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This edition contains the English translation and the original text in German. "The Trial" (original German title: "Der Process", later "Der Prozess", "Der Proceß" and "Der Prozeß") is a novel written by Franz Kafka in 1914 and 1915 but not published until 1925. One of Kafka's best-known works, it tells the story of a man arrested and prosecuted by a remote, inaccessible authority, with the nature of his crime revealed neither to him nor the reader. Like Kafka's other novels, "The Trial" was never completed, although it does include a chapter which brings the story to an end. Because of this, there are some inconsistencies and discontinuities in narration within the novel, such as disparities in timing. After Kafka's death in 1924 his friend and literary executor Max Brod edited the text for publication by Verlag Die Schmiede. The original manuscript is held at the Museum of Modern Literature, Marbach am Neckar, Germany. In 1999, the book was listed in "Le Monde"'s 100 Books of the Century and as No. 2 of the Best German Novels of the Twentieth Century. "Der Process" (auch "Der Prozeß" oder "Der Proceß", Titel der Erstausgabe: "Der Prozess") ist neben "Der Verschollene" (auch unter dem Titel "Amerika" bekannt) und "Das Schloss" einer von drei unvollendeten und postum erschienenen Romanen von Franz Kafka.

For the 125th anniversary of Kafka's birth comes an astonishing new translation of his best-known stories, in a spectacular graphic package.

No longer content to fade away into comfortable retirement, a growing number of former political leaders have pursued diplomatic afterlives. From Nelson Mandela to Jimmy Carter, and Bill Clinton, to Tony Blair and Mikhail Gorbachev, this set of highly-empowered individuals increasingly try to make a difference on the global stage by capitalizing on their free-lance celebrity status while at the same time building on their embedded ?club? attributes and connections. In this fascinating book, Andrew F. Cooper provides the first in-depth study of the motivations, methods, and contributions made by these former leaders as they take on new responsibilities beyond service to their national states. While this growing trend may be open to accusations of mixing public goods with private material gain, or personal quests to rehabilitate political image, it must ? he argues ? be taken seriously as a compelling indication of the political climate, in which powerful individuals can operate outside of established state structures. As Cooper ably shows, there are benefits to be reaped from this new normative entrepreneurism, but its range and impact nonetheless raise legitimate concerns about the privileging of unaccountable authority. Mixing big picture context and illustrative snapshots, Diplomatic Afterlives offers an illuminating analysis of the influence and the pitfalls of this highly visible but under-scrutinized phenomenon in world politics.

Collects Kafka's short stories and parables, each reflecting his concern for modern man's search for identity, place, and purpose.

The political crises and upheavals of our age often originate from the periphery rather than the center of power. Figures like Edward Snowden, Julian Assange, and Chelsea Manning acted in ways that disrupted power, revealing truths that those in power wanted to keep hidden. They are thorns in the side of power, troublemakers in the eyes of the powerful, though their actions may be valuable and lead to positive changes. In this important new book, Dieter Thomä examines the crucial but often overlooked function of these figures on the margins of society, developing a philosophy of troublemakers from the seventeenth century to the present day. Thomä takes as his starting point Hobbes’s idea of the puer robustus (literally “stout boy”), meaning a figure who rebels against order and authority. While Hobbes saw the puer robustus as a threat, he also recognized the potential, in the right conditions, for figures to rise up and become agents of positive change. Building on this notion, Thomä provides a rich survey of intellectuals who have been inspired by this idea over the past 300 years, from Rousseau, Diderot, Schiller, Victor Hugo, Marx, and Freud to Carl Schmitt, Leo Strauss, and Horkheimer, right up to the recent work of Badiou and Agamben. In doing so, he develops a typology of the puer robustus and a means by which we can evaluate and assess the troublemakers of our own times. Thomä shows that troublemakers are an inescapable part of modernity, for as soon as social and political boundaries are defined, there will always be figures challenging them from the margins. This book will be of great interest not only to students and scholars in the humanities and social sciences but to anyone seeking to understand the crucial impact of these liminal figures on our world today.

Both Joseph K in 'The Trial' and K in 'The Castle' are victims of anonymous governing forces beyond their control. Both are atomised, estranged and rootless citizens deceived by authoritarian power. In 'America', Karl Rossmann also finds himself isolated and confused when he is sent to America by his parents.

BE CLASSIC with Wuthering Heights introduced by bestselling author S.E. Hinton. Lockwood, the new tenant of Thrushcross Grange on the bleak Yorkshire moors, is forced to seek shelter one night at Wuthering Heights, the home of his landlord. There he discoveres the history of the tempestuous events that took place years before: how Heathcliff, an orphan, was raised by Mr. Earnshaw as one of his own children. Lockwood learns of the intense and passionate romance between Heathcliff and Cathy Earnshaw, and her betrayal of him. As Heathcliff's bitterness and revenge are visited upon by the next generation, their innocent heirs must struggle to escape the legacy of the past. Heathcliff's terrible vengeance ruins them all - but still his love for Cathy will not die...

A superb new translation by Michael Hofmann of some of Kafka's most frightening, strange and visionary short fiction After Franz Kafka's death, in perhaps the most important of all acts of literary disobedience, his executor refused to agree to Kafka's wish that his great mass of unpublished fiction be destroyed. This fiction included not only The Castle and The Trial but also the amazingly varied, chilling and ingenious short works collected in The Burrow and Other Stories. These tales, some little more than a page, others much more substantial, are among the greatest works of Central European literature. They vary from the tiny and horrifying 'Little Fable' to the elaborate waking nightmares of 'Building the Great Wall of China' and the title story 'The Burrow', where an unidentified creature describes its creation of an endlessly elaborate burrow to protect itself from unidentified enemies, but with every trap or tunnel only creating further terrors and uncertainty.