Combining an unforgettable story with haunting illustrations, "Mendel's Daughter" is a powerful graphic memoir depicting the dramatic escape of Martin Lemelman's mother from Nazi persecution in 1930s Poland. Illustrations and photos throughout.

Cherie Steiman Smith is the daughter of Iser Steiman (1898-1981) and Laura Shatsky. She was born in Kamsack, Saskatchewan. Steiman ancestry is traced to Mendel Steiman (1846-1924) who married (1) Dova (2) Hannah Zelda Friedman. Mendel was born near Rezhitse, Latvia. He and his family joined his son, Robert, in Winnipeg, Manitoba in 1905. Laura Shatsky was the daughter of Samuel Shatsky (1879-1954) and Elizabeth Finn (1882-1950). The Shatsky and Finn families came to Canada in 1882. David (Fayn) Finn (1847-1949) was born in Vilna, Lithuania. He and his wife, Sheindel Shane (1845-1914), immigrated to Winnipeg, Manitoba in 1882.

In 1989 Martin Lemelman videotaped his mother, Gusta, as she opened up about her childhood in 1930s Poland and her eventual escape from Nazi persecution. Mendel's Daughter, now in paperback and selected as one of the best books of 2006 by the Austin Chronicle, is Lemelman's loving transcription of his mother's harrowing testimony, bringing her narrative to life with his own powerful black-and-white drawings, interspersed with reproductions of actual photographs, documents and other relics from that era. The result is a wholly original, authentic and moving account of hope and survival in a time of despair. Gusta's story opens with a portrait of shtetl life, filled with homey images that evoke the richness of food and flowers, of family and friends and of Jewish tradition. Soon, however, Gusta's girlhood is cut short as her family experiences Hitler's rise, rumors of war, invasion, occupation, round-ups and pogroms, forcing Gusta into flight and hiding. Mendel's Daughter is Martin Lemelman's solemn and stirring testament to his mother's bravery and a celebration of her perseverance. The devastatingly simple power of a mother's words and a son's illustrations combine to create a work that is both intensely personal and universally resonant. Mendel's Daughter combines an unforgettable true story with elegant, haunting illustrations to shed new light on one of history's darkest periods.

Depicts the struggles and sweetness of the author's childhood in Brooklyn as the son of Holocaust survivors, growing up in the back of his family's candy store in Brownsville during the neighborhood's deep decline.

This acclaimed biography of 19th century scientist Gregor Mendel is “a fascinating tale of the strange twists and ironies of scientific progress” (Publishers Weekly). A National Book Critics Circle Award finalist In The Monk in the Garden, award-winning author Robin Marantz Henig vividly chronicles the birth of genetics, a field that continues to challenge the way we think about life itself. Tending to his pea plants in a monastery garden, the Moravian monk Gregor Mendel discovered the foundational principles of genetic inheritance. But Mendel’s work was ignored during his lifetime, even though it answered the most pressing questions raised by Charles Darwin's revolutionary book, On the Origin of Species. Thirty-five years after his death, Mendel’s work was saved from obscurity when three scientists from three different countries nearly simultaneously dusted off his groundbreaking paper and finally recognized its profound significance. From the perplexing silence that greeted his discovery to his ultimate canonization as the father of genetics, Henig presents a tale filled with intrigue, jealousy, and a healthy dose of bad timing. Though little is known about Mendel’s life, she "has done a remarkable job of fleshing out the myth with what few facts there are" (Washington Post Book World).

Like his great-great-great-uncle, geneticist Gregor Mendel, Dr. Benedict Lambert struggles to unlock the secrets of heredity and genetic determinism. However, Benedict's mission is particularly urgent and particularly personal, for he was born with achondroplasia--he's a dwarf. He's also a man desperate for love and acceptance, and when he finds both in Jean, a shy librarian, he stumbles upon an opportunity to correct the injustice of his own, at least to him, unlucky genes. Entertaining and tender, this witty and surprisingly erotic novel reveals the beauty and drama of scientific inquiry as it informs us of the simple passions against which even the most brilliant mind is rendered powerless.

Holocaust Graphic Narratives examines Holocaust graphic novels and memoirs, analyzing the genre as one that enables intergenerational transmission of trauma and memory. Here, the graphic novel becomes a medium uniquely positioned to create a sense of felt immediacy, urgency, and authenticity at the intersection of history and the imagination.

There are thousands of books that represent the Holocaust, but can, and should, the act of reading these works convey the events of genocide to those who did not experience it? In Textual Silence, literary scholar Jessica Lang asserts that language itself is a barrier between the author and the reader in Holocaust texts—and that this barrier is not a lack of substance, but a defining characteristic of the genre. Holocaust texts, which encompass works as diverse as memoirs, novels, poems, and diaries, are traditionally characterized by silences the authors place throughout the text, both deliberately and unconsciously. While a reader may have the desire and will to comprehend the Holocaust, the presence of “textual silence” is a force that removes the experience of genocide from the reader’s analysis and imaginative recourse. Lang defines silences as omissions that take many forms, including the use of italics and quotation marks, ellipses and blank pages in poetry, and the presence of unreliable narrators in fiction. While this limits the reader’s ability to read in any conventional sense, these silences are not flaws. They are instead a critical presence that forces readers to acknowledge how words and meaning can diverge in the face of events as unimaginable as those of the Holocaust.