Mere words say so much sometimes they can mean more than a simple touch. Many ways to win a heart, and yet many ways it breaks apart. Poems and rhymes created by lovers' minds to share with you the same feelings you feel too.

Stacy M. Amewoyi Points Out The Dirt On Parenting From History In MISSING FATHERS History has played the huge part in every country’s development, in both positive and negative ways with keen eyes on the situation for which event took place. In award winning US-Based Ghanaian author, Stacy M. Amewoyi’s recounts of certain events in history that are contributing to the lives of the current generation and generation to come after, the charismatic and emphatic author focused and drew the attention of the world to parenting. Missing Fathers Volume 2, is the second part of a three series book which focuses on a plea from children on fathers who are still around to come back into their lives.

Janice Santos is living proof that it is always better to get up after falling down. In her inspirational memoir, Janice chronicles a story of unwavering faith, courage, and resilience while detailing how she bravely took on each challenge and obstacle thrown her way and continued to rise above it all, even in the face of death. While growing up in the rural South as a daughter of sharecroppers, Santos reveals a happy childhood filled with love, despite their meager surroundings. As the family traveled to California with hope of a better life, Santos details how she dealt with bullies and embarked on a unique coming-of-age journey that eventually led her to New York on September 10, 2011, without any idea of how much her life would change the next morning. It turns out that being alone in New York during one of the worst events in the history of America was symbolic of a fight that would come years later for Santos. Still Rising chronicles one woman’s journey from the rural South to the California coast, where she summoned strength from within, God, and her experiences in New York on 9/11 as she bravely faced the battle of her life and learned to stand up for what is right.

Writing Anthropologists, Sounding Primitives re-examines the poetry and scholarship of three of the foremost figures in the twentieth-century history of U.S.-American anthropology: Edward Sapir, Margaret Mead, and Ruth Benedict. While they are widely renowned for their contributions to Franz Boas's early twentieth-century school of cultural relativism, what is far less known is their shared interest in probing the representational potential of different media and forms of writing. This dimension of their work is manifest in Sapir's critical writing on music and literature and Mead's groundbreaking work with photography and film. Sapir, Mead, and Benedict together also wrote more than one thousand poems, which in turn negotiate their own media status and rivalry with other forms of representation. A. Elisabeth Reichel presents the first sustained study of the published and unpublished poetry of Sapir, Mead, and Benedict, charting this largely unexplored body of work and relevant selections of the writers' scholarship. In addition to its expansion of early twentieth-century literary canons, Writing Anthropologists, Sounding Primitives contributes to current debates about the relations between different media, sign systems, and modes of sense perception in literature and other media. Reichel offers a unique contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by noted early twentieth-century U.S.-American cultural anthropologists. Access the OA edition here.

"Frequently referred to as the eminence grise of French literature in the interwar years, Jean Paulhan (1884-1968) was not just the editor responsible for giving writers as varied as Francis Ponge and Jean-Paul Sartre their first start in the pages of the renowned Nouvelle Revue Francaise. He also produced a substantial body of work of astonishing eclecticism. From dense, quasi-scientific texts on poetic language, where his critical expertise in contemporary linguistics and psychology is abundantly apparent, to enigmatic recits, which often seem closer to prose poems than anything else, he explored and exploited a vast range of discourses and artistic practices, from the Marquis de Sades early works to Picassos still lives. Yet all his explorations were governed by a primary and unflinching concern to understand what literature owes society. In a series of tightly orchestrated readings, Anna-Louise Milne brings to light the space he sought to carve out, between the art for arts sake ethos and the subordination of art to political ends, thereby establishing more clearly Jean Paulhans place in the twentieth century."