Her memoirs cover the pre WWII period of the 1930s in her birth country, Bulgaria and her growing up in the German and Russian cultures of her parents and that of Bulgaria. The uprooting of her family because of WWII and subsequent events tells of the increasing horrors and dislocations not only of her family but that of countless others. The author successfully captures the sharp contrast between her childhood bliss before the war and the horrors of life in German-occupied Europe An insightful firsthand account of European life in the 1930s and 40s, filled with lessons applicable to the present day. - Kirkus Review

Her memoirs cover the pre WWII period of the 1930's in her birth country, Bulgaria and her growing up in the German and Russian cultures of her parents and that of Bulgaria. the uprooting of her family because of WWII and subsequent events tells of the increasing horrors and dislocations not only of her family but that of countless others. "The author successfully captures the sharp contrast between her childhood bliss before the war and the horrors of life in German-occupied Europe... an insightful firsthand account of European life in the 1930's and 40's, filled with lessons applicable to the present day." - Kirkus Review

The story of how a much-contested legal category—statelessness—transformed the international legal order and redefined the relationship between states and their citizens. Two world wars left millions stranded in Europe. The collapse of empires and the rise of independent states in the twentieth century produced an unprecedented number of people without national belonging and with nowhere to go. Mira Siegelberg’s innovative history weaves together ideas about law and politics, rights and citizenship, with the intimate plight of stateless persons, to explore how and why the problem of statelessness compelled a new understanding of the international order in the twentieth century and beyond. In the years following the First World War, the legal category of statelessness generated novel visions of cosmopolitan political and legal organization and challenged efforts to limit the boundaries of national membership and international authority. Yet, as Siegelberg shows, the emergence of mass statelessness ultimately gave rise to the rights regime created after World War II, which empowered the territorial state as the fundamental source of protection and rights, against alternative political configurations. Today we live with the results: more than twelve million people are stateless and millions more belong to categories of recent invention, including refugees and asylum seekers. By uncovering the ideological origins of the international agreements that define categories of citizenship and non-citizenship, Statelessness better equips us to confront current dilemmas of political organization and authority at the global level.

"Born Stateless" is a book of memories crisp in detail and depth of feeling. Konstantin Balabushkin's young life in Japan bridged the two worlds of east and west with apparent ease. His safe and sheltered childhood vanished with the eruption of Second World War while he attended college in Shanghai waiting for his visa to study in the United States. He and other stateless people, including Russian nobles with whom he lived, became trapped in history with no way out. The war, the defeat and reinvention of Japan and the reinvention of Konstantin Balabushkin, as Kon Balin, bring to the reader a first hand account of suffering and survival. It is a young man's tale, a very lucky young man, who lived through a time that profoundly changed the world.

A Syria-born dancer offers his deeply personal story of war, statelessness, and the pursuit of the art of dance in this inspirational memoir. DANCE OR DIE is an autobiographical coming-of-age account of Ahmad Joudeh, a young refugee who grows up in Damascus with dreams of becoming a dancer. When he is recruited by one of Syria’s top dance companies, neither bombs nor family opposition can keep him from taking classes, practicing hard, and becoming a Middle Eastern celebrity on a Lebanese reality show. Despite death threats if Ahmad continues to dance, his father kicking him out of the house, and the war around him intensifying, he persists and even gets a tattoo on his neck right where the executioner's blade would fall that says, "Dance or Die." A powerful look at refugee life in Syria, DANCE OR DIE tells of the pursuit of personal expression in the most dangerous of circumstances and of the power of art to transcend war and suffering. It follows Ahmad from Damascus to Beirut to Amsterdam, where he finds a home with one of Europe's top ballet troupes, and from where he continues to fight for the human rights of refugees everywhere through his art, his activism, and his commitment to justice.

With nationalism and the far right on the rise across Europe and North America, there has never been a more important moment to face up to what we, in Britain, are doing to those who seek sanctuary. Still the UK detains people indefinitely under immigration rules. Bail hearings go unrecorded, people are picked up without notice, individuals feel abandoned in detention centres with no way of knowing when they will be released. In Refugee Tales III we read the stories of people who have been through this process, many of whom have yet to see their cases resolved and who live in fear that at any moment they might be detained again. Poets, novelists and writers have once again collaborated with people who have experienced detention, their tales appearing alongside first-hand accounts by people who themselves have been detained. What we hear in these stories are the realities of the hostile environment, the human costs of a system that disregards rights, that denies freedoms and suspends lives. ‘We hear so many of the wrong words about refugees – ugly, limiting, unimaginative words – that it feels like a gift to find here so many of the right words which allow us to better understand the lives around us, and our own lives too.’ – Kamila Shamsie All profits go to the Gatwick Detainee Welfare Group and Kent Help for Refugees.

