Ireland has been shaped by centuries of emigration as millions escaped poverty, famine, religious persecution, and war. But what happens when we reconsider this well-worn history by exploring the ways Ireland has also been shaped by immigration? From slave markets in Viking Dublin to social media use by modern asylum seekers, Migration and the Making of Ireland identifies the political, religious, and cultural factors that have influenced immigration to Ireland over the span of four centuries. A senior scholar of migration and social policy, Bryan Fanning offers a rich understanding of the lived experiences of immigrants. Using firsthand accounts of those who navigate citizenship entitlements, gender rights, and religious and cultural differences in Ireland, Fanning reveals a key yet understudied aspect of Irish history. Engaging and eloquent, Migration and the Making of Ireland provides long overdue consideration to those who made new lives in Ireland even as they made Ireland new.

Ireland has been shaped by centuries of emigration as millions escaped poverty, famine, religious persecution, and war. But what happens when we reconsider this well-worn history by exploring the ways Ireland has also been shaped by immigration? From slave markets in Viking Dublin to social media use by modern asylum seekers, Migration and the Making of Ireland identifies the political, religious, and cultural factors that have influenced immigration to Ireland over the span of four centuries. A senior scholar of migration and social policy, Bryan Fanning offers a rich understanding of the lived experiences of immigrants. Using firsthand accounts of those who navigate citizenship entitlements, gender rights, and religious and cultural differences in Ireland, Fanning reveals a key yet understudied aspect of Irish history. Engaging and eloquent, Migration and the Making of Ireland provides long overdue consideration to those who made new lives in Ireland even as they made Ireland new.

Explores the history of the Irish in America, offering an overview of Irish history, immigration to the United States, and the transition of the Irish from the working class to all levels of society.

First published in 1996, All the Nations Under Heaven has earned praise and a wide readership for its unparalleled chronicle of the role of immigrants and migrants in shaping the history and culture of New York City. This updated edition of a classic text brings the story of the immigrant experience in New York City up to the present with vital new material on the city’s revival as a global metropolis with deeply rooted racial and economic inequalities. All the Nations Under Heaven explores New York City’s history through the stories of people who moved there from countless places of origin and indelibly marked its hybrid popular culture, its contentious ethnic politics, and its relentlessly dynamic economy. From Dutch settlement to the extraordinary diversity of today’s immigrants, the book chronicles successive waves of Irish, German, Jewish, and Italian immigrants and African American and Puerto Rican migrants, showing how immigration changes immigrants and immigrants change the city. In a compelling narrative synthesis, All the Nations Under Heaven considers the ongoing tensions between inclusion and exclusion, the pursuit of justice and the reality of inequality, and the evolving significance of race and ethnicity. In an era when immigration, inequality, and globalization are bitterly debated, this revised edition is a timely portrait of New York City through the lenses of migration and immigration.

Between 1600 and 1929, perhaps seven million men and women left Ireland and crossed the Atlantic. Ireland and Irish America is concerned with Catholics and Protestants, rural and urban dwellers, men and women on both sides of that vast ocean. Drawing on over thirty years of research, in sources as disparate as emigrants' letters and demographic data, it recovers the experiences and opinions of emigrants as varied as the Rev. James McGregor, who in 1718 led the first major settlement of Presbyterians from Ulster to the New World, Mary Rush, a desperate refugee from the Great Famine in County Sligo, and Tom Brick, an Irish-speaking Kerryman on the American prairie in the early 1900s. Above all, Ireland and Irish America offers a trenchant analysis of mass migration's causes, its consequences, and its popular and political interpretations. In the process, it challenges the conventional 'two traditions' (Protestant versus Catholic) paradigm of Irish and Irish diasporan history, and it illuminates the hegemonic forces and relationships that governed the Irish and Irish-American worlds created and linked by transatlantic capitalism.

Exploring the complex dynamics of twenty-first century spatial sociality, this volume provides a much-needed multi-dimensional perspective that undermines the dominant image of Northern Ireland as a conflict-ridden place. Despite touching on memories of “the Troubles” and continuing unionist-nationalist tensions, the volume refuses to consider people in the region as purely political beings, or to understand processes of placemaking solely through ethnic or national contestations and territoriality. Topics such as the significance of friendship, gender, and popular culture in spatial practices are considered, against the backdrop of the growing presence of migrants, refugees and diasporic groups.

Images have become an integral part of the political regulation of migration: they help produce categories of legality versus illegality, foster stereotypes, and mobilize political convictions. Yet how are we to understand the relationship between these images and the political in the discourse surrounding migration? How can we, as anthropologists, migration scholars, or documentary filmmakers visually represent people who are excluded from political representation? And how can such visual representations gain political momentum? This volume not only considers the images that circulate with reference to migrants or draw attention to those that accompany, show, or conceal them. The book explores the phenomena of migration with the help of images. It offers an in-depth analysis of the documentary approaches of Ursula Biemann, Renzo Martens, Bouchra Khalili, Silvain George, Raphael Cuomo and Maria Iorio, Alex Rivera, and Rania Stepha, which evoke the particularities of migrant lifeworlds and examine urgent questions regarding the interrelations between politics and poetics, mobility and mediation, and the ethics of probability and possibility. The author also discusses his own cinematic practice in the making of Tell Me When (2011), A Tale of Two Islands (2012), and Intimate Distance (2015), a trilogy of films that explore the potential to communicate the bodily, spatial, and temporal dimensions of the experience of migration.

Irish emigration to America is one of the clichés of modern Irish history; much less familiar is the reverse process. Who were the people who chose to return to Ireland? What motivated them? And what effect did this have on Irish society? While many European countries were more or less Americanised in this period, the Irish case was unique as so many Irish families had members in America. The most powerful agency for Americanisation, therefore, was not popular culture but circumstantial knowledge and personal contact. David Fitzpatrick demonstrates the often unexpected ways in which the reverse effects of emigration remoulded Irish society, balancing ground-breaking demographic research with fascinating accounts of individual experiences to assemble a vivid picture of this changing Irish society. He explores the transformative impact of reverse migration from America to post-Famine Ireland, and offers many and surprising insights into Ireland's growing population of American-born residents.

Irish Immigrants in the Land of Canaan is a monumental and pathbreaking study of early Irish Protestant and Catholic migration to America. Through exhaustive research and sensitive analyses of the letters, memoirs, and other writings, the authors describe the variety and vitality of early Irish immigrant experiences, ranging from those of frontier farmers and seaport workers to revolutionaries and loyalists. Largely through the migrants own words, it brings to life the networks, work, and experiences of these immigrants who shaped the formative stages of American society and its Irish communities. The authors explore why Irishmen and women left home and how they adapted to colonial and revolutionary America, in the process creating modern Irish and Irish-American identities on the two sides of the Atlantic Ocean. Irish Immigrants in the Land of Canaan was the winner of the James S. Donnelly, Sr., Prize for Books on History and Social Sciences, American Council on Irish Studies.