The Collective has long kept secret the strange things that happen after a meteor shower. While the world Oohs and Aahs over the pretty streaks of light, field agents quietly gather up the people and objects changed by this cosmic phenomenon. With a global event unlike anything the world has ever seen on the horizon, the Collective knows it's only a matter of time before the world discovers what really happens when objects fall from the sky. Can they continue to maintain their secrecy and protect humanity from the dangers of Meteor Fall?

This product contains both The Broadview Anthology of American Literature Volume A: Beginnings to 1820 and The Broadview Anthology of American Literature Volume B: 1820 to Reconstruction as a single purchase. Covering American literature from its pre-contact Indigenous beginnings through the Reconstruction period, the first two volumes of The Broadview Anthology of American Literature represent a substantial reconceiving of the canon of early American literature. Guided by the latest scholarship in American literary studies, and deeply committed to inclusiveness, social responsibility, and rigorous contextualization, the anthology balances representation of widely agreed-upon major works with an emphasis on American literature’s diversity, variety, breadth, and connections with the rest of the Americas. Highlights of Volumes A & B: Beginnings to Reconstruction • Complete texts of Mary Rowlandson’s captivity narrative, The Coquette, Narrative of the Life of Frederick Douglass, An American Slave; and Benito Cereno • In-depth, Contexts sections on such topics as “Slavery and Resistance,” “Print Culture and Popular Literature,” “Expansion, Native American Expulsion, and Manifest Destiny,” and “Gender and Sexuality” • Broader and more extensive coverage of Indigenous oral and visual literature and African American oral literature than in competing anthologies • Full author sections in the anthology are devoted to authors such as Anne Hutchinson, Sor Juana Inés de la Cruz, Briton Hammon, Jane Johnston Schoolcraft, José Maria Heredia, Black Hawk, and many others

Covering American literature from its pre-contact Indigenous beginnings through the Reconstruction period, the first two volumes of The Broadview Anthology of American Literature represent a substantial reconceiving of the canon of early American literature. Guided by the latest scholarship in American literary studies, and deeply committed to inclusiveness, social responsibility, and rigorous contextualization, the anthology balances representation of widely agreed-upon major works with an emphasis on American literature’s diversity, variety, breadth, and connections with the rest of the Americas. Highlights of Volume B: 1820 to Reconstruction • Complete texts of Narrative of the Life of Frederick Douglass, An American Slave; and Benito Cereno • In-depth, Contexts sections on such topics as “Nature and the Environment,” “Expansion, Native American Expulsion, and Manifest Destiny,” “Gender and Sexuality,” and “Oratory” • Broader and more extensive coverage of African American oral literature than in competing anthologies • Full author sections in the anthology are devoted to authors such as George Moses Horton, Jane Johnston Schoolcraft, José Maria Heredia, Black Hawk, and many others

Among the rarest things on earth, meteorites carry an air of mystery and drama while having left a pervasive, outsized mark on our planet and civilization. In Meteorite, Maria Golia tells the long history of our engagement with these sky-born space rocks. Arriving amid thunderous blasts and flame-streaked skies, meteorites were once thought to be messengers from the gods. Worshipped in the past, now scrutinized with equal zeal by scientists, meteorites helped sculpt Earth’s features and have shaped our understanding of the planet’s origins. Prized for their outlandish qualities, meteorites are a collectible and a commodity, objects of art and artists’ desires and a literary muse; and ‘meteorite hunting’ is an adventurous, lucrative profession for some and an addictive hobby for thousands of others. A richly illustrated, remarkably wide-ranging account of the culture and science surrounding meteorites, Golia’s book explores the ancient, lasting power of the meteorite to inspire and awe.

The Chicana M(other)work Anthology weaves together emerging scholarship and testimonios by and about self-identified Chicana and Women of Color mother-scholars, activists, and allies who center mothering as transformative labor through an intersectional lens. Contributors provide narratives that make feminized labor visible and that prioritize collective action and holistic healing for mother-scholars of color, their children, and their communities within and outside academia. The volume is organized in four parts: (1) separation, migration, state violence, and detention; (2) Chicana/Latina/WOC mother-activists; (3) intergenerational mothering; and (4) loss, reproductive justice, and holistic pregnancy. Contributors offer a just framework for Chicana and Women of Color mother-scholars, activists, and allies to thrive within and outside of the academy. They describe a new interpretation of motherwork that addresses the layers of care work needed for collective resistance to structural oppression and inequality. This anthology is a call to action for justice. Contributions are both theoretical and epistemological, and they offer an understanding of motherwork through Chicana and Women of Color experiences.

