so, she is practically dripping thru the phone as I read poems to her....(she thinks I write them). She said she let her female friend listen and her friend said it made her panties wet (to stop it!!)." (Anon) "I'll be your spokes person!! Or that guy on the freeway with a sign saying "Phil is the MAN!" " Perrin "The only comment I have for you Phil is....when is the next book going to be available?....my girl told me to give you her opinion...so here it is... Gotta tell ya though, I read Sublimity to several females to see if it phased them (scientific study of course) and WOW!!! the response was very positive... (Anon) "I am a woman, and I used them with a man. I am very pleased with the results. I read several of them to him as I lay with my head in his lap.. reading softly and slowly, and gazing into his eyes when ever I could without losing my place. Watching his face go from 'but I wanted to watch TV', to interest and then tenderness was awesome! Thanks Phil for you poems, you newsletters, and you book!" (Jen)

This volume is a collection of several papers devoted to Jalāl al-Dīn al-Suyūṭī (d. 911/1505), presented on the First Conference of the School of Mamlūk Studies (held at Ca’ Foscari University,Venice, from June 23 to June 25, 2014). It aims to contribute to a reassessment of the scholarly profile of the controversial but fascinating polymath and intellectual, and, more generally, to a deeper understanding of the cultural, political and academic life of the last period of the Mamlūk empire. Jalāl al-Dīn al-Suyūṭī's bibliography ranges from law to theology, and from linguistics to history. It includes medicine and geography. This polymath felt that his mission was to preserve the rich cultural heritage of the past, and knowledge in general, from widespread ignorance and decline. Considered for a long time to be an author devoid of any originality and a “simple” compiler, he was in fact an excellent teacher and a rigorous scholar who had a meticulous and accurate working method. With contributions by: Christopher D. Bahl; Mustafa Banister; Joel Blecher; S. R. Burge; Daniela Rodica Firanescu; Éric Geoffroy; Antonella Ghersetti; Francesco Grande; Jaakko Hämeen-Anttila; Takao Ito; Judith Kindinger; Christian Mauder; Aaron Spevack.

Poet, polemicist, pagan, and pretender to the throne of Poland, Count Geoffrey Potocki de Montalk was one of the glittering generation of New Zealand poets of the 1930s. His career took a strange turn after he was imprisoned for obscene libel. Following a celebrated trial in London, he became increasingly eccentric, dressing in mock-medieval garb, claiming the throne of Poland, and issuing a stream of poetry and pamphlets, before returning to New Zealand in the 1980s and 1990s. This is the first time his full story has been told and it will be relevant to those interested in the literature of obscenity, the history of censorship, and private press publishing in the 20th century.