This book is dedicated to the memory of my life long friend Merle Haggard. Merle had millions of fans passionate about his music. He was a humble man from humble beginnings in California. His legacy is well chronicled in hundreds of articles written about him in major publications such as The Wall Street Journal, Time Magazine, Rolling Stone Magazine, USA Today Newspaper, The Los Angeles Times, and dozens of others. His 50 plus year career garnered Merle the highest awards that are given to an artist, ie; Lifetime Grammy, Country Music Hall of Fame, Kennedy Center Honors, Songwriters Hall of Fame. I was 14 when I met Merle and his wife to be Bonnie Owens, at this writing I'm still just a kid of 70 years old. This book traces the beginning of my observations of this uniquely talented man. It's a positive book that I hope his fans will enjoy. He was a kind and onery man, very funny and very serious. He was a proud American and loved every State and the people in it.

Marshall Chapman knows Nashville. A musician, songwriter, and author with nearly a dozen albums and a bestselling memoir under her belt, Chapman has lived and breathed Music City for over forty years. Her friendships with those who helped make Nashville one of the major forces in American music culture is unsurpassed. And in her new book, They Came to Nashville, the reader is invited to see Marshall Chapman as never before--as music journalist extraordinaire. In They Came to Nashville, Chapman records the personal stories of musicians shaping the modern history of music in Nashville, from the mouths of the musicians themselves. The trials, tribulations, and evolution of Music City are on display, as she sits down with influential figures like Kris Kristofferson, Emmylou Harris, and Miranda Lambert, and a dozen other top names, to record what brought each of them to Nashville and what inspired them to persevere. The book culminates in a hilarious and heroic attempt to find enough free time with Willie Nelson to get a proper interview. Instead, she's brought along on his raucous 2008 tour and winds up onstage in Beaumont, Texas singing "Good-Hearted Woman" with Willie. They Came to Nashville reveals the daily struggle facing newcomers to the music business, and the promise awaiting those willing to fight for the dream. Co-published with the Country Music Foundation Press

Fuzzy Owen and Merle Haggard worked together for over 50 years, yet they never had a contract. Fuzzy was Merle's steel guitar player, recording engineer, producer, promoter, booking agent, accountant, bus driver, mechanic and always Merle's friend. Fuzzy, of course, did not write "Mama Tried" or sing "Silver Wings", but he was the man behind the music for one of the greatest county artists of all time. Fuzzy now tells his story of working with Merle Haggard in his new book "Merle Haggard, Bonnie and Me"

Merle Haggard has enjoyed artistic and professional triumphs few can match. He’s charted more than a hundred country hits, including thirty-eight number ones. He’s released dozens of studio albums and another half dozen or more live ones, performed upwards of ten thousand concerts, been inducted into the Country Music Hall of Fame, and seen his songs performed by artists as diverse as Lynryd Skynyrd, Elvis Costello, Tammy Wynette, Willie Nelson, the Grateful Dead, and Bob Dylan. In 2011 he was feted as a Kennedy Center Honoree. But until now, no one has taken an in-depth look at his career and body of work. In Merle Haggard: The Running Kind, David Cantwell takes us on a revelatory journey through Haggard’s music and the life and times out of which it came. Covering the entire breadth of his career, Cantwell focuses especially on the 1960s and 1970s, when Haggard created some of his best-known and most influential music, which helped invent the America we live in today. Listening closely to a masterpiece-crowded catalogue (including songs such as “Okie from Muskogee,” “Sing Me Back Home,” “Mama Tried,” “Working Man Blues,” “Kern River,” “White Line Fever,” “Today I Started Loving You Again,” and “If We Make It through December,” among many more), Cantwell explores the fascinating contradictions—most of all, the desire for freedom in the face of limits set by the world or self-imposed—that define not only Haggard’s music and public persona but the very heart of American culture.

Introduction: Dolly mythology -- "Backwoods Barbie": Dolly Parton's gender performance -- My Tennessee mountain home: early Parton and authenticity narratives -- Parton's crossover and film stardom: the "hillbilly Mae West"--Hungry again: reclaiming country authenticity narratives -- "Digital Dolly" and new media fandoms -- Conclusion: brand evolution and Dollywood

