Michael William Balfe (1808-1870) rose to fame in London in 1835 immediately after the premiere of his first opera, The Siege of Rochelle. For the next thirty-five years, this unique Dublin-born musician was destined to be the most important operatic composer in Victorian Britain. He was to music in Victorian Britain what his renowned contemporary, Charles Dickens, was to literature. The popularity of their respected works reached far beyond London, Dublin, and New York in the English speaking world. Balfe also personally achieved great success in places such as Paris, Vienna, Berlin, Bologna, Palermo, Trieste, and St. Petersburg in Russia. In all, he composed twenty-eight operatic works over his lifetime. However, when his French, Italian, and German language versions are added, he actually can be credited with forty-three operas. For over fifty years, his opera, The Bohemian Girl, swept around the globe with great success, having been translated into many different languages. This definitive biography took seven years of international research and is long overdue. It corrects many anecdotal errors of previous books. It documents Balfe the man, his work, his descendents, his legacy, and influence. The biography unearths many new facts about this important Victorian composer, his music, his family, and his role as a music director at London's Italian Opera House, where he directed the local premieres of several Verdi operas. It lists all of his operas with premiere casts and the principal arias. It also identifies the current location of all known Balfe's scores and music, including his early Italian compositions which have been deemed "lost" by most scholars. ~

Tales from the Fraud Squad takes the reader on a journey from Willie McGee’s childhood in Mayo to the mean streets of Dublin as a fresh-faced officer in the late seventies, before rising through the ranks to become Head of the Fraud Squad. This book is packed full of extraordinary stories of elaborate forgeries, outrageous insurance scams and inventive crimes, along with the ingenious and meticulous attention to detail with which officers amassed evidence and brought the perpetrators to court. McGee writes fluidly and incisively, and tells his story with an open-hearted charm and warmth. Whether dealing with a common criminal or a former Taoiseach under the spotlight of a tribunal, McGee was unwavering in his quest for the truth. As he succinctly puts it, ‘money is never free and those who were caught paid a severe price for thinking that it was’. Equally well known for his heroics on the football field, Mayoman Willie ‘Four-goals’ McGee depicts a host of colourful characters – the con artists and tricksters he encountered in the line of duty – and paints a vivid picture of the murky underworld of Ireland in the 1980s and ’90s.

This is the story of life in Ireland – a story half a billion years in the making. With its castles, crannogs and passage tombs, Ireland is a land where history looms large, but the saga of life on this island dates back millions of years before the first people set foot here. In Life in Ireland, Conor O’Brien guides the reader on a journey around the island to explore the history of natural life here, from the Jurassic Coast of Antrim to the great Ice Age bone-beds of Cork. Along the way, we’ll meet some of the astonishing creatures to have called Ireland home through the ages: shelled monsters; huge marine lizards; armoured dinosaurs; giant deer; mighty mammoths. Vital strands in the story of life on Earth have left their mark here, including some of the first creatures to crawl onto land or take to the wing. This epic journey will take us from the first fossils to the present day, to see how our wildlife has adapted to the human age and explore what the future might hold for life in Ireland.

Is The Marriage of Figaro just about Figaro? Is Don Giovanni’s story the only one—or even the most interesting one—in the opera that bears his name? For generations of critics, historians, and directors, it’s Mozart’s men who have mattered most. Too often, the female characters have been understood from the male protagonist’s point of view or simply reduced on stage (and in print) to paper cutouts from the age of the powdered wig and the tightly cinched corset. It’s time to give Mozart’s women—and Mozart’s multi-dimensional portrayals of feminine character—their due. In this lively book, Kristi Brown-Montesano offers a detailed exploration of the female roles in Mozart’s four most frequently performed operas, Le nozze di Figaro, Don Giovanni, Così fan tutte, and Die Zauberflöte. Each chapter takes a close look at the music, libretto text, literary sources, and historical factors that give shape to a character, re-evaluating common assumptions and proposing fresh interpretations. Brown-Montesano views each character as the subject of a story, not merely the object of a hero’s narrative or the stock figure of convention. From amiable Zerlina, to the awesome Queen of the Night, to calculating Despina, all of Mozart’s women have something unique to say. These readings also tackle provocative social, political, and cultural issues, which are used in the operas to define positive and negative images of femininity: revenge, power, seduction, resistance, autonomy, sacrifice, faithfulness, class, maternity, and sisterhood. Keenly aware of the historical gap between the origins of these works and contemporary culture, Brown-Montesano discusses how attitudes about such concepts—past and current—influence our appreciation of these fascinating representations of women.

This is the gripping inside story of Ireland’s bankrupt billionaire, Sean Quinn, who went from rags to riches before he gambled it all on Anglo-Irish Bank shares and became the world’s biggest personal loser of the economic collapse of 2008. A millionaire by thirty, Quinn took on the Irish cement business in the 1980s and won. He became an almost mythical character, creating thousands of jobs at a time when the dark shadows of mass unemployment and the Troubles loomed over the borderlands. Then he gambled on the stock market, and this time he lost. Quinn’s senior team was hand-picked, with loyalty prized above all else. But they have now become the sole focus of his obsession, as he holds them responsible for what happened. The atmosphere in ‘Quinn Country’ turned dark and ominous, culminating with the horrific abduction and attack on Kevin Lunney in 2019. Ten years after losing it all, Quinn is a brooding figure in a monstrous house, refusing to accept any blame for his downfall. Featuring exclusive interviews with the man himself, and prominent figures from his inner circle, this is the truly remarkable story of the man everyone said was too big to fail.

The laundry industry, an essential part of nineteenth-century domestic life, has been little studied. This book describes the founding and running of Dublin's largest laundry. Set up in 1888, the Dublin Laundry rapidly expanded and by 1900 the company employed 300 people. Its founder, Thomas Edmondson, is an intriguing character, a shrewd businessman and paternalistic employer, a resourceful operator and humane man, who operated his top-class 'Dublin Laundry' within a larger British Isles Quaker network. His life, one of both commercial success and great personal tragedy, offers a fascinating insight into life and trade in Dublin at the turn of the century. This historical biography throws new light on the Quaker movement and the business intricacies of creating and financing a new laundry, and vividly recreates the working conditions of the time with many rare photographs.

This volume explores Irish rock's relationship to the wider world of international popular music through detailed analysis of the island's most prominent artists and bands such as U2, Van Morrison, Sinéad O'Connor, The Boomtown Rats, and Horslips - and key musical movements including the beat scene and the folk revival.