In the metropolitan mosaic that joins Dallas and Fort Worth together into a brightly lit metroplex, some mysterious figures still manage to keep to the shadows and slip through the cracks. Even after the Lake Worth Monster inspired a rash of phone calls to the Fort Worth Police Department, the "Goatman of Greer Island" faded back into the haze of myth. Is Lake Granbury's Ol' One Eye an impossibly large catfish or a sidetracked sea serpent? Could pterosaurs really coexist with the region's congested skies? From the Lady of White Rock Lake to the Creature of Copper Canyon and the Chupacabras of Cedar Hill, Jason McLean methodically follows inexplicable events to their source and bizarre beasts to their lairs.

From the cells of Death Row come the chilling, true-life accounts of the most heinous, cruel and depraved killers of modern times. Meet grisly killers such as Bill Joe Benefiel, the 'Superglue Monster', who glued his victims eyes and noses shut, causing them to suffocate. Or Willie Crain, the deviant fisherman, who put his victim into a lobster pot, where it was eaten by sea creatures. Many prisoners on ' the Row' have carried out serial murder, mass murder, spree killing and the desmemberment of bodies - both dead and alive. In these pages are to be found friends who have stabbed, hacked and ever filleted their victims. So meet the 'Dead Men and Women Walking' from the legion of the damned in the most terrifying true crime read ever.

Contributions by Kathleen Alcalá, Sarah Amira de la Garza, Sarah De Los Santos Upton, Moises Gonzales, Luisa Fernanda Grijalva-Maza, Leandra Hinojosa Hernández, Spencer R. Herrera, Brenda Selena Lara, Susana Loza, Juan Pacheco Marcial, Amanda R. Martinez, Diana Isabel Martínez, Shantel Martinez, Diego Medina, Kelly Medina-López, Cathryn J. Merla-Watson, Arturo “Velaz” Muñoz, Eric Murillo, Saul Ramirez, Roxanna Ivonne Sanchez-Avila, ire’ne lara silva, Lizzeth Tecuatl Cuaxiloa, and Bianca Tonantzin Zamora Monsters and Saints: LatIndigenous Landscapes and Spectral Storytelling is a collection of stories, poetry, art, and essays divining the contemporary intersection of Latinx and Indigenous cultures from the American Southwest, Mexico, and Central and South America. To give voice to this complicated identity, this volume investigates how cultures of ghost storytelling foreground a sense of belonging and home in people from LatIndigenous landscapes. Monsters and Saints reflects intersectional and intergenerational understandings of lived experiences, bodies, and traumas as narrated through embodied hauntings. Contributions to this anthology represent a commitment to thoughtful inquiry into the ways storytelling assigns meaning through labels like monster, saint, and ghost, particularly as these unfold in the context of global migration. For many marginalized and displaced peoples, a sense of belonging is always haunted through historical exclusion from an original homespace. This exclusion further manifests as limited bodily autonomy. By locating the concept of “home” as beyond physical constructs, the volume argues that spectral stories and storytelling practices of LatIndigeneity (re)configure affective states and spaces of being, becoming, migrating, displacing, and belonging.

This book is a young girl's heartbreak diary. Written over the course of eight years, it marks the life-altering circumstances that led Crews to find solace through writing. By publishing this work, she hopes to give words to emotions and experiences others have been through yet often go undiscussed. "To The Monsters of My Past" is a story, told in verse, of the struggles, heartbreaks, losses, and triumphs that Crews comes to appreciate as she moves on by leaving her pain on the page.

Advertising expenditure data across ten media: consumer magazines, Sunday magazines, newspapers, outdoor, network television, spot television, syndicated television, cable television, network radio, and national spot radio. Lists brands alphabetically and shows total ten media expenditures, media used, parent company and PIB classification for each brand. Also included in this report are industry class totals and rankings of the top 100 companies of the ten media.

He persuasively demonstrates that horror films are not merely a manifestation of the solitary, unconscious ′I′ or cultural abjection. . . . This well-crafted, insightful, and devilishly witty study brings horror out from under the psychoanalytic rock to let it scurry and bleed in the daylight of everyday life. The detailed endnotes are scintillating gems in and of themselves. --Choice "Terror and Everyday Life is an important, well-conceived, and well-executed work. Crane′s treatment of the topic is unusual; he clearly positions himself as a fan of the contemporary horror film. Consequently, there are moments that seem to revel in the disgusting details of murder and mayhem. However, this approach is appropriate; as Crane makes perfectly clear, this is what the genre is about, so to ignore it would be to misrepresent its effects and--for horror fans--its pleasures. This is a complex scholarly work, exceptionally original." --Charles R. Acland, Communication Department, The University of Calgary, Alberta, Canada How does horror in film relate to the horror we experience in everyday life? This is one of the key questions addressed in this new examination of the horror film genre. Terror and Everyday Life argues that today′s horror films have broken away from the genre′s tradition to embrace far more violent imagery, images that are in keeping with the escalating violence in our society. By examining the horror film, its history, and its current trends, Jonathan Lake Crane furthers our understanding of the genre′s meaning in today′s culture and our fascination with violence. An important supplement for courses in popular culture, media studies, and film; Terror and Everyday Life′s unique approach on the nature of horror in our society will also be of interest in a wide range of disciplines.

In the metropolitan mosaic that joins Dallas and Fort Worth together into a brightly lit metroplex, some mysterious figures still manage to keep to the shadows and slip through the cracks. Even after the Lake Worth Monster inspired a rash of phone calls to the Fort Worth Police Department, the "Goatman of Greer Island" faded back into the haze of myth. Is Lake Granbury's Ol' One Eye an impossibly large catfish or a sidetracked sea serpent? Could pterosaurs really coexist with the region's congested skies? From the Lady of White Rock Lake to the Creature of Copper Canyon and the Chupacabras of Cedar Hill, Jason McLean methodically follows inexplicable events to their source and bizarre beasts to their lairs.

Shielded by his mother and sisters from his father’s obsessive construction of a haunted house attraction, young Noah considers an ultimate sacrifice when he chooses to acknowledge a monster that his family members have tried to ignore.

Explore a universe run amok with savage beasts, bloodthirsty bandits, and the biggest bad of all—corporations, in this full-color hardcover encyclopedia of Gearbox’s beloved videogame franchise! The universe of Borderlands is an inhospitable wilderness that spans every biome conceivable. It’s also a land full of opportunity, but only if you have wits, skill, and guns. Lots of guns. Many come to Pandora in search of the Vault in the hopes of finding wealth, fame, or power. This is the definitive guide to the bold people who live there and in the surrounding galaxy, the mercenaries, monsters, and wilds they contend with, and the ridiculous arsenal they employ. Dark Horse Books and Gearbox present The Worlds of Borderlands­—a bombastic guide to Pandora, its surrounding planets and the characters who live there. This volume is filled with art and trivia relating to the guns, vehicles, ships, companies, and adventurers of the worlds-spanning universe—and the monstrous fauna who would eat all of them.