The Man Who Loved Children is Christina Stead's masterpiece about family life. Set in Washington during the 1930s, Sam and Henny Pollit are a warring husband and wife. Their tempestuous marriage, aggravated by too little money, lies at the centre of Stead's satirical and brilliantly observed novel about the relations between husbands and wives, and parents and children. Sam, a scientist, uses words as weapons of attack and control on his children and is prone to illusions of power and influence that fail to extend beyond his family. His wife Henny, who hails from a wealthy Baltimore family, is disastrously impractical and enmeshed in her own fantasies of romance and vengeance. Much of the care of their six children is left to Louisa, Sam's 14-year-old daughter from his first marriage. Within this psychological battleground, Louisa must attempt to make a life of her own. First published in 1940, The Man Who Loved Children was hailed for its satiric energy. Now its originality is again lauded by novelist, Jonathan Franzen, in his illuminating new introduction.

A Companion to Australian Art A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.

Fairfax - once a great Australian media company - faces a grim future. Newspapers worldwide are faltering in the face of competition from the internet, but the fate of Fairfax stands out as being particularly cruel. The carnage is barely credible. Massive printing plants are being dismantled. Hundreds of fine journalists have been ushered from the building. The newspapers themselves are on notice. The future of the company is shaky. Fairfax: The Rise and Fall is a story that is book-ended by young Warwick Fairfax and Gina Rinehart—the eccentric beneficiaries of two of the greatest family fortunes Australia has ever seen. But the real players in the Fairfax saga are the business and political giants. They include Kerry Packer, Rupert Murdoch, Conrad Black, John Howard, Paul Keating, Neville Wran, David Gonski, Roger Corbett and Fred Hilmer. The once-mighty Fairfax has been a victim of them all. Colleen Ryan gives the definitive account of the fate of Fairfax, a drama-filled saga that reveals how far Fairfax has fallen

A highly readable history of the University of Melbourne that examines its growth from a small provincial institution, educating the elite of a relatively narrow society, to a major teaching and research institution - changes of a magnitude which could never have been envisaged in 1935 when the story begins.

Transforming Biology opens a window on the lives and work of the scientists, teachers and students who have contributed to the achievements of the Department of Biochemistry and Molecular Biology at the University of Melbourne. Established in 1938, the department teaches and undertakes research in a discipline that links chemistry, physiology, genetics, microbiology, virology and physics, and has championed new techniques and biotechnology innovations that reverberate around the world. Highlighting the successful careers of many of its alumni and staff, including the influential Victor Trikojus, and the impact of benefactors such as Russell Grimwade, Juliet Flesch tells the story of the evolution of a department engaged in fundamental biomolecular science, as well as the translation of discoveries to industry and the clinic. It has been one of the most important national and international bodies engaged in transforming biology.

The first full length history of bush walking in Australia. Offers some marvellous pen portraits of the extraordinary characters that pioneered bushwalking in this country.

Annotation. Russell Grimwade had a clear and concise vision for his philanthropy, which balanced a strongly held sense of place and tradition with enlightened scientific innovation. Some recipients of the Grimwades' largesse had been pre-determined in establishing the bequests, building upon Russell's earlier commitment to biochemical research, for instance, while seeking to realise his long-held desire to fund the 'birth of an antipodean Clarendon Press' at Melbourne University Press. With the establishment of the Miegunyah Fund Committee in 1991, the Grimwades' philanthropy has enabled an exciting range of initiatives and programs. For more than two decades, Australia has benefited from the visits of almost a hundred international academics and thought leaders under the auspices of the Miegunyah Distinguished Visiting Fellows program. The University's cultural colletions have been enriched by the extraordinary treasures of the Grimwade collections, encompassing significant works of art as well as rare books and items of Australiana. Russell Grimwade's passion for chemistry, appreciation of art, and sense of obligation to preserve the past for future generations is given tangible form through the Miegunyah Fund Committee's long-standing support of the University's Centre for Cultural Materials Conservation. Almost forty years later, the vision and generosity of the Grimwade philanthropy remains one of the University of Melbourne's most significant gifts.

Shooting The Picture is the story of Australian press photography from 1888 to today—the power of the medium, seismic changes in the newspaper industry, and photographers who were often more colourful than their subjects. This groundbreaking book explores our political leaders and campaigns, crime, war and censorship, international events, disasters and trauma, sport, celebrity, gender, race and migration. It maps the technological evolution in the industry from the dark room to digital, from picturegram machines to iPhones, and from the death knock to the ascendancy of social media. It raises the question whether these changes will spell the end of traditional press photography as we know it.