During May 1968, students and workers in France united in the biggest strike and the largest mass movement in French history. Protesting capitalism, American imperialism, and Gaullism, 9 million people from all walks of life, from shipbuilders to department store clerks, stopped working. The nation was paralyzed—no sector of the workplace was untouched. Yet, just thirty years later, the mainstream image of May '68 in France has become that of a mellow youth revolt, a cultural transformation stripped of its violence and profound sociopolitical implications. Kristin Ross shows how the current official memory of May '68 came to serve a political agenda antithetical to the movement's aspirations. She examines the roles played by sociologists, repentant ex-student leaders, and the mainstream media in giving what was a political event a predominantly cultural and ethical meaning. Recovering the political language of May '68 through the tracts, pamphlets, and documentary film footage of the era, Ross reveals how the original movement, concerned above all with the question of equality, gained a new and counterfeit history, one that erased police violence and the deaths of participants, removed workers from the picture, and eliminated all traces of anti-Americanism, anti-imperialism, and the influences of Algeria and Vietnam. May '68 and Its Afterlives is especially timely given the rise of a new mass political movement opposing global capitalism, from labor strikes and anti-McDonald's protests in France to the demonstrations against the World Trade Organization in Seattle.

This book charts and analyses the emergence of the conventional representation of the French events of 1968 and argues that the dominance of this narrative, despite its limitations, stems from the convenience that such a consensus provides for those that have been pivotal in shaping the collective memory of this critical moment in recent history.

May 1968 brings together the contemporary eye of acclaimed photographer Bruno Barbey and the pen of Illustrious journalist Philippe Tesson to reflect upon the weeks of civil unrest that shook France to its core in 1968. Radio, television and newspapers...The media played a major role in the events, both for the government and the demonstrators. While the popular posters depicted the riot police manning the microphones at the broadcasting service, the newspapers and radio stations took up the defense of the student protesters. Barbey captured the daiy life of the protesters, students and factory workers, immortalising key moments and nights full of violence and confrontations. From the beginning, the entire press corps had seized upon the events, but only the magazine Combat was on the side of the youths. At least until the violence erupted. Tesson, then Editor-in-Chief, relates his memories of the events which reverberated to the very heart of State power in France.

Q: “You threw paving stones at [the cops]?” A: “Oh yeah. I had no problem doing that. And I threw marbles as well that we stole from stores. And towards the end we even managed to steal tractors from construction sites and we knocked over trees with them.” The mass protests that shook France in May 1968 were exciting, dangerous, creative, and influential, changing European politics to this day. Students demonstrated, workers went on general strike, and factories and universities were occupied. Before it was all over, children, homemakers, and the elderly were swept up in the life-changing events that targeted bureaucratic capitalism and the staid Communist Party. The French state was on the ropes and feared civil war or revolution. Decades later, here are the eye-opening oral testimonies of those young rebels who demanded the impossible. Published on the 50th anniversary of those momentous events, May Made Me presents the legacy of the uprising: how those explosive experiences changed both the individual and history. “These powerful and moving testimonies create an eye-opening account of the inspiring events of May ’68, which are more relevant for today’s activists than ever before.” —Paul Mason, author of Postcapitalism: A Guide to Our Future

In May 1968, demonstrations against the French government spread across Parisian universities, and then to factories and other workplaces, resulting in a general strike of eleven million workers that brought the country to a virtual standstill. Among the students were a group who called themselves the Atelier Populaire, who produced hundreds of posters to encourage the protestors and to report on police brutality. Beauty Is In The Street reproduces over 200 of these posters which have become landmarks in political art and graphic design. Also included are a wealth of photographs, many published for the first time, and translations of first-hand accounts of the clashes between the students and strikers and the police.

The events of 1968 have been seen as a decisive turning point in the Western world. The author takes a critical look at "May 1968" and questions whether the events were in fact as "revolutionary" as French and foreign commentators have indicated. He concludes the student movement changed little that had not already been challenged and altered in the late fifties and early sixties. The workers' strikes led to fewer working hours and higher wages, but these reforms reflected the secular demands of the French labor movement. "May 1968" was remarkable not because of the actual transformations it wrought but rather by virtue of the revolutionary power that much of the media and most scholars have attributed to it and which turned it into a symbol of a youthful, renewed, and freer society in France and beyond.

