Explores the motion picture industry, revealing facts about how movies are made, technological innovations, and the people who make it all happen.

Some issues include separately paged sections: Better management, Physical theatre, extra profits; Review; Servisection.

The stories you read change you. But what if those stories were literally magic? What if you found a television show that was both ancient and supernatural? What if you were the star of that magic TV show and you had no idea why? Mark is a former film student now stuck as a deli cashier. Hannah is a dissatisfied teenager obsessed with fantasy novels and unimpressed with real life. These two disaffected yet sympathetic characters are ripped away from their avenues of escape—fiction, pop culture, and legalized weed—and thrust into a world where giant media conglomerates commit supernatural corporate espionage and the few remaining members of an ancient magic race know as much about human pop culture as Quentin Tarantino. Full of insight, humor, humanity, action, and magic; Magic, Television, & Marijuana explores the consequences of the stories we grew up with and all the ways in which our media-driven world can change a person, for good or ill.

Cinderella goes to the con in this charming young adult romance that puts a fandom twist on the classic fairy tale—from a New York Times bestselling author! “With geekily adorable characters, a show that’s part Star Trek and part Firefly, a cosplay contest, and a food truck fairy godmother, this is a love letter to fandom.” —Booklist Geek girl Elle Wittimer lives and breathes Starfield, the classic sci-fi series she grew up watching with her late father. So when she sees a cosplay contest for a new Starfield movie, she has to enter. The prize? An invitation to the ExcelsiCon Cosplay Ball, and a meet-and-greet with the actor slated to play Federation Prince Carmindor in the reboot. With savings from her gig at the Magic Pumpkin food truck (and her dad’s old costume), Elle’s determined to win . . . unless her stepsisters get there first. Teen actor Darien Freeman used to live for cons—before he was famous. Now they’re nothing but autographs and awkward meet-and-greets. Playing Carmindor is all he’s ever wanted, but the Starfield fandom has written him off as just another dumb heartthrob. As ExcelsiCon draws near, Darien feels more and more like a fake—until he meets a girl who shows him otherwise. Part romance, part love letter to nerd culture, and all totally adorbs, Geekerella is a fairy tale for anyone who believes in the magic of fandom.

The original stage adaptation of Salman Rushdie’s Midnight’s Children, winner of the 1993 Booker of Bookers, the best book to win the Booker Prize in its first twenty-five years. In the moments of upheaval that surround the stroke of midnight on August 14--15, 1947, the day India proclaimed its independence from Great Britain, 1,001 children are born--each of whom is gifted with supernatural powers. Midnight’s Children focuses on the fates of two of them--the illegitimate son of a poor Hindu woman and the male heir of a wealthy Muslim family--who become inextricably linked when a midwife switches the boys at birth. An allegory of modern India, Midnight’s Children is a family saga set against the volatile events of the thirty years following the country’s independence--the partitioning of India and Pakistan, the rule of Indira Gandhi, the onset of violence and war, and the imposition of martial law. It is a magical and haunting tale, of fragmentation and of the struggle for identity and belonging that links personal life with national history. In collaboration with Simon Reade, Tim Supple and the Royal Shakespeare Society, Salman Rushdie has adapted his masterpiece for the stage.

Many non-Indian readers find the historical and cultural references in Salman Rushdie's Midnight's Children demanding. In his close reading of the novel, Neil ten Kortenaar offers post-colonial literary strategies for understanding Midnight's Children that also challenge some of the prevailing interpretations of the novel. Using hybridity, mimicry, national allegory, and cosmopolitanism, all key critical concepts of postcolonial theory, ten Kortenaar reads Midnight's Children as an allegory of history, as a Bildungsroman and psychological study of a burgeoning national consciousness, and as a representation of the nation. He shows that the hybridity of Rushdie's fictional India is not created by different elements forming a whole but by the relationship among them. Self, Nation, Text in Salman Rushdie's Midnight's Children also makes an original argument about how nation-states are imagined and how national consciousness is formed in the citizen. The protagonist, Saleem Sinai, heroically identifies himself with the state, but this identification is beaten out of him until, in the end, he sees himself as the Common Man at the mercy of the state. Ten Kortenaar reveals Rushdie's India to be more self-conscious than many communal identities based on language: it is an India haunted by a dark twin called Pakistan; a nation in the way England is a nation but imagined against England. Mistrusting the openness of Tagore's Hindu India, it is both cosmopolitan and a specific subjective location.

A biography of Bruce Lee, who was born in San Francisco, grew up in Hong Kong, returned to the U.S. and became a famous martial arts actor until his untimely death at age 32.