This three-volume collection (1890-6) of medieval documents relating to Bury St Edmunds is valuable for ecclesiastical and civic history.

St Edmund's Abbey was one of the most highly privileged and wealthiest religious houses in medieval England, one closely involved with the central government; its history is an integral part of English history. This book, the second of two volumes, offers a magisterial and comprehensive account of the Abbey during the latter part of the thirteenth century, based primarily on evidence in the abbey's records (over 40 registers survive). It begins with an account of the two abbots of this period, Simon of Luton and John of Northwold, who showed outstanding ability in steering the abbey through difficult times, including conflict with the Friars Minor in the town, straitened financialcircumstances (partly caused by oppressive taxation from king and pope), and domestic issues. This is followed by consideration of such matters as the abbey's mint, its economy, religious, intellectual and cultural life, and the abbey's architecture -- especially the charnel chapel constructed by John, which survives to this day. The monks' dietary regime (with examples of actual recipes from the time) is examined in a detailed appendix. Dr Antonia Gransden is former Reader at the University of Nottingham.

An investigaton of the growth and influence of the cult of St Edmund, and how it manifested itself in medieval material culture.

Within Anglo-Saxon England there was a strong and enduring tradition of royal sanctity - of men and women of royal birth who, in an age before the development of papal canonisation, came to be venerated as saints by the regional church. This study, which focuses on some of the best-documented cults of the ancient kingdoms of Wessex and East Anglia, is a contribution towards understanding the growth and continuing importance of England's royal cults. The author examines contemporary and near-contemporary theoretical interpretations of the relationship between royal birth and sanctity, analyses in depth the historical process of cult-creation, and addresses the problem of continuity of cult in the aftermath of the Norman Conquest of 1066. An understanding therefore emerges of the place of the English royal saint not only in Anglo-Saxon society but also in that of the Anglo-Norman realm.

Norwich Cathedral, founded in 1096 by Bishop Herbert de Losinga, is of outstanding importance both architecturally and historically. Its archives, dating back to the time of its foundation, as well as the building itself, its decoration and contents, constitute an unbroken and fascinating record. Norwich Cathedral, 1096-1996 deals with all aspects of the church's history, both institutional and artistic. Written by experts, and heavily illustrated, it has been designed to be accessible to the general reader. The building itself is Romanesque, augmented by later Gothic campaigns. It has of course also undergone repair and modification throughout the centuries both in detail and occasionally in substance. It nevertheless keeps its early identity essentially intact. Its contents, from all periods of its history but notably the middle ages, are themselves of great interest: the medieval roof bosses are uniquely rich, as are the wall paintings.

Although the Norman Conquest of 1066 swept away most of the secular and ecclesiastical leaders of pre-Conquest England, it held some positive aspects for English society, such as its effects on Anglo-Saxon monastic foundations, which this study explores. The first part deals in depth with five individual case studies (Abingdon, Gloucester, Bury St Edmunds, St Albans and St Augustine's, Canterbury) as well as Fenland and other houses, showing how despite mixed fortunes the major houses survived to become the richest in England. The second part places the experiences of the houses in the context of structural changes in religious patronage as well as within the social and political nexus of the Anglo-Norman realm. Dr Cownie analyses the pattern of gifts to religious houses on both sides of the Channel, looking at the reasons why they were made.EMMA COWNIEgained her Ph.D. from the University of Wales at Cardiff; she currently holds a research fellowship at King's College, London.

This book focuses on art, palaeography, bindings and the monastic library. It is based on lectures given at the Association's Annual Conference, the 20th in the present series, which was held at Bury St Edmunds, from 16 to 20 April 1994: three specially commissioned articles are also included.

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW