These memoirs all come from women forced to live lives of impropriety, often after ill-treatment from unscrupulous men. Their tales of survival in the face of extreme hardship and privations make inspirational and compelling reading.

These memoirs all come from women forced to live lives of impropriety, often after ill-treatment from unscrupulous men. Their tales of survival in the face of extreme hardship and privations make inspirational and compelling reading.

These memoirs all come from women forced to live lives of impropriety, often after ill-treatment from unscrupulous men. Their tales of survival in the face of extreme hardship and privations make inspirational and compelling reading.

These memoirs all come from women forced to live lives of impropriety, often after ill-treatment from unscrupulous men. Their tales of survival in the face of extreme hardship and privations make inspirational and compelling reading.

Lady Philippa Knolles has loved Captain Thomas "Dash" Dashwell since he first stole a kiss from her on a smuggler's beach near Hastings. Now after what seems like a lifetime of waiting, Pippin is offered a chance to renew her scandalous affair with Dash. But the man from that first heady kiss and the man she rediscovers all these years later are hardly the same. Tucked away in the back of her closet is a red dress, the one she wore long ago to win his heart . . . . Could it have enough memories left inside it to rekindle a passion she's never forgotten?

British Women's Life Writing, 1760-1840 brings together for the first time a wide range of print and manuscript sources to demonstrate women's innovative approach to self-representation. It examines canonical writers, such as Mary Wollstonecraft, Mary Robinson, and Helen Maria Williams, amongst others.

By the close of the Eighteenth Century, the theatrical memoir had become a popular and established genre. This ten-volume facsimile collection offers accounts of the late eighteenth-century stage, which provide insights into contemporary constructions of gender, sexuality and fame.

This book is the second volume about Mrs. Sarah Trimmer and her charitable work. It contains selected content on her life and writings with original letters, her meditations and prayers for impoverished children in the early nineteenth century.

Throughout history women have caused wars, defied the rules, and brought men to their knees. The famous and the infamous, queens, divorcées, actresses, and outlaws have created a ruckus during their lifetimes-turning heads while making waves. Scandalous Women tells the stories of the risk takers who have flouted convention, beaten the odds, and determined the course of world events. *When Cleopatra (69 BC-30 BC) wasn't bathing in asses' milk, the last pharaoh of the Ptolemaic dynasty ruled Egypt and forged an important political alliance with Rome against her enemies-until her dalliance with Marc Antony turned the empire against her. *Emilie du Châtelet (1706-1748), a mathematician, physicist, author, and paramour of one of the greatest minds in France, Voltaire, shocked society with her unorthodox lifestyle and intellectual prowess-and became a leader in the study of theoretical physics in France at a time when the sciences were ruled by men. *Long before Rosa Parks refused to give up her seat on the bus, Ida B. Wells-Barnett (1862-1928) fought to end discrimination and the terrible crime of lynching and helped found the NAACP, but became known as a difficult woman for her refusal to compromise and was largely lost in the annals of history. *Gertrude Bell (1868-1926) had a passion for archaeology and languages, and left her privileged world behind to become one of the foremost chroniclers of British imperialism in the Middle East, and one of the architects of the modern nation of Iraq.

The remarkable career of Venanzio Rauzzini (1746-1810) sheds new light on changing musical tastes in late eighteenth-century Britain. Rauzzini was a leading soprano castrato who sang in the premiere of Mozart's Lucio Silla in 1772. Mozart was so pleased with the singer that he composed the famous motet Exsultate Jubilate for him. This book examines Rauzzini's career in Britain, starting with his three seasons as a principal singer at the King's Theatre in London (1774-77). Rauzzini was the first castrato to make Britain his home, and he enjoyed a multifaceted career there as a singer, concert director, composer (operas, chamber music, and songs), and voice teacher. Rauzzini's leadership of the Bath subscription concerts from 1780-1810 reveals the degree to which shifts in the social demographics of Bath over this period caused him to reevaluate his compositional choices, especially in light of the patriotic fervor that swept the nation during the protracted war with France. Furthermore, the recovery of much of the repertory performed during these concerts provides specific insights into issues of concert management at the time. Paul F. Rice, Professor of Musicology in the School of Music, Memorial University of Newfoundland, is the author of four previous books and has edited scores for CD recordings on the Naxos, Dorian, and Centaur labels.