Winner of the 2019 Scott Bill Memorial Prize for Outstanding First Book in Peace History Memory, Reconciliation, and Reunions in South Korea: Crossing the Divide explores the history and tells the story of the emotionally charged meetings that took place among family members who, after having lost all contact for over fifty years on opposite sides of the Korean divide, were temporarily reunited in a series of events beginning in 2000. During an unprecedented period of reconciliation between North and South Korea, those nationally televised reunions would prove to be the largest meetings held theretofore among civilians from the two states since the inter-Korean border was sealed following the end of active hostilities in 1953. Drawing on field research during the reunions as they happened, oral histories with family members who participated, interviews among government officials involved in the events’ negotiation and planning, and observations of breakthrough developments at the turn of the millennium, this book narrates a grounded history of these pivotal events. The book further explores the implications of such intimate family encounters for the larger political and cultural processes of moving from a disposition of enmity to one of recognition and engagement through attempts at achieving sustained reconciliation amid the complex legacies of civil war and the global Cold War on the Korean Peninsula.

Decades after the end of the World War II East Asia continues to struggle with lingering animosities and unresolved historical grievances in domestic, bilateral and regional memory landscapes. China, Japan and the Korea share a history of inter- and intra-violence, self-other identity construction and diametrically opposed interpretations of the past. Routledge Handbook of Memory and Reconciliation in East Asia offers a complete overview of the challenges of national memory and ideological rivalry for reconciliation in the East Asian region. Chapters provide authoritative analyses of contentious issues such as comfort women, the Nanjing massacre, history textbook controversies, shared heritage sites, colonial rule, territorial disputes and restitution. By interweaving memory, human rights and reconciliation the contributors actively explore real prospects of redressing past wrongs and achieving peaceful coexistence at personal as well as governmental levels. Bringing together an international team of experts, this book is an essential read for students and scholars of East Asian studies, anthropology, gender studies, history, international relations, law, political science, and sociology, and for those interested in memory and reconciliation issues.

This handbook explores trauma in East Asia from the nineteenth to the twenty-first century, assessing how victims, perpetrators and societies have responded to such experiences and to what extent the legacies still resonate today. Mapping the trauma-scape of East Asia from an interdisciplinary perspective, including anthropologists, historians, film and literary critics, scholars of law, media and education, political scientists and sociologists, this book significantly enhances understandings of the region’s traumatic pasts and how those memories have since been suppressed, exhumed, represented and disputed. In Asia’s contested memory-scape there is much at stake for perpetrators, their victims and heirs to their respective traumas. The scholarly research in this volume examines the silencing and distortion of traumatic pasts and sustained efforts to interrogate denial and impunity in the search for accountability. Addressing collective traumas from across East Asia (China, Hong Kong, Japan, Russia, Singapore, South Korea, Taiwan and Vietnam), this book is a valuable resource for students and scholars of Trauma and Memory Studies, Asian Studies and Contemporary Asian History more broadly.

This pioneering volume navigates cultural memory of the Korean War through the lens of contemporary arts and film in South Korea for the last two decades. Cultural memory of the Korean War has been a subject of persistent controversy in the forging of South Korean postwar national and ideological identity. Applying the theoretical notion of “postmemory,” this book examines the increasingly diversified attitudes toward memories of the Korean War and Cold War from the late 1990s and onward, particularly in the demise of military dictatorships. Chapters consider efforts from younger generation artists and filmmakers to develop new ways of representing traumatic memories by refusing to confine themselves to the tragic experiences of survivors and victims. Extensively illustrated, this is one of the first volumes in English to provide an in-depth analysis of work oriented around such themes from 12 renowned and provocative South Korean artists and filmmakers. This includes documentary photographs, participatory public arts, independent women’s documentary films, and media installations. The Korean War and Postmemory Generation will appeal to students and scholars of film studies, contemporary art, and Korean history.