Guided by the latest scholarship in American literary studies, and deeply committed to inclusiveness, social responsibility, and rigorous contextualization, The Broadview Anthology of American Literature balances representation of widely agreed-upon major works with a thoroughgoing reassessment of the canon that emphasizes American literature’s diversity, variety, breadth, and connections with the rest of the Americas. This concise volume represents American literature from its pre-contact Indigenous beginnings through the Reconstruction period, offering a more streamlined alternative to the full two-volume set covering the same timespan. Highlights of Concise Volume 1: Beginnings to Reconstruction • Complete texts of Mary Rowlandson’s captivity narrative; Narrative of the Life of Frederick Douglass, An American Slave; and Benito Cereno • In-depth thematic sections on such topics as “Rebellions and Revolutions,” “Print Culture and Popular Literature,” and “Expansion, Native American Expulsion, and Manifest Destiny” • More extensive coverage of Indigenous oral and visual literature and African American oral literature than in competing anthologies • Full author sections in the anthology are devoted to authors such as Anne Hutchinson, Sor Juana Inés de la Cruz, Briton Hammon, Jane Johnston Schoolcraft, José María Heredia, Black Hawk, and many others • Extensive online component offers well over a thousand pages of additional readings and other resources

This anthology brings together a diversity of key texts in the emerging field of Existential Risk Studies. It serves to complement the previous volume The Era of Global Risk: An Introduction to Existential Risk Studies by providing open access to original research and insights in this rapidly evolving field. At its heart, this book highlights the ongoing development of new academic paradigms and theories of change that have emerged from a community of researchers in and around the Centre for the Study of Existential Risk. The chapters in this book challenge received notions of human extinction and civilization collapse and seek to chart new paths towards existential security and hope. The volume curates a series of research articles, including previously published and unpublished work, exploring the nature and ethics of catastrophic global risk, the tools and methodologies being developed to study it, the diverse drivers that are currently pushing it to unprecedented levels of danger, and the pathways and opportunities for reducing this. In each case, they go beyond simplistic and reductionist accounts of risk to understand how a diverse range of factors interact to shape both catastrophic threats and our vulnerability and exposure to them and reflect on different stakeholder communities, policy mechanisms, and theories of change that can help to mitigate and manage this risk. Bringing together experts from across diverse disciplines, the anthology provides an accessible survey of the current state of the art in this emerging field. The interdisciplinary and trans-disciplinary nature of the cutting-edge research presented here makes this volume a key resource for researchers and academics. However, the editors have also prepared introductions and research highlights that will make it accessible to an interested general audience as well. Whatever their level of experience, the volume aims to challenge readers to take on board the extent of the multiple dangers currently faced by humanity, and to think critically and proactively about reducing global risk.

This premier guide to alien races in the Star Wars universe, which complements the Star Wars Roleplaying Game, is a revised and updated collection of more than 125 alien species suitable for play as characters in the game.

Following on from Pandeism: An Anthology this new volume brings you three returning authors and a dozen new ones, including renowned physicist and theologian Varadaraja V. Raman, communications professor and poet John Ross, Jr., mixed martial artist turned musician Jimmy "Ninja" Chaikong, Judaism author Roger Price, and mythohistorian Julian West. The theme of this volume is the creativity of the human mind - in art, in poetry, in recasting historical events in mythological terms, in film and television, and, indeed, in prose theological writing. A creative mind is a fire which gives light to the head, warmth to the heart, and nourishment to the soul, and we are blessed to present talents sufficient to fuel many a conversation to come. Indeed, perhaps the creativity of the human mind is a flickering echo of a greater mind which we all occupy.

The Comet (1920) is a science fiction story by W. E. B. Du Bois. Written while the author was using his role at The Crisis, the official magazine of the NAACP, to publish emerging black artists of the Harlem Renaissance, The Comet is a pioneering work of speculative fiction which imagines a catastrophic event not only decimating New York City, but bringing an abrupt end to white supremacy. “How silent the street was! Not a soul was stirring, and yet it was high-noon—Wall Street? Broadway? He glanced almost wildly up and down, then across the street, and as he looked, a sickening horror froze in his limbs.” Sent to the vault to retrieve some old records, bank messenger Jim Davis emerges to find a city descended into chaos. A comet has passed overhead, spewing toxic fumes into the atmosphere. All of lower Manhattan seems frozen in time. It takes him a few moments to see the bodies, piled into doorways and strewn about the eerily quiet streets. When he comes to his senses, he finds a wealthy woman asking for help. Soon, it becomes clear that they could very well be the last living people in the planet, that the fate of civilization depends on their ability to come together, not as black and white, but as two human beings. But how far will this acknowledgment take them? With a beautifully designed cover and professionally typeset manuscript, this edition of W. E. B. Du Bois’ The Comet is a classic work of African American literature reimagined for modern readers.