The US was in the midst of the Depression when Dorothea Lange (1895-1965) began documenting its impact through depictions of unemployed men on the streets of San Francisco. Her success won the attention of Roosevelt's Resettlement Administration (later the Farm Security Administration), and in 1935 she started photographing the rural poor under its auspices. One day in Nipomo, California, Lange recalled, she "saw and approached [a] hungry and desperate mother, as if drawn by a magnet." The woman's name was Florence Owens Thompson, and the result of their encounter was seven exposures, including Migrant Mother. Curator Sarah Meister's essay provides a fresh context for this iconic work.

Explores and analyzes the historical context and significance of the iconic Dorothea Lange photograph of a migrant mother during the Grea Depression.

Sally Stein reconsiders Dorothea Lange?s iconic portrait of maternity and modern emblem of family values in light of Lange?s long-overlooked ?Padonna? pictures and proposes that ?Migrant Mother? should in fact be seen as a disruptive image of women?s conflictual relation to home, and the world. Stein is an American academic and cultural theorist living in Los Angeles. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens. 0Dr. Stein, Professor Emerita, UC Irvine, is an independent scholar based in Los Angeles who continues to research and write about 20thcentury photography in the U.S. and its relation to broader questions of culture and society. She has written about New Deal FSA photographers?particularly Dorothea Lange, Marion Post Wolcott, Jack Delano?as well as the contested image of FDR. Her numerous essays about popular mass media ? Ladies Home Journal, Life and Look ? extend her ongoing study of the various aspects of the rise of color photography. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens.0DISCOURSE is a new series of small books in which a cultural theorist, curator or artist explores a theme, an artwork or an idea in an extended illustrated text.

Bestselling author Marisa Silver takes Dorothea Lange’s Migrant Mother photograph as inspiration for a story of two women—one famous and one forgotten—and their remarkable chance encounter. In 1936, a young mother resting by the side of the road in central California is spontaneously photographed by a woman documenting migrant laborers in search of work. Few personal details are exchanged and neither woman has any way of knowing that they have produced one of the most iconic images of the Great Depression. In present day, Walker Dodge, a professor of cultural history, stumbles upon a family secret embedded in the now-famous picture. In luminous prose, Silver creates an extraordinary tale from a brief event in history and its repercussions throughout the decades that follow—a reminder that a great photograph captures the essence of a moment yet only scratches the surface of a life.

This book explores the experiences of migrant mothers through the lens of the online communities they have created and participate in. Examining the ways in which migrant mothers build relationships with each other through these online communities and find ways to make a place for themselves and their families in a new country, it highlights the often overlooked labour that goes into sustaining these groups and facilitating these new relationships and spaces of trust. Through the concept of ‘digital community mothering,’ the author draws links to Black feminist scholarship that has shed light on the kinds of mothering that exist beyond the mother–child dyad. Providing new insights into the experiences of women who mother ‘away from home’ in this contemporary digital age, this volume explores the concepts of imagined maternal communities, personal maternal narratives, and migrant maternal imaginaries, highlighting the ways in which migrant mothers imagine themselves within local, national, and diasporic maternal communities. As such, it will appeal to scholars and students with interests in migration and diaspora studies, contemporary motherhood and the sociology of the family, and modern forms of online sociality. Winner of The Australian Sociological Association Raewyn Connell Prize for best first book published in Australian sociology, 2020-2021.

Dorothea Lange’s Depression-era “Migrant Mother” photograph is an icon of American history. Behind this renowned portrait is the story of a family struggling against all odds to survive. Dust storms and dismal farming conditions force young Ruby’s family to leave their home in Oklahoma and travel to California to find work. As they move from camp to camp, Ruby sometimes finds it hard to hold on to hope. But on one fateful day, Dorothea Lange arrives with her camera and takes six photographs of the young family. When one of the photographs appears in the newspaper, it opens the country’s eyes to the reality of the migrant workers’ plight and inspires an outpouring of much needed support. Bleak yet beautiful illustrations depict this fictionalized story of a key piece of history, about hope in the face of hardship and the family that became a symbol of the Great Depression.

Hong Kong is a meeting place for migrant domestic workers, traders, refugees, asylum seekers, tourists, businessmen, and local residents. In Born Out of Place, Nicole Constable looks at the experiences of Indonesian and Filipina women in this Asian world city. Giving voice to the stories of these migrant mothers, their South Asian, African, Chinese, and Western expatriate partners, and their Hong Kong–born babies, Constable raises a serious question: Do we regard migrants as people, or just as temporary workers? This accessible ethnography provides insight into global problems of mobility, family, and citizenship and points to the consequences, creative responses, melodramas, and tragedies of labor and migration policies.

A collection of illustrated, black-and-white photographs by American documentary photographer and photojournalist, Dorothea Lange, depicting American migrant workers and sharecroppers during the Great Depression.

A dazzling novel of one of America’s most celebrated photographers, Dorothea Lange, exploring the wild years in San Francisco that awakened her career-defining grit, compassion, and daring. “Jasmin Darznik expertly delivers an intriguing glimpse into the woman behind those unforgettable photographs of the Great Depression, and their impact on humanity.”—Susan Meissner, bestselling author of The Nature of Fragile Things In this novel of the glittering and gritty Jazz Age, a young aspiring photographer named Dorothea Lange arrives in San Francisco in 1918. As a newcomer—and naïve one at that—Dorothea is grateful for the fast friendship of Caroline Lee, a vivacious, straight-talking Chinese American with a complicated past, who introduces Dorothea to Monkey Block, an artists’ colony and the bohemian heart of the city. Dazzled by Caroline and her friends, Dorothea is catapulted into a heady new world of freedom, art, and politics. She also finds herself falling in love with the brilliant but troubled painter Maynard Dixon. As Dorothea sheds her innocence, her purpose is awakened and she grows into the artist whose iconic Depression-era “Migrant Mother” photograph broke the hearts and opened the eyes of a nation. A vivid and absorbing portrait of the past, The Bohemians captures a cast of unforgettable characters, including Frida Kahlo, Ansel Adams, and D. H. Lawrence. But moreover, it shows how the gift of friendship and the possibility of self-invention persist against the ferocious pull of history.

Introduction : "A camera is a tool for learning how to see ...".