Meet Jashae Johnson. She’s well known throughout Miami, but most know her as Giovonni “Trip's” girlfriend and baby mama. They have a ghetto love story. The two of them had been together for almost twenty years. They have a love that most people would ask Jashae just how the hell does she do it? Not because love is hard, but because Trip is in prison serving a life long sentence, for a murder that he committed years ago. Then, you have Toddrick King, known in the streets as “Miami.” Women will pretty much sell their souls to be with a man like Miami. Not only is he a well-known retired boxer, but he’s handsome, rich, and he knows how to treat a woman. Two things are stopping Miami and Jashae from being together, and that’s Jashae’s love for Trip and because Miami and Trip were once friends. Then, we have Mahogany, Jashae's best friend. Such a beautiful woman, with such an ugly soul. Mahogany can literally have any man in the world that she wants, but she’s not too fond of falling in love. Well, that’s until she meets Miami’s cousin, Jabari. Will Jabari be able to change Mahogany’s outlook on love? Does Jabari even want love himself to change Mahogany’s mind on such a thing? Although this is a love story, it’s deep; it’s sad; it’s dark, it’ll make you question why certain things happen in life. For Jashae, one would think that losing her boyfriend to the system was the worst thing that could happen to her, but who would have ever thought that something else would happen in her life that would make that situation seem minor?

The love that we have for these characters continues to grow, but sadly, this series must come to an end. After so many heartbreaks, pain, and even some misery, this is a chapter that finally closes. From the very beginning, Jashae has had it bad. One of the hardest things that she has endured was the loss of her son, Vonte. As if that wasn’t enough, she’s battling with Trip and his narcissistic ways and lack of sympathy. We are all rooting for Jashae to get that happily ever after because she deserves it. Then we have Mahogany and Jabari. They just welcomed a beautiful baby girl, and I’m sure the world is wondering how these two are handling parenthood. These are two people who had never even thought about having children. What I can say is that Mahogany is experiencing everything that comes with postpartum depression. Let’s hope that her depression doesn’t lead her into doing something crazy to her or that beautiful baby. Take one last ride with your favorite characters from Down with the king of the South. It's guaranteed to make you laugh, cry, and more than likely make you cry again.

The Bluff was a neighborhood located five minutes from downtown Atlanta. The houses were modest and owned by black families. But the streets were another subject. They were owned by the dope fiends. Men and women who walked around like zombies in search of blow. The Bluff was known for its heroin addicts. They parked the car on Griffin street and walked the short distance to the corner store. Big Toby spoke to grown men as they passed by, and they all respected him. They walked into the store and standing there was Big Toby's mother, she was one of the zombies.

In the early 1990s, Demetrius "Big Meech" Flenory and his brother, Terry "Southwest T," rose up from the slums of Detroit to build one of the largest cocaine empires in American history: the Black Mafia Family. After a decade in the drug game, the Flenorys had it all—a fleet of Maybachs, Bentleys and Ferraris, a 500-man workforce operating in six states, and an estimated quarter of a billion in drug sales. They socialized with music mogul Sean "Diddy" Combs, did business with New York's king of bling Jacob "The Jeweler" Arabo, and built allegiances with rap superstars Young Jeezy and Fabolous. Yet even as BMF was attracting celebrity attention, its crew members created a cult of violence that struck fear in a city and threatened to spill beyond the boundaries of the drug underworld. Ruthlessness fueled BMF's rise to incredible power; greed and that same ruthlessness led to their downfall. When the brothers began clashing in 2003, the flashy and beloved Big Meech risked it all on a shot at legitimacy in the music industry. At the same time, a team of investigators who had pursued BMF for years began to prey on the organization's weaknesses. Utilizing a high-stakes wiretap operation, the feds inched toward their goal of destroying the Flenory's empire and ending the reign of a crew suspected in the sale of thousands of kilos of cocaine — and a half-dozen unsolved murders.

With information on over 500 organizations, their founders and membership, this unique encyclopedia is an invaluable resource on the history of African-American activism. Entries on both historical and contemporary organizations include: * African Aid Society * African-Americans for Humanism * Black Academy of Arts and Letters * Black Women's Liberation Committee * Minority Women in Science * National Association of Black Geologists and Geophysicists * National Dental Association * National Medical Association * Negro Railway Labor Executives Committee * Pennsylvania Freedmen's Relief Association * Women's Missionary Society, African Methodist Episcopal Church * and many more.

SCORE It's not just a name--it's a frame of mind. Nestled amid peach and candy-pink Art Deco buildings, Score is the hottest gay bar in Miami's South Beach. And for friends Ray Martinez, Ted Williams, and Brian Anderson, there's no better way to start the weekend than by checking out the steady stream of beautiful Latin men coursing in and out of Score's doors. . . While Miami is home to the most gorgeous males ever created by God or a lifetime gym membership, Ray, resident movie critic at The Miami News, would give the dating scene a one-star review. Tired of hooking up with sculpted, shallow hunks who use books as towel weights, Ray is thrilled to finally meet a guy he wants to take home to mami and papi. . . Ted, host of a popular Miami version of Entertainment Tonight, has enjoyed all the perks of his celebrity status. But being overexposed has its downside. Ted's longing for a deeper connection spurs a reckless move that could cost him everything. . . Brian has a life of leisure with his fabulously wealthy older boyfriend. The key rule to their open relationship: no sleeping with the same guy twice. But ever since Brian met a Puerto Rican love god named Eros, it's a rule he keeps breaking. . . A sexy, smart, and irresistibly witty new novel, Miami Manhunt explores one wild year when love gets crazy, hearts get broken and mended, and the only thing to count on is the fact that life will never be the same again. . .

Real crime story about the HIP HOP TASK FORCE and how you can get caught up running your mouth & by not knowing when to quit

Presents strategies to enhance prosecution of gang-related crimes, focusing exclusively on enforcement and prosecution strategies against urban street gangs. Includes a step-by-step guide for designing and implementing a program based on the Model Strategies for Urban Street Enforcement, a demonstration program designed to establish model approaches to prevent and suppress gang violence. Contents: key elements of the gang suppression prototype, planning and analysis, gang info. and intelligence systems, gang suppression operations and tactics, interagency cooperation and collaboration, legal issues, and process and impact evaluation.

An insightful new resource that looks at the rise of American hip hop as a series of distinct regional events, with essays covering the growth of hip hop culture in specific cities across the nation. Thoroughly researched, thoroughly in tune with the culture, Hip Hop in America: A Regional Guide profiles two dozen specific hip hop scenes across the United States, showing how each place shaped a singular identity. Through its unique geographic perspective, it captures the astonishing diversity of a genre that has captivated the nation and the world. In two volumes organized by broad regions (East Coast, West Coast and Midwest and the Dirty South), Hip Hop in America spans the complete history of rap—from its 1970s origins to the rap battles between Queens and the Bronx in the 1980s, from the well-publicized East Coast vs. West Coast conflicts in the 1990s to the rise of the Midwest and South over the past ten years. Each essay showcases the history of the local scene, including the MCs, DJs, b-boys and b-girls, label owners, hip hop clubs, and radio shows that have created distinct styles of hip hop culture.