Stieg Larsson was an unabashed feminist in his personal and professional life and in the fictional world he created, but The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornet's Nest are full of graphic depictions of violence against women, including stalking, sexual harassment, child abuse, rape, incest, serial murder, sexual slavery, and sex trafficking, committed by vile individual men and by corrupt, secretive institutions. How do readers and moviegoers react to these depictions, and what do they make of the women who fight back, the complex masculinities in the trilogy, and the ambiguous gender of the elusive Lisbeth Salander? These lively and accessible essays expand the conversation in the blogosphere about the novels and films by connecting the controversies about gender roles to social trends in the real world.

Feminist takes on depictions of violence against women and changing gender roles in Stieg Larsson's thrillers

This anthology critically analyzes how cultures around the world make social categories of race, class, gender and sexuality meaningful in particular ways. The collection uses a wide range of readings to examine how contemporary issues of race, class, gender, and sexuality are constructed, mobilized, and transformed. Unlike many books in this area, the U.S. is not analytical center.

A fascinating survey of popular culture in Europe, from Celtic punk and British TV shows to Spanish fashion and Italian sports. From One Direction and Adele to Penelope Cruz and Alexander Skarsgard, many Europeans are becoming household names in the United States. This ready-reference guide covers international pop culture spanning music, literature, movies, television and radio, the Internet, sports, video games, and fashion, from the mid-20th century through the present day. The organization of the book—with entries arranged alphabetically within thematic chapters—allows readers to quickly find the topic they are seeking. Additionally, indexing allows for cross-cultural comparisons to be made between pop culture in Europe to that of the United States. An extensive chronology and lengthy introduction provide important contextual information, such as the United States' influence on movies, music, and the Internet; the effect of censorship on Internet and social media use; and the history of pop culture over the years. Topics feature key musicians, songs, books, actors and actresses, movies and television shows, popular websites, top athletes, games, clothing fads and designers, and much more.

Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book explores the influence of noir on international cinematic traditions and challenges prevailing film scholarship. It includes extensive bibliography and filmographies for recommended reading and viewing.

Uniquely placed to explore the worldwide phenomenon of Stieg Larsson's Millennium trilogy beginning with The Girl with the Dragon Tattoo, the book offers the first full-length study of Larsson's work in both its written and filmed forms.

This groundbreaking collection provides students with a timely and accessible overview of current trends within contemporary popular fiction.

This book brings together the work of public sociologists from across the globe to illuminate possibilities for the practice of public sociology and the potential for international exchange in the field. In addition to sections devoted to the history, theory, methodology and possible future of public sociology, it offers a series of concrete case studies of public sociology practice from experienced scholars and practitioners, addressing core themes including the role of students in public sociology, the production of knowledge by communities and the sharing of knowledge with a view to having an influence on policy. Presenting research that is truly global in scope, The Routledge International Handbook of Public Sociology provides readers with the opportunity to consider the possibilities that exist for international collaboration in their work and reflect on future directions. As such, it will appeal to scholars across the social sciences with interests in research with public impact.

In a book as illuminating as it is captivating, Thomas E. Drabek presents an in-depth analysis of the emotional impacts of disaster events and the many ripple effects that follow. Through the technique of storytelling, a series of nine fictional stories where characters experience actual disasters of different types throughout the United States illustrate the vulnerabilities and resilience to enhance the readers understanding of disaster consequences. Designed for classroom use, each story is followed by an "Analysis" section wherein discussion and research paper topics are recommended. These highlight links to published research findings. A "References" section details citations for all works included. Brief commentary in a "Notes" section adds further connections to other disasters and relevant research studies. The Sociology of Disaster is an important innovation in disaster education and will become an invaluable resource within universities and colleges that offer degrees in emergency management at both the undergraduate and graduate levels.

From its origins in academic discourse in the 1970s to our collective imagination today, the concept of “rape culture” has resonated in a variety of spheres, including television, gaming, comic book culture, and college campuses. Beyond Blurred Lines traces ways that sexual violence is collectively processed, mediated, negotiated, and contested by exploring public reactions to high-profile incidents and rape narratives in popular culture. The concept of rape culture was initially embraced in popular media – mass media, social media, and popular culture – and contributed to a social understanding of sexual violence that mirrored feminist concerns about the persistence of rape myths and victim-blaming. However, it was later challenged by skeptics who framed the concept as a moral panic. Nickie D. Phillips documents how the conversation shifted from substantiating claims of a rape culture toward growing scrutiny of the prevalence of sexual assault on college campuses. This, in turn, renewed attention toward false allegations, and away from how college enforcement policies fail victims to how they endanger accused young men. Ultimately, she successfully lends insight into how the debates around rape culture, including microaggressions, gendered harassment and so-called political correctness, inform our collective imaginations and shape our attitudes toward criminal justice and policy responses to sexual violence.