A courtesan for hire, a brainless hunk, and alien invaders combine to bring about ancient history’s most momentous catastrophe in John Jakes’s hilarious take on the fall of Atlantis For centuries the mystery of the lost continent of Atlantis has intrigued mortals everywhere. Who lost it? Where did it go? At last the truth is out—or at least the truth according to Hoptor the Vintner, respectable Atlantean wine merchant and not-so-respectable pimp. According to Hoptor, the blame for Atlantis’s destruction can be placed squarely on the incredibly broad shoulders of Conax the Chimerical, a none-too-bright, broadsword-wielding barbarian chieftain. Conax washed ashore just as Atlantis’s ruler was losing his health and his grip on the kingdom, creating chaos throughout the island. Now things were really about to go south. All of a sudden Hoptor had a lot more to worry about than how to silence the unrelenting nagging of Aphrodisia, the beautiful, strident prostitute he had promised to marry in a moment of weakness. Now the ever-resourceful, vino-loving procurer of female flesh was being called on to possibly save the world as well as his own skin—which would prove to be no small feat, with Conax mucking up everything he touched in his inimitable fashion. And then there were those strange golden discs flying high above everybody’s heads . . .

Ancient Greece and Rome in Modern Science Fiction introduces and analyses the reception of classical antiquity in contemporary science fiction. By using up-to-date methods from classical reception theory, science-fiction analysis and fictional-world studies, the book will help furnish the reader’s understanding of the ways in which the literature, culture, history and mythology of ancient Greece and Rome are appropriated and represented across multiple media platforms in the science-fiction genre today. The book will therefore serve as an entry point into several areas of study: the reception of classics in popular culture, antiquity in modern media, the uses of the ancient world in science-fiction, and broader science-fiction criticism. The chapters – structured by medium – principally offer a roughly chronological overview of that medium and its treatment of ancient history, mythology, literature and culture. An abundance of case studies from literature, film and television and videogames including Star Trek, Battlestar Galactica, Fallout: New Vegas, the Mass Effect franchise and Assassin’s Creed show how classical antiquity is reused, encountered, re-encountered by creators and consumers of the present – how we bounce off it, and it bounces off us, and how this reciprocation creates new visions of Greece and of Rome.

This book provides students and other interested readers with a comprehensive survey of science fiction history and numerous essays addressing major science fiction topics, authors, works, and subgenres written by a distinguished scholar. This encyclopedia deals with written science fiction in all of its forms, not only novels and short stories but also mediums often ignored in other reference books, such as plays, poems, comic books, and graphic novels. Some science fiction films, television programs, and video games are also mentioned, particularly when they are relevant to written texts. Its focus is on science fiction in the English language, though due attention is given to international authors whose works have been frequently translated into English. Since science fiction became a recognized genre and greatly expanded in the 20th century, works published in the 20th and 21st centuries are most frequently discussed, though important earlier works are not neglected. The texts are designed to be helpful to numerous readers, ranging from students first encountering science fiction to experienced scholars in the field.

The New York Times Bestselling Travel Memoir! The author of Turn Right at Machu Picchu travels the globe in search of the world’s most famous lost city. “Adventurous, inquisitive and mirthful, Mark Adams gamely sifts through the eons of rumor, science, and lore to find a place that, in the end, seems startlingly real indeed.”—Hampton Sides A few years ago, Mark Adams made a strange discovery: Far from alien conspiracy theories and other pop culture myths, everything we know about the legendary lost city of Atlantis comes from the work of one man, the Greek philosopher Plato. Stranger still: Adams learned there is an entire global sub-culture of amateur explorers who are still actively and obsessively searching for this sunken city, based entirely on Plato’s detailed clues. What Adams didn’t realize was that Atlantis is kind of like a virus—and he’d been exposed. In Meet Me in Atlantis, Adams racks up frequent-flier miles tracking down these Atlantis obsessives, trying to determine why they believe it's possible to find the world's most famous lost city—and whether any of their theories could prove or disprove its existence. The result is a classic quest that takes readers to fascinating locations to meet irresistible characters; and a deep, often humorous look at the human longing to rediscover a lost world.

In this collection of shorter pieces, Victor J. Banis demonstrates once again the astonishing breadth of his talent, covering virtually every facet of the human experience with astonishing brevity and clarity. Here are pathos and heartache, love and horror, irony -- and humor, especially humor, dry and wry and roll-on-the-floor-clutching-your-sides funny. It would be a hard man indeed who could read the adventures of his Underground Diner -- which take up much of the last half of the book and aptly skewer the ubiquitous and often pretentious food writing column -- without guffawing aloud.

Paperback Quarterly, journal of mass-market paperback history, Fall 1980, Volume 3 Number 3, contains: "Louis L'Amour's Pseudonymous Works," by John D. Nesbitt, "First Printing: Two Million," by Michael Barson, "Interview with John Jakes," by Michael Barson, "Reprints/Reprints: Ray Bradbury's FAHRENHEIT 451," by Bill Crider, "Agatha Christie in Dell Mapbacks," by Bill Lyles, "Soft Cover Sketches: an introduction," by Thomas L. Bonn, "Soft Cover Sketches: James Avati," by Thomas L. Bonn and "Collecting Original Paperback Cover Art," by Robert Weinberg.

Future and Fantastic Worlds embodies an unusual approach to the field of bibliographic research, including over 700 annotations of every DAW book published through mid-1987, with indexes by author, artist, and title, providing a massive guide to modern SF writers and their works, with much background data. Interspersed throughout the book are numerous wry, irreverent, and amusing observations offered by the late and highly respected researcher in this extremely valuable genre tool.

Presents articles on the horror and fantasy genres of fiction, including authors, themes, significant works, and awards.

George Scithers published AMRA, a leading sword and sorcery fanzine, beginning in 1959. The term "swords and sorcery" first appeared there, and AMRA became a leading proponent of the subgenre. Several of the articles originally published in AMRA were later re-printed as part of two volumes about Conan the Barbarian, which Scithers co-edited with L. Sprague de Camp. Contributors to the magazine included all the leading fantasists of the day: Poul Anderson, L. Sprague de Camp, Fritz Leiber, and many more. This volume includes work by: Poul Anderson, John Boardman, L. Sprague de Camp, and more.