Men, Women, and Ghosts (1916) is a poetry collection by Amy Lowell. Published at the beginning of her career as an influential imagist devoted to classical poetic themes and forms, Men, Women, and Ghosts is an agile and promising work from a pioneering poet of the early twentieth century. In “Patterns,” the collection’s opening poem, Lowell displays an economy of language and clarity of vision that would define the imagist school, in which she would prove an essential figure: “I walk down garden paths, / And all the daffodils / Are blowing, and the bright blue squills. / [...] / I too am a rare / Pattern. As I wander down / The garden paths.” As the speaker of the poem laments the loss of her lover, she remarks: “the man who should loose me is dead, / Fighting with the Duke in Flanders, / In a pattern called a war. / Christ! What are patterns for?” As a poet indebted to tradition and yet interested in the prospect of a modern poetry, as a lesbian and bohemian figure from a prominent Boston family, Lowell was keenly aware of the dangers inherent to “patterns.” Her poems, unique and experimental, are an essential contribution to one of humanity’s oldest art forms. Men, Women, and Ghosts is a vibrant collection from an emerging poet who would come to define the imagist movement throughout her storied career. With a beautifully designed cover and professionally typeset manuscript, this edition Amy Lowell’s Men, Women, and Ghosts is a classic work of American poetry reimagined for modern readers.

Reprint of the original, first published in 1869.

"Men, Women, and Ghosts" is a short story collection by Elizabeth Phelps that deals with primarily the supernatural but also a whole host of topics never publicly addressed at the time. Apart from a few stories such as ‘The Day of My Death’, the ghosts here aren’t the stereotypical clanking chains and wailing type, they’re beleaguered, frustrated souls who have suffered great hardship. "One of the Elect" reads like a changeling story, but gradually becomes a tale dealing with sentimentality and the pains of prostitution. One of the strongest tales is ‘Kentucky’s Ghost’, an old sailors tale of bullying and revenge at sea combined with a compelling and gripping narrative. Elizabeth Stuarts Phelps Ward (1844-1911) was one of the first feminist, American writers of the 19th century who vehemently opposed the traditional view of women in society. Much of her views are expressed in her novels, targeting the oppressive contemporary view of marriage and the family unit. Even her marriage to Herbert Ward, a journalist seventeen years her junior, was another act of rebellion against the status-quo. Her novels are primarily focused on the topics of religion and equality, mixing spiritualist themes with poignant social issues. She was a prolific author of more than 50 volumes of fiction, essays, and poetry. Phelps’ most popular works include "The Gates Ajar", "Trixy", "Men, Women, and Ghosts", and "The Silent Partner".

"Polygamy?" says the mainstream Mormon Church. "We gave that up long ago." Not so, claims noted LDS poet and author Carol Lynn Pearson, who examines the issue as it has never been examined before. Any member of the LDS Church today who enters the practice of polygamy is immediately excommunicated. However, Pearson claims, polygamy itself has never been excommunicated, but has an honored and protected place at the table. It has only been postponed, a fact confirmed by thousands of "eternal sealings" giving a man an assurance that he will claim as wives in heaven the two, three, or even more women he has sequentially married during his lifetime. No such opportunity is available to women. Through her own personal stories, those of her ancestors, and the thousands of stories that came to her through an Internet survey, Pearson shows the power of the Ghost of Eternal Polygamy as it not only waits on the other side to greet the most righteous in heaven, but also haunts the living-hiding in the recesses of the Mormon psyche, inflicting profound pain and fear, assuring women that they are still objects, harming or destroying marriages, bringing chaos to family relationships, leading many to lose faith in the church and in God. Mormon historian and author Dr. Gregory Prince says of The Ghost of Eternal Polygamy: "Carol Lynn Pearson has hit a home run in her quest to illuminate both the damage that Mormonism's de facto practice of polygamy continues to inflict, and the route to a better, more humane place. Those who truly hope for eternal polygamy or who resent any call to institutional reform will be upset, but countless others will rejoice that she has shown 'a more excellent way.' "

New from Debora Greger??a special poet in every sense? (Poetry) In her eighth book of poetry, Debora Greger travels not just the present but the past, looking for some strange place to call home. She takes a taxi to Stonehenge. She writes letters to Li Po and Tu Fu, Shakespeare and Jane Austen, always seeking out the beast that is man and the beast that is woman. She explores both the remoteness of the past (those radioactive fifties that were her childhood), and the weight of it?or, better, the responsibility of it. These modern traveler?s tales?musing, insistent, marvelous?place one woman?s collection of pasts into a world inhabited by Horace, Chekhov, the bank vault of England, and the giant octopus of Puget Sound.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

INTERNATIONAL BESTSELLER • From the author of Everything I Know About Love comes a smart, sexy, laugh-out-loud romantic comedy about ex-boyfriends, imperfect parents, friends with kids, and a man who disappears the moment he says "I love you." “An absolute knock-out. Wickedly funny and, at turns, both cynical and sincere… feels like your very favorite friend.” —Taylor Jenkins Reid, author of Malibu Rising ONE OF THE BEST BOOKS OF THE YEAR: NPR, VOGUE, PEOPLE Nina Dean is not especially bothered that she's single. She owns her own apartment, she's about to publish her second book, she has a great relationship with her ex-boyfriend, and enough friends to keep her social calendar full and her hangovers plentiful. And when she downloads a dating app, she does the seemingly impossible: She meets a great guy on her first date. Max is handsome and built like a lumberjack; he has floppy blond hair and a stable job. But more surprising than anything else, Nina and Max have chemistry. Their conversations are witty and ironic, they both hate sports, they dance together like fools, they happily dig deep into the nuances of crappy music, and they create an entire universe of private jokes and chemical bliss. But when Max ghosts her, Nina is forced to deal with everything she's been trying so hard to ignore: her father's dementia is getting worse, and so is her mother's denial of it; her editor hates her new book idea; and her best friend from childhood is icing her out. Funny, tender, and eminently, movingly relatable, Ghosts is a whip-smart tale of relationships and modern life.