“One book leads to another; one book grows out of another; one book flows out of others. Flowing is a fitting figure for a book about a river, creeks, wetlands and water. The present volume grew out of a brief discussion of two paintings of wetlands in mid-western Victoria by the nineteenth-century colonial landscape painter Eugene von Guérard. This discussion was part of a chapter on wetlands in Australian painting and photography (Giblett 2020a). It was included in John Ryan’s and Li Chen’s edited collection Australian Wetland Cultures (Ryan and Chen, eds 2020). I also contributed a chapter to this volume on Aboriginal wetland cultures, their sacral water beings and their refraction in Rainbow Serpent anthropology and Rainbow Spirit theology (Giblett 2020e). I take up and develop this discussion in the present volume in relation to particular Aboriginal peoples and places in mid-western Victoria, their practices of wetland cultures and their stories about and images of them, including the Rainbow Serpent." Contents Introduction to the Hopkins River, Its Basin, People and Places 13 Chapter 1. The Cast of Characters and A Companion of A Captain of Conservation. 35 Chapter 2. Where The River Rises: The Upper Hopkins, Its Creeks and Lake Bolac. 57 Chapter 3. Wetlands of ‘Australia Felix’: Between ‘The Grampians’ and The Upper Hopkins 77 Chapter 4. A Ramble Along The River: Through Colonial Places On The Middle Hopkins 103 Chapter 5. People and Place of Hissing Swan: Wetlands On The Middle Hopkins 125 Chapter 6. Framlingham and Hopkins Falls: Aboriginal Places and People On The Lower Hopkins 147 Chapter 7. Where The River Meets The Sea: The Hopkins Estuary 167

An extraordinary masterpiece written from personal experience, Middlemarch is a deep psychological observation of human nature that revolves around the issues of love, jealousy, and obligation. Eliot's feminist views are apparent through the novel: she stresses the fact that women should control their own lives.

“I was born at the end of World War II, and so I was young in the ’60s. This means that I belong to the so-called (at least in Hungary) ‘great generation’. Young people of this generation, especially in America and Western Europe, rebelled against the existing system, showing their dissatisfaction by protests, new types of music and by outrageous clothes and behaviour. We – here and in the other socialist countries – experienced this, only because of the limitations of the repressive system, in a much gentler way. I have never been a rebel myself, and yet what tied me to this great generation was my desire to know the world much better, to be more informed than the average, to be a real cosmopolitan. That is why I studied languages and travelled much more than most.” “The evolution of people’s lives can be very diverse. Many people ask what makes someone successful or less successful. Genetics, education, its narrower and broader environment, circumstances, luck, etc. can all influence the evolution of an individual’s life. Success itself is subjective. Success can be material and not material, and the measurement of success always contains a kind of comparison to someone else. The concept of happiness further complicates this already very complex issue.I would say that success comes hand-in-hand with satisfaction. If people are satisfied with what they have achieved, they can claim to be successful and vice versa. Full satisfaction, of course, can be very misleading. People’s ways of life are very similar to a product’s life-cycle curve, as taught in marketing. Birth is followed by youth, then early adulthood, mature adulthood and ends with ageing.”

“Any settlers in the family?” “You don’t look Turkish at all, are you an émigré?” “Where are you originally from?” From an early age, I started hearing these questions. Either in school, during a cab ride, in the office or in my new social circles. I face these questions right after we start chatting... and this happens often. I always expect it. “Gökhan, where are you from?” I evolved: my height, my features, my voice, my gestures, the way I think, and many more but the answer to this question has never changed: “My ancestors used to live in Greece. They were there for a few generations. With the convention concerning population exchange between Turkey and Greece, my ancestors moved here permanently.” What I kept hearing on the grapevine eventually became a solid truth. I came to grasp the fact that my ancestors lived in Drama, Ptolemaida and Eleftheroupoli in Greece. All this longing to flee from my homeland and desire to get to know other places would clearly relate to a genetic interpretation. However, I still couldn’t say it all fit. "Kutluer compares and contrasts his Turkish roots, his old social surroundings to his new encounters in Bergamo and Montenegro. Starting from the relief of “getting out,” he dwells with the deep sense of nostalgia, the inevitable feeling of exile and loneliness; yet knowing that going back is not always an option and it is not the same land that one goes back to. Echoing some Turkish-German literature like Emine Sevgi Özdamar, Güney Dal, Feridun Zaimoğlu he battles the layers of integration to a new environment in reflection to his feelings of what once was a home to its aftertaste." – Elif Naz, Editor

This edited collection brings together a wide range of topics that shed light on the social, cultural, economic, political and spatio-temporal changes influencing post-socialist cities of Eastern Europe. Different case studies are presented through papers that were presented at the Euroacademia International Conference series. Imaginaries, identities and transformations represent three blocks for understanding the ways in which visual narratives, memory and identity, and processes of alterity shape the symbolic meanings articulated and inscribed upon post-socialist cities. As such, this book stimulates a debate in order to provide alternative views on the dynamics, persistence and change broadly shaping mental mappings of Eastern Europe. The volume offers an opportunity for scholars, activists and practitioners to identify, discuss, and debate the multiple dimensions in which specific narratives of alterity making towards Eastern Europe preserve their salience today in re-furbished and re-fashioned manners.

Reproduction of the original: The Maids Tragedy by Francis Beaumont, John Fletcher

George Orwell once said of Dickensâe(tm) work: âeoeIt is not so much a series of books, it is more like a world.âe In this book, J. Hillis Miller attempts to identify this âeoeworld,âe to show how a single view of life pervades every novel that Dickens wrote, and to trace the development of this view throughout the chronological span of Dickensâe(tm) career. There are full critical analyses of six of the novelsâe"Pickwick Papers, Oliver Twist, Martin Chuzzlewit, Bleak House, Great Expectations, and Our Mutual Friendâe"and shorter discussions of many of the others. Each novel has been viewed as the transformation of the real world of Dickensâe(tm) experience into an imaginary world with certain special qualities of its own. Certain elements persist through all the novels, the most important of which are the general situation of the hero at the beginning of the story and the general nature of the world in which he lives. Each of Dickensâe(tm) heroes begins his life cut off from other people, in a world which seems menacing and unfriendly and, on the social side, composed of inexplicable rituals and mysterious conventions; each lives, like Paul Dombey, âeoewith an aching void in his young heart, and all outside so cold, and bare, and strange.âe The heroes then move through successive adventures in an attempt to understand the world, to integrate themselves into it, and thus to find their true identity. Initially creatures of poverty and indigence, those characters reach out for something which transcends the material world and the self, something other than human, which will support and maintain the self without engulfing it. Within the totality of Dickens' novels this problemâe"the search for selfhoodâe"is stated and restated, until, in the later novels, the answer is found to line in a rejections of the past, the given, and the exterior, and a reorientation toward the future and the free human spirit itself as the only true sources of value. With a real understating and sympathy for his subject, Miller manages to transport us into the midst of Dickensâe(tm) âeoeworldâe and to bring alive for us the whole strange and wonderful tribe that people his novels. This is an enlightening, well-written, enjoyable book for anyone who has ever had an interest in Dickens and his work.