It was a year of seismic social and political change. With the wildfire of uprisings and revolutions that shook governments and halted economies in 1968, the world would never be the same again. Restless students, workers, women, and national liberation movements arose as a fierce global community with radically democratic instincts that challenged war, capitalism, colonialism, and patriarchy with unprecedented audacity. Fast forward fifty years and 1968 has become a powerful myth that lingers in our memory. Released for the fiftieth anniversary of that momentous year, this second edition of Philipp Gassert's and Martin Klimke's seminal 1968 presents an extremely wide ranging survey across the world. Short chapters, written by local eye-witnesses and historical experts, cover the tectonic events in thirty-nine countries across the Americas, Europe, Asia, Australia, Africa, and the Middle East to give a truly global view. Included are forty photographs throughout the book that illustrate the drama of events described in each chapter. This edition also has the transcript of a panel discussion organized for the fortieth anniversary of 1968 with eyewitnesses Norman Birnbaum, Patty Lee Parmalee, and Tom Hayden and moderated by the book's editors. Visually engaging and comprehensive, this new edition is an extremely accessible introduction to a vital moment of global activism in humanity's history, perfect for a high school or early university textbook, a resource for the general reader, or a starting point for researchers.

For seven days in April 1968, students occupied five buildings on the campus of Columbia University to protest a planned gymnasium in a nearby Harlem park, links between the university and the Vietnam War, and what they saw as the university’s unresponsive attitude toward their concerns. Exhilarating to some and deeply troubling to others, the student protests paralyzed the university, grabbed the world’s attention, and inspired other uprisings. Fifty years after the events, A Time to Stir captures the reflections of those who participated in and witnessed the Columbia rebellion. With more than sixty essays from members of the Columbia chapter of Students for a Democratic Society, the Students’ Afro-American Society, faculty, undergraduates who opposed the protests, “outside agitators,” and members of the New York Police Department, A Time to Stir sheds light on the politics, passions, and ideals of the 1960s. Moving beyond accounts from the student movement’s white leadership, this book presents the perspectives of black students, who were grappling with their uneasy integration into a supposedly liberal campus, as well as the views of women, who began to question their second-class status within the protest movement and society at large. A Time to Stir also speaks to the complicated legacy of the uprising. For many, the events at Columbia inspired a lifelong dedication to social causes, while for others they signaled the beginning of the chaos that would soon engulf the left. Taken together, these reflections present a nuanced and moving portrait that reflects the sense of possibility and excess that characterized the 1960s.

In 1983—as France struggled with race-based crimes, police brutality, and public unrest—youths from Vénissieux (working-class suburbs of Lyon) led the March for Equality and Against Racism, the first national demonstration of its type in France. As Abdellali Hajjat reveals, the historic March for Equality and Against Racism symbolized for many the experience of the children of postcolonial immigrants. Inspired by the May '68 protests, these young immigrants stood against racist crimes, for equality before the law and the police, and for basic rights such as the right to work and housing. Hajjat also considers the divisions that arose from the march and offers fresh insight into the paradoxes and intricacies of movements pushing toward sweeping social change. Translated into English for the first time, The Wretched of France contemplates the protest's lasting significance in France as well as its impact within the context of larger and comparable movements for civil rights, particularly in the US.

In virtually all corners of the Western world, 1968 witnessed a highly unusual sequence of popular rebellions. In Italy, France, Spain, Vietnam, the United States, West Germany, Czechoslovakia, Mexico, and elsewhere, millions of individuals took matters into their own hands to counter imperialism, capitalism, autocracy, bureaucracy, and all forms of hierarchical thinking. Recent reinterpretations have sought to play down any real challenge to the socio-political status quo in these events, but Gerd-Rainer Horn's book offers a spirited counterblast. 1968, he argues, opened up the possibility that economic and political elites on both sides of the Iron Curtain could be toppled from their position of unnatural superiority to make way for a new society where everyday people could, for the first time, become masters of their own destiny. Furthermore, Horn contends, the moment of crisis and opportunity culminating in 1968 must be seen as part of a larger period of experimentation and revolt. The ten years between 1956 and 1966, characterised above all by the flourishing of iconoclastic cultural rebellions, can be regarded as a preparatory period which set the stage for the non-conformist cum political revolts of the subsequent 'red' decade (1966-1976). Horn's geographic centres of attention are Western Europe, including the first full examination of Mediterranean revolts, and North America. He placed particular emphasis on cultural nonconformity, the student movement, working class rebellions, the changing contours of the Left, and the meaning of participatory democracy. His book will make fascinating reading for anyone interested in this turbulent period and the fundamental changes that were wrought upon societies either side of the Atlantic.