LORA LEIGH "Hannah's Luck" When burglars try to break into her home, kindergarten teacher Hannah Brookes is lucky to have Sheriff Rick Grayson on her side. Especially when their mutual attraction leads to distraction... RED GARNIER "Reckless" Police detective Zach Rivers isn't the only man in Phoenix who's obsessed with the beautiful Paige Avery-but he's definitely the sexiest and, quite possibly, the most dangerous... ALEXIS GRANT "Tempt Me" R&B star Anita has beauty, talent, fame-and her very own stalker-which is why she needs a professional bodyguard. But can she resist mixing business with pleasure when the hired muscle is to die for? LORIE O'CLARE "Love Me 'til Death" Homicide detective Ashley Jones hates working with the FBI. But Chase Reed is one special agent whose rule-breaking methods, razor-sharp mind, and rock-hard body make for one killer combination...

This new series stars Danger Guys Noodle and Zeek. When Noodle and Zeek go to the grand opening of a Danger Guys adventure store, they get more than new gear--they get danger! The two friends uncover a plot to steal ancient artifacts. They must do some quick thinking to save the treasure--and their lives.

"Every writer has advice for aspiring writers. Mine is predicated on formative years spent cleaning my father’s calf pens: Just keep shoveling until you’ve got a pile so big, someone has to notice. The fact that I cast my life’s work as slung manure simply proves that I recognize an apt metaphor when I accidentally stick it with a pitchfork. . . . Poetry was my first love, my gateway drug—still the poets are my favorites—but I quickly realized I lacked the chops or insights to survive on verse alone. But I wanted to write. Every day. And so I read everything I could about freelancing, and started shoveling." The pieces gathered within this book draw on fifteen years of what Michael Perry calls "shovel time"—a writer going to work as the work is offered. The range of subjects is wide, from musky fishing, puking, and mountain-climbing Iraq War veterans to the frozen head of Ted Williams. Some assignments lead to self-examination of an alarming magnitude (as Perry notes, "It quickly becomes obvious that I am a self-absorbed hypochondriac forever resolving to do better nutritionally and fitness-wise but my follow-through is laughable.") But his favorites are those that allow him to turn the lens outward: "My greatest privilege," he says, "lies not in telling my own story; it lies in being trusted to tell the story of another."

Summary: Discusses the development of language, its importance to communication, and how it enables man to understand and control his world.

The author has talked to men and women in Britain and the U.S. as they share their experiences of personal violence and the precautions they take to protect themselves. It becomes clear that violence is part and parcel of everyday life for all of us.

The one woman he couldn’t have was the only woman he desired… She may be aloof, and more pretty than gorgeous, but Alani Rivers is the kind of woman a hot-blooded mercenary can’t forget, no matter how hard he tries. So when Jackson Savor wakes up next to the naked, sleeping beauty—with no memory of what happened—he knows he’s been drugged…even if Alani doesn’t. After she was kidnapped, Alani vowed never to trust another man again. Still, something about this strong, sexy hero with the tender touch makes her want to believe him. As Jackson hunts down a mysterious intruder, he swears he’ll move heaven and earth to keep Alani safe. But what really happened that night? And will the truth bring them closer than they ever thought possible—or put Alani squarely in harm’s way again?

Why is the public presentation of the war on terror suffused with sexualised racism? What does this tell us about ideas of gender, sexuality, religious and political identity and the role of the state in the Western powers? Can we diffuse inter-ethnic conflicts and change the way the West pursues its security agenda by understanding the role of sexualised racism in the war on terror? In asking such questions, Gargi Bhattacharyya considers how the concepts of imperialism, feminism, terror and security can be applied, in order to build on the influential debates about the sexualised character of colonialism. She examines the way in which western imperial violence has been associated with the rhetoric of rights and democracy - a project of bombing for freedom that has called into question the validity of western conceptions of democracy, rights and feminism. Such rhetoric has given rise to actions that go beyond simply protecting western interests or securing access to scarce resources and appear to be beyond instrumental reason. The articulations of racism that appear with the war on terror are animated by fears and sexual fantasies inexplicable by rational interest alone. There can be no resolution to this seemingly endless conflict without understanding the highly sexualised racism that animates it. Such an understanding threatens to pierce the heart of imperial relations, revealing their intense contradictions and uncovering attempts to normalise violent expropriation.

Home care nurse Hannah Grey is dedicated to her patient, an aging widow still tainted by the financial scandal her late husband perpetrated. She makes Hannah promise that upon her death, she?ll right the family?s wrongs, and gives Hannah her offshore account?s access codes. But Carrick Manly will do anything to discover where his family?s fortunes lie? including kill his own mother. Fearing for her life, and desperate not to betray the widow, Hannah flees. And when Carrick?s half-brother, Gabriel, tracks her down in Houston, Hannah must trust her own instincts?and her heart?to survive.

The Danger Guys find themselves in a real-life scary movie, and the ending is up to them It’s Halloween, and best friends Noodle and Zeek have decided to make a horror movie in honor of the holiday. To show the boys how real films are made, Zeek’s family takes them to Paragon, the oldest studio in Hollywood. During the tour, a huge lightning storm separates Noodle and Zeek from the rest of the group. The two boys suddenly find themselves in a world of famous sets and exciting props. It’s the perfect location for their own movie! But it turns out that Paragon Studio has more than a little danger—and not just the staged kind. The lightning damaged the studio’s central control center, and all the electronic props are now going crazy. Noodle and Zeek must battle an evil robot, a sneezing dinosaur, and a deadly mummy in order to find and warn Zeek’s family. Little do they know that Zeek’s family is also under attack! With some luck and a lot of movie drama, the Danger Guys show Paragon Studio what real heroes look like. Danger Guys: Hollywood Halloween on Ice is the 3rd book in Danger Guys, but you may enjoy reading the series in any order.

The first comprehensive undercover look at the terrorist movement no one is talking about. Men Who Hate Women examines the rise of secretive extremist communities who despise women and traces the roots of misogyny across a complex spider web of groups. It includes eye-opening interviews with former members of these communities, the academics studying this movement, and the men fighting back. Women's rights activist Laura Bates wrote this book as someone who has been the target of many hate-fueled misogynistic attacks online. At first, the vitriol seemed to be the work of a small handful of individual men... but over time, the volume and consistency of the attacks hinted at something bigger and more ominous. As Bates went undercover into the corners of the internet, she found an unseen, organized movement of thousands of anonymous men wishing violence (and worse) upon women. In the book, Bates explores: Extreme communities like incels, pick-up artists, MGTOW, Men's Rights Activists and more The hateful, toxic rhetoric used by these groups How this movement connects to other extremist movements like white supremacy How young boys are targeted and slowly drawn in Where this ideology shows up in our everyday lives in mainstream media, our playgrounds, and our government By turns fascinating and horrifying, Men Who Hate Women is a broad, unflinching account of the deep current of loathing toward women and anti-feminism that underpins our society and is a must-read for parents, educators, and anyone who believes in equality for women. Praise for Men Who Hate Women: "Laura Bates is showing us the path to both intimate and global survival."—Gloria Steinem "Well-researched and meticulously documented, Bates's book on the power and danger of masculinity should be required reading for us all."—Library Journal "Men Who Hate Women has the power to spark social change."—Sunday Times