Hasidism, a kabbalah-inspired movement founded by Israel Ba'al Shem Tov (c1700-1760), transformed Jewish communities across Eastern and East Central Europe. In Men of Silk, Glenn Dynner draws upon newly discovered Polish archival material and neglected Hebrew testimonies to illuminate Hasidism's dramatic ascendancy in the region of Central Poland during the early nineteenth century. Dynner presents Hasidism as a socioreligious phenomenon that was shaped in crucial ways by its Polish context. His social historical analysis dispels prevailing romantic notions about Hasidism. Despite their folksy image, the movement's charismatic leaders are revealed as astute populists who proved remarkably adept at securing elite patronage, neutralizing powerful opponents, and methodically co-opting Jewish institutions. The book also reveals the full spectrum of Hasidic devotees, from humble shtetl dwellers to influential Warsaw entrepreneurs.

The year is 1861. Hervé Joncour is a French merchant of silkworms, who combs the known world for their gemlike eggs. Then circumstances compel him to travel farther, beyond the edge of the known, to a country legendary for the quality of its silk and its hostility to foreigners: Japan.There Joncour meets a woman. They do not touch; they do not even speak. And he cannot read the note she sends him until he has returned to his own country. But in the moment he does, Joncour is possessed.

For years they were strangers despite their common origin. Then they were lovers. Now they're not quite friends. But Spider-Man and Silk have no option but to put all that behind them for a timetorn Team-Up, when they are sent back to just before they got their spider-powers! Can they let bygones be bygones, stop a sinister threat to reality as they knew it, and avoid accidentally wiping out the moment that gave them their amazing abilities? Maybe these two anachronistic arachnids could enlist some aid from a local Forest Hills man. His name's Ben Parker, you might know him? Spider and Silk face a date with destiny right back where it all began - the spectacular science fair that started it all! COLLECTING: AMAZING SPIDER-MAN & SILK: THE SPIDER(FLY) EFFECT 1-4

The historical figures responsible for today's global economy

What comes to mind when you hear the phrase, "Women in Ministry"? A. Nursery Worker B. Children's leader C. Pastor D. It's complicated If you are like most your answer would be, "It's complicated". Many believers are still confused about the proper place for women in the church. Powerful and Free is a call to address the structural message of inequality.It is not a theological treatise on the biblical case for female leaders (there are many excellent resources for this already). It is not a political program to implement some kind of affirmative action in our leadership teams, because that doesn't work. Rather, it is an appeal to the hearts of men and women to recognize the existence of the glass ceiling for women and to challenge themselves to align more fully with a Kingdom vision for gender-blind leadership in the Body and equal male-female partnership in the home.

The Silk Road was the most traveled trade route for over 1,000 years until it was eclipsed by maritime trade. Whitfield presents composite stories of merchants, soldiers, artists, and princesses who traveled the route, and presents its history through their personal experiences.

In 1931, a young woman writer living in Germany was inspired by Anita Loos's Gentlemen Prefer Blondes to describe pre-war Berlin and the age of cinematic glamour through the eyes of a woman. The resulting novel, The Artificial Silk Girl, became an acclaimed bestseller and a masterwork of German literature, in the tradition of Christopher Isherwood's Berlin Stories and Bertolt Brecht's Three Penny Opera. Like Isherwood and Brecht, Keun revealed the dark underside of Berlin's "golden twenties" with empathy and honesty. Unfortunately, a Nazi censorship board banned Keun's work in 1933 and destroyed all existing copies of The Artificial Silk Girl. Only one English translation was published, in Great Britain, before the book disappeared in the chaos of the ensuing war. Today, more than seven decades later, the story of this quintessential "material girl" remains as relevant as ever, as an accessible new translation brings this lost classic to light once more. Other Press is pleased to announce the republication of The Artificial Silk Girl, elegantly translated by noted Germanist Kathie von Ankum, and with a new introduction by Harvard professor Maria Tatar.

Arthur Sze has rare qualifications when it comes to translating Chinese: he is an award-winning poet who was raised in both languages. A second-generation Chinese-American, Sze has gathered over 70 poems by poets who have had a profound effect on Chinese culture, American poetics and Sze's own maturation as an artist. Also included is an informative insightful essay on the methods and processes involved in translating ideogrammic poetry. MOONLIGHT NIGHT by Tu Fu can only look out alone at the moon. From Ch'ang-an I pity my children who cannot yet remember or understand. Her hair is damp in the fragrant mist. Her arms are cold in the clear light. When will we lean beside the window and the moon shine on our dried tears? Sze's anthology features poets who have become literary icons to generations of Chinese readers and scholars. Included are the poems of the great, rarely translated female poet Li Ching Chao alongside the remorseful exile poems of Su Tung-p'o. This book will prove a necessary and insightful addition to the library of any reader of poetry in translation. The poets include: T'ao Ch'ien Wang Han Wang Wei Li Po Tu Fu Po Chü-yi Tu Mu Li Shang-yin Su Tung-p'o Li Ch'ing-chao Shen Chou Chu Ta Wen I-to Yen Chen Arthur Sze is the author of six previous books of poetry, including The Redshifting Web and Archipelago. He has received the Asian American Literary Award for his poetry and translation, a prestigious Lannan Literary Award, and was recently a finalist for the Leonore Marshall Poetry Prize. He teaches at the Institute of American Indian Arts. from A Painting of a Cat Nan Ch'uan wanted to be reborn as a water buffalo, but who did the body of the malicious cat become? Black clouds and covering snow are alike. It took thirty years for clouds to disperse, snow to melt. -Pa-ta-shan-jen (1626-1705) The Last Day Water sobs and sobs in the bamboo pipe gutter. Green tongues of banana leaves lick at the windowpanes. The four sur

The Silk Road, which linked imperial Rome and distant China, was once the greatest thoroughfare on earth. Along it travelled precious cargoes of silk, gold, and ivory, as well as revolutionary new ideas. Its oasis towns blossomed into thriving centres of Buddhist art and learning. In time it began to decline. The traffic slowed, the merchants left, and finally its towns vanished beneath the desert sands to be forgotten for a thousand years. But legends grew up of lost cities filled with treasurees and guarded by demons. In the early years of the 20th century, foreign explorers began to investigate these legends, and very soon an international race began for the art treasures of the Silk Road. Huge wall paintings, sculptures, and priceless manuscripts were carried away, literally by the ton, and are today scattered through the museums of a dozen countries. Peter Hopkirk tells the story of the intrepid men who, at great personal risk, led these long-range archaeological raids, incurring the undying wrath of the Chinese.