A BEHIND-THE-SCENES LOOK AT THE ADVENTURES OF FIRST-RATE STORYTELLER, GUITARIST, AND RELENTLESS ROAD WARRIOR JESSE DAYTON Jesse Dayton’s story reads like a who’s who of American music. In his debut memoir Beaumonster, Dayton reveals the stranger-than-fiction encounters and outlandish experiences that have ensued across his wide-ranging career. After sneaking into night clubs to play gigs in his youth, eighteen-year-old Dayton and his trio began packing clubs and theaters across Houston, Dallas, and Austin. His first solo record which featured great luminaries like Doug Sahm, Flaco Jiménez, and Johnny Gimble, hit number one on the Americana radio charts and then he was off to the races— touring the world solo and with punk legends Social Distortion and the Supersuckers. While doing press in Nashville, he caught the attention of Waylon Jennings and was whisked off to Woodland Studios, where he was greeted by none other than Johnny Cash, who told Dayton, “We’ve been waiting for you.” Since then, Dayton’s ride across the entertainment industry, traversing genres and formats, has only gotten wilder. Whether it’s playing guitar on records and film with the likes of Cash, Ray Price, Willie Nelson, Johnny Bush, Glen Campbell and Duff McKagan; writing and recording soundtracks for horror director/rockstar Rob Zombie; directing Malcolm McDowell and Sid Haig in his own horror movie; filling in for the iconic punk band X’s guitarist; joining Ryan Bingham on tour; or the many solo and guest projects he continues to work on, Dayton is down to leave his mark, making Beaumonster a uniquely entertaining tale that will impress new and old fans alike.

In this riveting personal story, award-winning, bestselling country music recording artist Merle Haggard takes you on a tour through his house of memories, offering a fascinating look inside his turbulent yet successful life. Merle reveals the true stories about his birth and troubled upbringing in a converted railroad boxcar. He recalls the loss of his father when he was nine, after which his childhood disobedience transformed into full-blown delinquency that eventually landed him behind the cold walls of San Quentin. He gives tribute to his mother and relives the painful memory of her death. He shares the lessons he learned from a life shaped by violence, gambling, and drugs, never shying away from the fact that he continues to pay for decades of reckless living. And he talks about the music he loves—how, ultimately, it has defined the man he is.

Offers a glimpse into the turbulent life of Texas music legend Blaze Foley (1949-1989). This book is suitable for Blaze Foley and Texas music fans, as well as romantics of different ages.

The Camper Book will captivate all those who dream of waving good-bye to the rat race from the window of their own moveable home, be it a camper, RV, travel trailer, camper van, or tiny camper. Not just for placid retirees anymore, camper culture has sprung up among simplicity-seeking millennials, retro-loving "glampers," sports and movie stars, aging hippies, contract workers, "road-schoolers," and others. Award-winning journalist Dave Hoekstra hit the road in his own custom camper van, named Bluebird, to explore the history, culture, subcultures, and future of camper life. Traveling and talking his way through US campsites, RV parks, landmarks, and communities, Hoekstra draws out revealing stories from all walks of life—from Americans who are downsizing material goods while upsizing spiritual pursuits to RV enthusiasts such as Grammy-winning singer-songwriter John Prine and Chicago Cubs manager Joe Maddon. A modern-day Studs Terkel, Hoekstra provides a delightful mix of oral history, in-depth reporting, and practical information, while photographer Jon Sall's beautiful color photographs illuminate the unique people, places, and rigs that typify camper life.

An immersive look at the country music sub-genre, from its 1950s origins to its heyday to the twenty-first century. In California’s Central Valley, two thousand miles away from Nashville’s country hit machine, the hard edge of the Bakersfield Sound transformed American music during the later half of the twentieth century. Fueled by the steel twang of electric guitars, explosive drumming, and powerfully aching lyrics, the Sound transformed hard times and desperation into chart-toppers. It vaulted displaced Oklahomans like Buck Owens and Merle Haggard to stardom, and even today the Sound’s influence on country music is still widely felt. In this fascinating book, veteran journalist Robert E. Prince traces the Bakersfield Sound’s roots from Dust Bowl and World War II migrations through the heyday of Owens, Haggard, and Hee Haw, and into the twenty-first century. Outlaw country demands good storytelling, and Price obliges; to fully understand the Sound and its musicians we dip into honky-tonks, dives, and radio stations playing the songs of sun-parched days spent on oil rigs and in cotton fields, the melodies of hardship and kinship, a soundtrack for dancing and brawling. In other words, The Bakersfield Sound immerses us in the unique cultural convergence that gave rise to a visceral and distinctly California country music. Praise for The Bakersfield Sound “A savvy blend of personal anecdotes and broader historical narrative.” —Kirkus Reviews “This book all but reads itself. Price’s sense of history, his command of facts, his sense of humor, his sensitivity to class and race, and a love of the music—it’s all here.” —Greil Marcus