CLICK HERE to download the first 40 pages of Midnight Wilderness * Presents the original foreword by Margaret E. Murie * Features a new afterword by the author, providing context for the Refuge today * Includes a new map and an updated bibliography Originally published more than twenty years ago, Midnight Wilderness is a passionate and vivid account of one of Alaska's greatest natural treasures, the Arctic National Wildlife Refuge. Author Debbie Miller draws on her years of exploring this unique, magical, and expansive territory, weaving chilling adventure, personal anecdote, wildlife observation, and Native American life into a beautiful and compelling memoir of place. Proceeds from sales of this book will benefit the Alaska Wilderness League in its ongoing efforts to protect the Arctic National Wildlife Refuge.

Open Midnight weaves two parallel stories about the great wilderness—Brooke Williams’s year alone with his dog ground truthing wilderness maps of southern Utah, and that of his great-great-great-grandfather, who in 1863 made his way with a group of Mormons from England across the wilderness almost to Utah, dying a week short. The book is also about two levels of history—personal, as represented by William Williams, and collective, as represented by Charles Darwin, who lived in Shrewsbury, England, at about the same time as Williams. As Brooke Williams begins researching the story of his oldest known ancestor, he realizes that he has few facts. He wonders if a handful of dates can tell the story of a life, writing, “If those points were stars in the sky, we would connect them to make a constellation, which is what I’ve made with his life by creating the parts missing from his story.” Thus William Williams becomes a kind of spiritual guide, a shamanlike consciousness that accompanies the author on his wilderness and life journeys, and that appears at pivotal points when the author is required to choose a certain course. The mysterious presence of his ancestor inspires the author to create imagined scenes in which Williams meets Darwin in Shrewsbury, sowing something central in the DNA that eventually passes to Brooke Williams, whose life has been devoted to nature and wilderness. Brooke Williams’s inventive and vivid prose pushes boundaries and investigates new ways toward knowledge and experience, inviting readers to think unconventionally about how we experience reality, spirituality, and the wild. The author draws on Jungian psychology to relate how our consciousness of the wild is culturally embedded in our psyche, and how a deep connection to the wild can promote emotional and psychological well-being. Williams's narrative goes beyond a call for conservation, but in the vein of writers like Joanna Macy, Bill Plotkin, David Abram, the author argues passionately for the importance of wildness is to the human soul. Reading Williams's inspired prose provides a measure of hope for protecting the beautiful places that we all need to thrive. Open Midnight is grounded in the present by Williams’s descriptions of the Utah lands he explores. He beautifully evokes the feeling of being solitary in the wild, at home in the deepest sense, in the presence of the sublime. In doing so, he conveys what Gary Snyder calls “a practice of the wild” more completely than any other work. Williams also relates an insider’s view of negotiations about wilderness protection. As an advocate working for the Southern Utah Wilderness Alliance, he represents a minority in meetings designed to open wilderness lands to roads and hunting. He portrays the mindset of the majority of Utah’s citizens, who argue passionately for their rights to use their lands however they wish. The phrase “open midnight,” as Williams sees it, evokes the time between dusk and dawn, between where we’ve been and where we’re going, and the unconscious where all possibilities are hidden.

Journeys to the Edge of the Map A young upstate New York woman begins the adventure of a lifetime as she moves away from her safe and conventional path. Mary Albanese is unable to resist the excitement and challenge of becoming a geological explorer in Alaska, where she maps remote wilderness areas and journeys to the depths of her own heart. Midnight Sun, Arctic Moon is a memoir full of accentric characters with human failings. Its landscape reveals the courage and sacrifice of the author's "family" of visionary explorers who mapped the wild state. The author persists in the face of hardships and tragedy, surviving dangers most people will never face even in their worst nightmares. Book jacket.

When Christa's cousin Sarah comes for a visit, she seems to do everything better than Christa, until they go hiking and Christa's father is knocked unconscious in a fall.

Isolating himself in a remote part of the Yukon territory in order to forget his past, Call Hawkins finds himself unable to ignore New York City girl Charity Sinclair, who is being targeted by a vengeful killer.

