The poems have been rendered into vigorous contemporary English. A selection of Michelangelo's letters, many of them to important contemporaries such as Vasari and Duke Cosimo, is accompanied by the "Life" of the great artist written by his pupil Ascanio Condivi.

Michelangelo Buonarroti (1475-1564) is universally celebrated as one of the greatest artists of all time, yet iconic Renaissance creator was also a prolific and gifted poet. The verses collected here are primarily devoted to love and religion. Intense and passionate, the love poems focus on two figures: Tommaso de Cavalieri and Vittoria Colonna; with the sonnets and madrigals dedicated to de Cavalieri revealing a highly charged, homoerotic fervour - previously obscured in the original versions. Michelangelo's later religious poetry moves away from his earlier wordly concerns, while his letters provide a fasicnating insight into his fanily relations and day-to-day life as a working artist. The result is a revealing picture of one of the towering figures of the Renaissance.

The description for this book, Complete Poems and Selected Letters of Michelangelo, will be forthcoming.

Deborah Parker examines Michelangelo's use of language in his correspondence as a means of understanding the creative process of this extraordinary artist.

New translations by Joseph Tusiani of Michelangelo’s little-known but highly memorable verse.

A bilingual edition of the more than 300 sonnets, madrigals and other poems produced by Michelangelo over his long career. The poems reveal much of the artist's inner feelings about such universal themes as love, death and redemption.

One of the greatest artists of all time, Michelangelo's work as a poet has been unjustly ignored. This thorough introduction outlines the broad chronological evolution of the poems, includes the poetry in both the original Italian and in translation and explores the themes raised in the poems.

"In a series of elegant, often provocative essays covering the entire are of Michelangelo's visual signing, Barkan's analytic perspective elicits new connections and new levels of significance that have eluded his predecessors. Thanks to Barkan, future students of Michelangelo's graphic work will have to look and think harder.---Irving Lavin, professor emernus, Institute for Advanced Study --

Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.

There is no artist more celebrated than Michelangelo. Yet the magnificence of his achievements as a visual artist often overshadow his devotion to poetry. Michelangelo used poetry to express what was too personal to display in sculpture or painting. John Frederick Nims has brought the entire body of Michelangelo's verse, from the artist's ardent twenties to his anguished and turbulent eighties, to life in English in this unprecedented collection. The result is a tantalizing glimpse into a most fascinating mind. "Wonderful. . . . Nims gives us Michelangelo whole: the polymorphous love sonneteer, the political allegorist, and the solitary singer of madrigals."—Kirkus Reviews "A splendid, fresh and eloquent translation. . . . Nims, an eminent poet and among the best translators of our time, conveys the full meaning and message of Michelangelo's love sonnets and religious poems in fluently rhymed, metrical forms."—St. Louis Post-Dispatch "The best so far. . . . Nims is best at capturing the sound and sense of Michelangelo's poetic vocabulary."—Choice "Surely the most compelling translations of Michelangelo currently available in English."—Ronald L. Martinez, Washington Times