Two centuries of writers drawn to Mexico—from D. H. Lawrence, John Steinbeck, Jack Kerouac, and Tennessee Williams to Salman Rushdie, Anita Desai, and Sandra Cisneros This scintillating literary travel guide gathers the work of great writers celebrating Mexico in poetry, fiction, and nonfiction. Ranging from 1843 to the present, Mexico in Mind offers a remarkably varied sampling of English-speaking writers’ impressions of the land south of the border. John Reed rides with Pancho Villa in 1914; Graham Greene defends Mexico’s priests; Langston Hughes describes a bullfight; Jack Kerouac and William Burroughs find Mexico intoxicating; Alice Adams visits Frida Kahlo’s house; Ann Louise Bardach meets the mysterious Subcommandante Marcos face to face. Fictional accounts are equally vivid, including poems by Muriel Rukeyser, Archibald Macleish, and Sandra Cisneros, short stories by Katherine Anne Porter and Ray Bradbury, and excerpts from John Steinbeck’s The Pearl, Tennessee Williams’ Night of the Iguana, and Salman Rushdie’s The Ground Beneath Her Feet. From the bustle of Mexico City to coffee planations in remote Chiapas, from Mayan ruins to the markets at Oaxaca, the scenes evoked in this anthology reflect the rich variety of the place and its history, sure to enchant vacationers, expatriates, and armchair travelers everywhere. Alice Adams • Ann Louise Bardach • Ray Bradbury • William S. Burroughs • Frances Calderón de la Barca • Ana Castillo • Sandra Cisneros • Anita Desai • Erna Fergusson • Charles Macomb Flandrau • Donna Gershten • Graham Greene • Langston Hughes • Fanny Inglehart • Gary Jennings • Diana Kennedy • Jack Kerouac • D. H. Lawrence • Malcolm Lowry • Archibald Macleish • Rubén Martínez • Tom Miller • Katherine Anne Porter • John Reed • Luis Rodriguez • Richard Rodriguez • Muriel Rukeyser • Salman Rushdie • John Steinbeck • Edward Weston • Tennessee Williams From the Trade Paperback edition.

The definitive book on Mexico City: a vibrant, seductive, and paradoxical metropolis-the second-biggest city in the world, and a vision of our urban future. First Stop in the New World is a street-level panorama of Mexico City, the largest metropolis in the western hemisphere and the cultural capital of the Spanish-speaking world. Journalist David Lida expertly captures the kaleidoscopic nature of life in a city defined by pleasure and danger, ecstatic joy and appalling tragedy-hanging in limbo between the developed and underdeveloped worlds. With this literary-journalist account, he establishes himself as the ultimate chronicler of this bustling megalopolis at a key moment in its-and our-history.

The history of Mexico's fearless intimacy with death--the elevation of death to the center of national identity. Death and the Idea of Mexico is the first social, cultural, and political history of death in a nation that has made death its tutelary sign. Examining the history of death and of the death sign from sixteenth-century holocaust to contemporary Mexican-American identity politics, anthropologist Claudio Lomnitz's innovative study marks a turning point in understanding Mexico's rich and unique use of death imagery. Unlike contemporary Europeans and Americans, whose denial of death permeates their cultures, the Mexican people display and cultivate a jovial familiarity with death. This intimacy with death has become the cornerstone of Mexico's national identity. Death and Idea of Mexico focuses on the dialectical relationship between dying, killing, and the administration of death, and the very formation of the colonial state, of a rich and variegated popular culture, and of the Mexican nation itself. The elevation of Mexican intimacy with death to the center of national identity is but a moment within that history--within a history in which the key institutions of society are built around the claims of the fallen. Based on a stunning range of sources--from missionary testimonies to newspaper cartoons, from masterpieces of artistic vanguards to accounts of public executions and political assassinations--Death and the Idea of Mexico moves beyond the limited methodology of traditional historiographies of death to probe the depths of a people and a country whose fearless acquaintance with death shapes the very terms of its social compact.

Author Boyé Lafayette De Mente [known internationally known for his books on the business practices, customs and languages of China, Japan, Korea and Mexico] asserts that most people are ignorant of the amazing cultural heritage and character of the Mexican people. He says that when most people think of great cultural accomplishments they think of Europe and when they think of the exotic and perhaps the erotic they think of the Orient, while unknown to them they have overlooked one of the most unusual and fascinating countries on earth. De Mente uses key words in the Mexican language to identify and explain the contradictions and paradoxes of Mexico—the omnipresent trappings of Catholicism, the macho-cult of Mexican males, the conflicting treatment of females, the savage brutality of the criminal and the rogue cop, the gentle humility of the poor farmer, the warmth, kindness and compassion of the average city dweller and the extreme sensuality of the Mexican mindset. The book also explains why Mexicans are so attached to the culture and why so many foreigners find it so seductive and satisfying that they prefer to live in Mexico.

In his masterful photo series Harvey Stein explores a country of incredible contrasts and contradictions.

This account of Mexico was never completed by its author, but has been rescued from oblivion in this present edition.

The first book-length study of why the Beats were so fascinated by Mexico and how they represented its landscape, history, and mystical practices in their work, this volume examines such canonical figures as Kerouac, Burroughs, Ginsberg, Lamantia, McClure, and Ferlinghetti, as well as lesser-known female Beat writers like Margaret Randall, Bonnie Bremser, and Joanne Kyger.

In this groundbreaking study of Mexican public opinion and elections, Jorge Dominguez and James McCann examine the attitudes and behaviors of Mexican voters from the 1950s to the 1990s and find evidence of both support for and increasing independence from the nation's ruling party. They make extensive use of polls conducted during the 1988, 1991, and 1994 national elections and draw from in-depth interviews with leading political figures, including major presidential candidates. Although the 1994 presidential election showed that Mexican citizens are making their opinions known and felt at the polls, Dominguez and McCann argue that Mexico cannot be considered a democracy as long as party elites fail to ensure truly free and fair elections. Democratizing Mexico makes it clear, however, that Mexican citizens are ready for democratic politics.

NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY RIPA AND MARK CONSUELOS • ONE OF TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico. After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind. “It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post “Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”—Nerdist “A period thriller as rich in suspense as it is in lush ’50s atmosphere.”—Entertainment Weekly

At the end of the Mexican Revolution in 1920, Mexico's large, rebellious army dominated national politics. By the 1940s, Mexico's Institutional Revolutionary Party (PRI) was led by a civilian president and claimed to have depoliticized the army and achieved the bloodless pacification of the Mexican countryside through land reform, schooling, and indigenismo. However, historian Thomas Rath argues, Mexico's celebrated demilitarization was more protracted, conflict-ridden, and incomplete than most accounts assume. Civilian governments deployed troops as a police force, often aimed at political suppression, while officers meddled in provincial politics, engaged in corruption, and crafted official history, all against a backdrop of sustained popular protest and debate. Using newly available materials from military, intelligence, and diplomatic archives, Rath weaves together an analysis of national and regional politics, military education, conscription, veteran policy, and popular protest. In doing so, he challenges dominant interpretations of successful, top-down demilitarization and questions the image of the post-1940 PRI regime as strong, stable, and legitimate. Rath also shows how the army's suppression of students and guerrillas in the 1960s and 1970s and the more recent militarization of policing have long roots in Mexican history.