A powerful new memoir about growing up with a hard father in a hard land Atz Kilcher learned many vital skills while helping his parents carve a homestead out of the Alaskan wilderness: how to work hard, think on his feet, make do, invent, and use what was on hand to accomplish whatever task was in front of him. He also learned how to lie in order to please his often volatile father and put himself in harm’s way to protect his mother and younger, weaker members of the family. Much later in life, as Atz began to reflect on his upbringing, seek to understand his father, and heal his emotional scars, he discovered that the work of pioneering the frontier of the soul is an infinitely more difficult task than any of the back-breaking chores he performed on his family’s homestead. Learning to use new tools—honesty, vulnerability, forgiveness, acceptance—and building upon the good helped him heal and learn to embrace the value of resilience. This revised perspective has enabled him to tell an enhanced and more positive version of the legacy his father created and has him doing the most rewarding work of his life: mapping his own inner wilderness while drawing closer to his adult children, the next stewards of the land he helped his father carve out of the Alaskan frontier.

A dazzling collection of short stories about North American outdoor life—both classic and contemporary—from James Fenimore Cooper and Jack London to Margaret Atwood and Anthony Doerr and many more. The North American landscape, in its rich and rugged variety, has inspired an equally wide and deep range of fiction over the past centuries. Diana Fuss has gathered a rich collection of timeless classics and contemporary discoveries summoning up our close and imagined encounters with all things wild. From the nineteenth century’s Washington Irving (“Rip Van Winkle”) to the twenty-first century’s Ted Chiang (“The Great Silence”)—a panoramic view of wilderness fiction, from Gothic tales of mystery and suspense (“The Heroic Slave” by Frederick Douglass), to tales of danger and survival (“Walking Out” by David Quammen); from modern tales of retreat and solitude (“Happiness” by Ron Carlson), to never-before-told tales of our new reality—of environment and extinction (“the river” by adrienne maree brown): these are stories that reveal the many ways in which the American literary landscape has shaped—and is shaped by—our conceptions of the wild. Diana Fuss nimbly shows, in her introductory text and commentary throughout, the development of the wilderness story, from its emergence in the work of Nathaniel Hawthorne (“Young Goodman Brown”) and James Fenimore Cooper (“A Panther Tale”), to the height of its popularity in the stories of Jack London (“To Build a Fire”), to the environmentally conscious writing of T. C. Boyle (“After the Plague”) and Karen Russell (“St. Lucy’s Home for Girls Raised by Wolves”). Among those whose work appears in the collection: Wallace Stegner, Annie Proulx, Ambrose Bierce, Ernest Hemingway, William Faulkner, L. Frank Baum, Margaret Atwood, Tommy Orange, Walter Van Tilburg Clark, and Ray Bradbury.

This is the story of one man's attempt to find refuge from his demons in nature, and his ultimate surrender to it. "Good Morning Midnight" is an existential adventure story-thrillingly reported, brilliantly composed, provocative, and incisive.

Frames the current debate over potential oil drilling in the Arctic National Wildlife Refuge by presenting a detailed history of the establishment of ANWR. Features interviews with survivors from the initial push to establish ANWR in the 1940s and 1950s and with family members and associates of those who are no longer living. Also chronicles the 1980 expansion of ANWR.--(Source of description unspecified.)

Jesus said that his burden was light, but it doesn't always feel that way. For example, what does it mean to 'take up your cross'? How figurative is the language Jesus is using? Or, 'Those of you who do not give up everything you have cannot be my disciples,' What does Jesus mean? Or, 'I am the way, the truth and the life; no one comes to the Father but through me.' Does this mean unless I follow Jesus, I am cut adrift in this world, lost and without hope? But I cannot follow Jesus without being crucified ... Following Jesus does not seem as simple as preachers sometimes suggest. So Pen sets out into the wilderness to look for him. 'I have one big question that almost hurts in my heart,' she says, 'because I care about the answer so much. I want to ask him, "Jesus, what do you think of me?"'