An illumination of memory-the defining aspect of Roman civilization

Memory studies — one of the most vibrant research fields of the present day — brings together such diverse disciplines as art and archaeology, history, religion, literature, sociology, media studies, and neuroscience. In scholarship on ancient Rome, studies of social and cultural memory complement traditional approaches, opening up new horizons as we contemplate the ancient world. The fifteen essays presented here explore memory in the Roman Empire, addressing a wide spectrum of cultural phenomena from a range of approaches. Ancient Rome was a memory culture par excellence and memory pervades all aspects of Roman culture, from literature and art to religion and politics. This volume is the first to address the cultural artifacts of Rome through the lens of memory studies. An essential guide to the material culture of Rome, this book brings important new concepts to the fore for both scholars of the ancient world and those of social and cultural memory throughout human history.

This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online. Roman Britain is a critical area of research within the provinces of the Roman empire. Within the last 15-20 years, the study of Roman Britain has been transformed through an enormous amount of new and interesting work which is not reflected in the main stream literature.

Memory in Ancient Rome and Early Christianity presents perspectives from an international and interdisciplinary range of contributors on the literature, history, archaeology, and religion of a major world civilization, based on an informed engagement with important concepts and issues in memory studies.

Brings the voices of Roman slaves in early comedy to the history of theater and the history of slavery.

The reuse of architectural and sculptural materials (spoliation) was common centuries earlier than previously realized, during the Roman empire.

Libertas and Res Publica examines two key concepts of Western political thinking: freedom and republic. Contributors address important new questions on the principles of, and essential connection between res publica and libertas in Roman thought and Republican history.

This is the first book-length exploration of the ways art from the edges of the Roman Empire represented the future, examining visual representations of time and the role of artwork in Roman imperial systems. This book focuses on four kingdoms from across the empire: Cottius’s Alpine kingdom in the north, King Juba II’s Mauretania in the south-west, Herodian Judea in the east, and Kommagene to the north-east. Art from the imperial frontier is rarely considered through the lens of the aesthetics of time, and Roman provincial art and the monuments of allied rulers are typically interpreted as evidence of the interaction between Roman and local identities. In this interdisciplinary study, which explores statues, wall paintings, coins, monuments, and inscriptions, readers learn that these artworks served as something more: they were created to represent the futures that allied rulers and their people foresaw. The pressure of Roman imperialism drove patrons and artists on the empire’s borders to imbue their creations with increasingly sophisticated ideas about the future, as they wrestled with consequential decisions made under periods of intense political pressure. Comprehensively illustrated and providing an important new approach to Roman material culture at the edge of empire, Visions of the Future in Roman Frontier Kingdoms 100 BCE–100 CE is suitable for students and scholars working on Rome and its frontiers, as well as Roman material culture more broadly, and those studying the aesthetics of time in art and art history.

In recent years, the debate on Romanisation has often been framed in terms of identity. Discussions have concentrated on how the expansion of empire impacted on the constructed or self-ascribed sense of belonging of its inhabitants, and just how the interaction between local identities and Roman ideology and practices may have led to a multicultural empire has been a central research focus. This volume challenges this perspective by drawing attention to the processes of identity formation that contributed to an imperial identity, a sense of belonging to the political, social, cultural and religious structures of the Empire. Instead of concentrating on politics and imperial administration, the volume studies the manifold ways in which people were ritually engaged in producing, consuming, organising, believing and worshipping that fitted the (changing) realities of empire. It focuses on how individuals and groups tried to do things 'the right way', i.e., the Greco-Roman imperial way. Given the deep cultural entrenchment of ritualistic practices, an imperial identity firmly grounded in such practices might well have been instrumental, not just to the long-lasting stability of the Roman imperial order, but also to the persistence of its ideals well into (Christian) Late Antiquity and post-Roman times.

Historical examples played a key role in ancient Roman culture, and Matthew B. Roller's book presents a coherent model for understanding the rhetorical, moral, and historiographical operations of Roman exemplarity. It examines the process of observing, evaluating, and commemorating noteworthy actors, or deeds, and then holding those performances up as norms by which to judge subsequent actors or as patterns for them to imitate. The model is fleshed out via detailed case studies of individual exemplary performers, the monuments that commemorate them, and the later contexts - the political arguments and social debates - in which these figures are invoked to support particular positions or agendas. Roller also considers the boundaries of, and ancient alternatives to, exemplary modes of argumentation, morality, and historical thinking. The book will engage anyone interested in how societies, from ancient Rome to today, invoke past performers and their deeds to address contemporary concerns and interests.