No detailed description available for "Michail Čulkov".

Waiting for Pushkin provides the only modern history of Russian fiction in the early nineteenth century to appear in over thirty years. Prose fiction has a more prominent position in the literature of Russia than in that of any other great country. Although nineteenth-century fiction in particular occupies a privileged place in Russian and world literature alike, the early stages of this development have so far been overlooked. By combining a broad historical survey with close textual analysis the book provides a unique overview of a key phase in Russian literary history. Drawing on a wide range of sources, including rare editions and literary journals, Alessandra Tosi reconstructs the literary activities occurring at the time, introduces neglected but fascinating narratives, many of which have never been studied before and demonstrates the long-term influence of this body of works on the ensuing “golden age” of the Russian novel. Waiting for Pushkin provides an indispensable source for scholars and students of nineteenth-century Russian fiction. The volume is also relevant to those interested in women’s writing, comparative studies and Russian literature in general.

This 17th volume from the series of bibliographies of the 18th century is divided into sections on: printing and bibliographic studies; historical, social and economic studies; philosophy, science and religion; the fine arts; literary studies; and individual authors.

This volume brings together forty papers from the Study Group's very successful international conference held in Wittenberg in 2004. The contributors include scholars from Russia, Britain, Germany, Italy and the US: papers are written in English and in Russian. Topics range widely over the life of the Empire and its emerging modern society, institutions and discourses. The volume brings together new research on literature and its social context, on cultural models and reception, on social groups and individuals, on history, law and economy: it offers an exciting interdisciplinary insight into Imperial Russia in the 'long' eighteenth century.

Russian literature between 1750 and the romantic age presents a confus ing picture. Various literary movements arose and existed side by side, while new trends made themselves felt. At no other time in the history of Russian literature was there a similar influx of widely disparate literary and intellectual influences from the West. The complex evolution of literature is reflected in the area of literary classification. Period terms have been used in great variety, yet without general agreement as to the extent, or even the nature of the trends described. The essays of this study are devoted to two major literary trends of the 18th and early 19th century, -sentimentalism and preromanticism. They aim to elucidate their evolu tion as well as at defining and describing the conceptual framework on which they rest. Since the 18th century did not draw a sharp line between translated and original literature, both have been included here. Literary, philosophical, and general cultural influences from the West were of consi derable importance for Russian literature. The concepts, motifs and themes which reached Russian writers in translations moulded their own original works. The 18th century witnessed the formation of an adequate literary language which culminated in Karamzin's style. The distinction of two stages in the development of sentimentalism as suggested here and the differentiation between both of them and a third literary trend, preroman ticism, is an attempt to reflect adequately the rapid change in stylistic and poetic norms.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1964.

Exploring Enlightenment attitudes toward things and their relation to human subjects, this collection offers a geographically wide-ranging perspective on what the eighteenth century looked like beyond British or British-colonial borders. To highlight trends, fashions, and cultural imports of truly global significance, the contributors draw their case studies from Western Europe, Russia, Africa, Latin America, and Oceania. This survey underscores the multifarious ways in which new theoretical approaches, such as thing theory or material and visual culture studies, revise our understanding of the people and objects that inhabit the phenomenological spaces of the eighteenth century. Rather than focusing on a particular geographical area, or on the global as a juxtaposition of regions with a distinctive cultural footprint, this collection draws attention to the unforeseen relational maps drawn by things in their global peregrinations, celebrating the logic of serendipity that transforms the object into some-thing else when it is placed in a new locale.

This is a collection of papers in Turkic and Mongolic Studies, with a focus on the literacy, culture, and languages of the steppe civilizations.

Marietta Chudakova is an expert on Soviet literature and on the works of Mikhail Bulgakov in particular. Her biography of Bulgakov was first published in 1988 and remains the most authoritative and comprehensive study of the writer’s life ever produced. It has received acclaim for the journalistic style in which it is written: the author draws on unpublished manuscripts and early drafts of Bulgakov’s novels to bring the writer to life. She also explores archive documents and memoirs written by some of Bulgakov’s contemporaries so as to construct a comprehensive and nuanced portrait of the writer and his life and times. Marietta Chudakova casts light on Bulgakov’s life with an unrivalled eye for detail and a huge amount of affection for the writer and his works. Mikhail Bulgakov: The Life and Times will be of particular interest to international researchers studying Mikhail Bulgakov’s life and works, and is recommended to a broader audience worldwide. Translated from the Russian by Huw Davies Published by arrangement with ELKOST Intl. Literary Agency Published with the support of the Institute for Literary Translation, Russia Introduction by J.A.E. Curtis Proofreading by Kevin Bridge Publishers Maxim Hodak & Max Mendor

First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.