From “an exceptional storyteller,” Somewhere in the Unknown World is a collection of powerful stories of refugees who have found new lives in Minnesota’s Twin Cities, told by the award-winning author of The Latehomecomer and The Song Poet. All over this country, there are refugees. But beyond the headlines, few know who they are, how they live, or what they have lost. Although Minnesota is not known for its diversity, the state has welcomed more refugees per capita than any other, from Syria to Bosnia, Thailand to Liberia. Now, with nativism on the rise, Kao Kalia Yang—herself a Hmong refugee—has gathered stories of the stateless who today call the Twin Cities home. Here are people who found the strength and courage to rebuild after leaving all they hold dear. Awo and her mother, who escaped from Somalia, reunite with her father on the phone every Saturday, across the span of continents and decades. Tommy, born in Minneapolis to refugees from Cambodia, cannot escape the war that his parents carry inside. As Afghani flees the reach of the Taliban, he seeks at every stop what he calls a certificate of his humanity. Mr. Truong brings pho from Vietnam to Frogtown in St. Paul, reviving a crumbling block as well as his own family. In Yang’s exquisite, necessary telling, these fourteen stories for refugee journeys restore history and humanity to America's strangers and redeem its long tradition of welcome.

In 1926, professional musicians Constantine Shapiro, born in Moscow, 1896 and Lydia Chernetsky (Odessa, 1905) met and married in Berlin, Germany after their respective families had suffered continuous persecution in war-torn Russia, or the Soviet Union, as it was known after 1922. With Hitler's national socialism on the rise, remaining in Berlin was for the newly-weds out of the question and they decided to continue their odyssey, first to Palestine, then China, to ultimately spend the World War II years in the relative safety of Japan. In 1931, they found themselves in Japan, where Isaac, son number four and author of this memoir, was born. With World War II imminently looming, and the subsequent bombing of Pearl Harbor, their lives were disrupted once again. In 1944, the Yokohama shore was banned for foreigners and the Shapiro family including their five children, were forced to move to Tokyo, where they survived endless hardships, among others the intensified strategic United States bombing campaigns on Tokyo. Operation Meetinghouse started March 9, 1945 and is regarded as the single most destructive bombing raid in human history. The Japanese later called the operation the Night of the Black Snow. During the subsequent American occupation of Japan, 14-year-old Isaac, being multi lingual, was hired as an interpreter by John Calvin `Toby' Munn, a United States Marine colonel, (later promoted to Lt. Gen.) who, when the war was over, paved the way for Isaac, or Ike as he soon became known, to immigrate to the United States. In the summer of 1946, Isaac landed in Hawaii, at the time a United States territory, altering the course of his life forever.

This is the story of an illustrious Romanian-born, Hungarian-speaking, Vienna-schooled, Columbia-educated and Harvard-formed, middle-class Jewish professor of politics and other subjects. Markovits revels in a rootlessness that offers him comfort, succor, and the inspiration for his life’s work. As we follow his quest to find a home, we encounter his engagement with the important political, social, and cultural developments of five decades on two continents. We also learn about his musical preferences, from classical to rock; his love of team sports such as soccer, baseball, basketball, and American football; and his devotion to dogs and their rescue. Above all, the book analyzes the travails of emigration the author experienced twice, moving from Romania to Vienna and then from Vienna to New York. Markovits’s Candide-like travels through the ups and downs of post-1945 Europe and America offer a panoramic view of key currents that shaped the second half of the twentieth century. By shedding light on the cultural similarities and differences between both continents, the book shows why America fascinated Europeans like Markovits and offered them a home that Europe never did: academic excellence, intellectual openness, cultural diversity and religious tolerance. America for Markovits was indeed the “beacon on the hill,” despite the ugliness of its racism, the prominence of its everyday bigotry, the severity of its growing economic inequality, and the presence of other aspects that mar this worthy experiment’s daily existence.

Sixty years ago, the political theorist Hannah Arendt, an exiled Jew deprived of her German citizenship, observed that before people can enjoy any of the "inalienable" Rights of Man-before there can be any specific rights to education, work, voting, and so on-there must first be such a thing as "the right to have rights". The concept received little attention at the time, but in our age of mass deportations, Muslim bans, refugee crises, and extra-state war, the phrase has become the centre of a crucial and lively debate. Here five leading thinkers from varied disciplines-including history, law, politics, and literary studies-discuss the critical basis of rights and the meaning of radical democratic politics today.