The seminal work on the interaction of New Zealand's indigenous population with the Old Testament message brought by missionaries in the 19th century

Beyond Betrayal delves into New Zealand's pioneering history, and asks why such promising partnerships descended into decades of distrust. After the Treaty of Waitangi was signed, a succession of governors resisted missionary advice, despite their local knowledge and peacemaking skills, and influenced a raft of misunderstandings that provoked violent outbreaks across the country. The rise of Maori prophetic movements, and an intense desire for Maori to have a unified political voice, saw allegiances split between those supporting the government and those frustrated at failed Treaty promises. The pressure to surrender tribal lands had the same impact – a shattered economy and a dispossessed people. The thrilling follow-up to Keith Newman's bestselling Bible & Treaty, Beyond Betrayal looks behind the events that led to the first Maori land protests, and follows the unfolding drama through the stories of the early missionaries and Maori heroes of the faith. These dramatic and heartrending tales of injustice, sacrifice and redemption form an important and often misunderstood backdrop to the wider New Zealand story – one of the most turbulent periods in our history, told with skill, sensitivity and heart.

Rua Kenana was an extraordinary prophetic leader from the Urewera. Resisting threats to expel the Tuhoe people from their ancestral lands, he established a remarkable community at Maungapohatu, identifying himself as the 'Mihaia' or 'Messiah' for Tuhoe. Judith Binney, Gillian Chaplin and Craig Wallace researched the history of the community in the 1970s, working first with a collection of photographs that they took to the Urewera. Sharing these photographs with descendants of Rua and his followers, they found that 'strangers opened their hearts to us, and shared their stories'. This biographical account focuses on a dramatic moment in Urewera history, one that incorporated a shocking episode in early twentieth-century New Zealand. The rich photographic record documents not only the police assault on the Maungapohatu community but also the lives of the people and Rua's utopian vision. The prophet lived into the 1930s, a leader still working to support and sustain his followers. Described on publication as 'an unparalleled record of a community through time', this remarkable history has been in demand since first publication by Oxford University Press in 1979.

Stories Without End is a testament to nearly 40 years of groundbreaking historical research by one of New Zealand’s leading scholars. Sitting alongside her major works – including the 2010 Book of the Year, Encircled Lands – these essays explore sidepaths and previously unexamined histories. They notably delve into the lives of powerful early Māori figures, including the prophets Rua Kenana and Te Kooti, their wives and their descendants, and the leaders of the Urewera. Binney brings figures out of the shadows, explores place and revives memory, ensuring that the histories that matter do indeed become stories without end.

For Europeans during the nineteenth century, the Urewera was a remote wilderness; for those who lived there, it was a sheltering heartland. This history documents the first hundred years of the ‘Rohe Pōtae’ (the ‘encircled lands’ of the Urewera) following European contact. After large areas of land were lost, the Urewera became for a brief period an autonomous district, governed by its own leaders. But in 1921–22, the Urewera District Native Reserve was abolished in law. Its very existence became largely forgotten – except in local memory. Recovering this history from a wealth of contemporary documents, many written by Urewera leaders, Encircled Lands contextualises Tūhoe’s quest for a constitutional agreement that restores their authority in their lands.

The writing of history will only flourish if there is a vehicle for its publication: such was Sir Keith Sinclair’s vision when he founded The New Zealand Journal of History in 1967. Since then the journal has been the conduit for a flow of remarkable history writing. The Shaping of History brings together a selection of essays from its first 30 years by some of the nation’s best-known historians, including Judith Binney, Tipene O’Regan, Claudia Orange, Barbara Brookes, Alan Ward, Jock Phillips and Jamie Belich. Their sharp analysis and great storytelling make the collection an essential resource for understanding how New Zealand history is shaped.

The collapse of communism in Central and Eastern Europe produced a fundamental change in the political map of Europe. In Romania, nationalism re-emerged forcefully and continued to rally political support against the context of a long and difficult transition to democracy. Extreme right-wing party The Greater Romania Party gained particular strength as a major political power, and its persuasive appeal rested on a reiteration of nationalism and identity - and themes such as origins, historical continuity, leadership, morality and religion - that had been embedded in Romanian ideological discourse by earlier nationalist formations. Radu Cinpoes here examines the reasons for the strength and resilience of nationalism in Romania, from the formation of the state to its accession in the EU.

The evolution of New Zealand's national art collection is closely linked with the story of Aotearoa New Zealand itself--its places, its people, and its developing sense of identity. Art at Te Papa spans the Museum's collection from superb early European prints to exciting contemporary acquisitions. Te Papa's curators have selected more than 400 artworks, each one beautifully reproduced and accompanied by an engaging mini essay. Works by international artists--from Rembrandt to Mapplethorpe--feature alongside iconic New Zealand art by Charles Goldie, Rita Angus, Bill Hammond, and many more. Lesser-known artworks will also surprise and delight. This special deluxe edition of Art at Te Papa is a treasure to inform, inspire, and delight all New Zealanders and lovers of art.