Bringing together a multidisciplinary conversation about the entanglement of nature and society in the Korean peninsula, Forces of Nature aims to define and develop the field of the Korean environmental humanities. At its core, the volume works to foreground non-human agents that have long been marginalized in Korean studies, placing flora, fauna, mineral deposits, and climatic conditions that have hitherto been confined to footnotes front and center. In the process, the authors blaze new trails through Korea's social and physical landscapes. What emerges is a deeper appreciation of the environmental conflicts that have animated life in Korea. The authors show how natural processes have continually shaped the course of events on the peninsula—how floods, droughts, famines, fires, and pests have inexorably impinged on human affairs—and how different forces have been mobilized by the state to variously, control, extract, modernize, and showcase the Korean landscape. Forces of Nature suggestively reveals Korea's physical landscape to be not so much a passive context to Korea's history, but an active agent in its transformation and reinvention across centuries.

Dynamic and meticulously researched, A History of Korea continues to be one of the leading introductory textbooks on Korean history. Assuming no prior knowledge, Hwang guides readers from early state formation and the dynastic eras to the modern experience in both North and South Korea. Structured around episodic accounts, each chapter begins by discussing a defining moment in Korean history in context, with an extensive examination of how the events and themes under consideration have been viewed up to the present day. By engaging with recurring themes such as collective identity, external influence, social hierarchy, family and gender, the author introduces the major historical events, patterns and debates that have shaped both North and South Korea over the past 1500 years. This textbook is essential reading for undergraduate and postgraduate students of Korean or Asian history. The first half of the book covers pre-20th century history, and the second half the modern era, making it ideal for survey courses.

The first comprehensive analysis of the Korean War and its enduring legacies through the lenses of intimate human and social experience.

An utterly original and illuminating work that meets at the crossroads of autobiography and ethnography to re-examine violence and memory through the eyes of a child. Seeing Like a Child is a deeply moving narrative that showcases an unexpected voice from an established researcher. Through an unwavering commitment to a child’s perspective, Clara Han explores how the catastrophic event of the Korean War is dispersed into domestic life. Han writes from inside her childhood memories as the daughter of parents who were displaced by war, who fled from the North to the South of Korea, and whose displacement in Korea and subsequent migration to the United States implicated the fraying and suppression of kinship relations and the Korean language. At the same time, Han writes as an anthropologist whose fieldwork has taken her to the devastated worlds of her parents—to Korea and to the Korean language—allowing her, as she explains, to find and found kinship relationships that had been suppressed or broken in war and illness. A fascinating counterpoint to the project of testimony that seeks to transmit a narrative of the event to future generations, Seeing Like a Child sees the inheritance of familial memories of violence as embedded in how the child inhabits her everyday life. Seeing Like a Child offers readers a unique experience—an intimate engagement with the emotional reality of migration and the inheritance of mass displacement and death—inviting us to explore categories such as “catastrophe,” “war,” “violence,” and “kinship” in a brand-new light.

The Korean Demilitarized Zone (DMZ) has been off-limits to human habitation for nearly seventy years, and in that time, biodiverse forms of life have flourished in and around the DMZ as beneficiaries of an unresolved war. In Making Peace with Nature Eleana J. Kim shows how a closer examination of the DMZ in South Korea reveals that the area’s biodiversity is inseparable from scientific practices and geopolitical, capitalist, and ecological dynamics. Drawing on ethnographic fieldwork with ecologists, scientists, and local residents, Kim focuses on irrigation ponds, migratory bird flyways, and land mines in the South Korean DMZ area, demonstrating how human and nonhuman ecologies interact and transform in spaces defined by war and militarization. In so doing, Kim reframes peace away from a human-oriented political or economic peace and toward a more-than-human, biological peace. Such a peace recognizes the reality of war while pointing to potential forms of human and nonhuman relations.

Belonging in a House Divided chronicles the everyday lives of resettled North Korean refugees in South Korea and their experiences of violence, postwar citizenship, and ethnic boundary making. Through extensive ethnographic research, Joowon Park documents the emergence of cultural differences and tensions between Koreans from the North and South, as well as new transnational kinship practices that connect family members across the Korean Demilitarized Zone. As a South Korean citizen raised outside the peninsula and later drafted into the military, Park weaves in autoethnographic accounts of his own experience in the army to provide an empathetic and vivid analysis of the multiple overlapping layers of violence that shape the embodied experiences of belonging. He asks readers to consider why North Korean resettlement in South Korea is a difficult process, despite a shared goal of reunification and the absence of a language barrier. The book is essential reading for anyone interested in anthropology, migration, and the politics of humanitarianism.