One of Flaubert's earliest writings, but published only after his death, Memoirs of a Madman presents us with a young man as he reflects - alternating between musings on the present and memories of the past - on the years that have brought him to "e;madness"e;, recalling the innocence of his boyhood, the first stirrings of sexual awakening and his abrupt initiation into the adult world. Also included in this volume is another, similarly themed early work, the autobiographical novella November, which Nadine Gordimer called "e;an unsurpassed testament of adolescence"e;.

A captivating and evocative work, Memoirs of a Madman is one of Flaubert's earliest writings, and forms the basis for his highly renowned L'Education Sentimentale. As a young man looks back on the years that have brought him to "madness," he recalls the innocence of his boyhood and his fond belief that he was blessed with a mind of genius. Yet, painfully, wretchedly, he also recounts his all-too-sudden entry into the adult world. For the day he caught sight of a beautiful woman by the sea marked the end of his flamboyant philosophizing, and the beginning of a tragic coming of age.

In Letters to a Young Madman, a man of genius, of uncanny writing ability, and of profound empathy for the mentally ill, recounts his “spectacular plunge from competency into official madness.” Paul Gruchow’s account of the mental illness, which eventually claimed his life, explores the double injury inflicted on the mentally ill. First, there is the illness itself, with its often debilitating symptoms. But then there is the more insidious injury made by society, stigmatization: “We no longer believe, as we did 250 years ago, that the mentally ill are animals, but we are not ready to grant that they are fully human, either.” In a voice remarkably clear, eloquent, and calm, Gruchow shows us why he came to regard the mentally ill as “his heroes.”

"He's just a bleeder," they said. "He can't wrestle. All he can do is bleed!" Mad Man Pondo never argued when people called him "just a bleeder." He knows who he is, and he's embraced it. He knows that his high tolerance for pain, his fearless nature, and his talent for bleeding are the reason he's wrestled all around the world, starred in three video games, appeared in a horror film with one of his great heroes, befriended celebrities from the A-list to the D-list, and become a legend to deathmatch wrestling fans everywhere. Now, Mad Man Pondo is telling his story his way. He takes you from his early days as a wrestling fan in Flora, Illinois who accidentally got his butt kicked by Jos LeDuc to his glory days as a headliner for Big Japan. You'll read about in-ring encounters with Junkyard Dog, Terry Funk, and Kevin Sullivan; real life run-ins with David Blaine and Benny Hinn; and unexpected confrontations outside the ring with crazed fans and the Yakuza. You'll learn how his small cable access show Skull Talk led him to become a casting agent for Jerry Springer and how a deathmatch legend gets to rub shoulders with the likes of MC Hammer, Jonny Fairplay, Mick Foley, Eli Roth, and Robert Englund. Pondo shares stories about his most legendary deathmatch encounters and the inspirational story behind his all-women's promotion, Girl Fight. And you'll read his unforgettable speech from the Juggalo March on Washington D.C. at the Lincoln Memorial where Forrest Gump once cried out, "Jenny!!!" With a foreword by Vanilla Ice (yes, THE Vanilla Ice!), dozens of must-see photos, and countless stories from friends, fans, and fellow grapplers, Memoirs of a Mad Man is an all-out extreme autobiography as graphic and over the top as a Four Corners of Pain Deathmatch.

On October 2nd, 2010, while walking to the mailbox with a cup of coffee in one hand and a letter in the other, I was hit by a vehicle in a crosswalk. Mind, body, and spirit were forever shattered. Years of doctors, procedures, and at its zenith, 14 different medications that at times separated me from reality in every sense of the word. The story is of a man who barely recognized his own writing. My battle with a mind and body who was not his own. This was my battle to defeat myself.

"November", ein Frühwerk Flauberts, kreist um den Eros als magisch-betäubende Kraft. Der damals einundzwanzigjährige Autor erzählt in halb träumerisch-romantischer, halb realistischer Perspektive vom erwachenden Liebesverlangen eines Jugendlichen. Die Liebe zur unerreichbaren Frau ergießt sich in einer phantasierenden, bilderreichen Sprache, die alles, Naturerlebnisse und überschwängliche Liebe, in einem breiten reißenden Strom vereint.Dieses Jugendwerk...

The #1 New York Times bestselling (mostly true) memoir from the hilarious author of Furiously Happy. “Gaspingly funny and wonderfully inappropriate.”—O, The Oprah Magazine When Jenny Lawson was little, all she ever wanted was to fit in. That dream was cut short by her fantastically unbalanced father and a morbidly eccentric childhood. It did, however, open up an opportunity for Lawson to find the humor in the strange shame-spiral that is her life, and we are all the better for it. In the irreverent Let’s Pretend This Never Happened, Lawson’s long-suffering husband and sweet daughter help her uncover the surprising discovery that the most terribly human moments—the ones we want to pretend never happened—are the very same moments that make us the people we are today. For every intellectual misfit who thought they were the only ones to think the things that Lawson dares to say out loud, this is a poignant and hysterical look at the dark, disturbing, yet wonderful moments of our lives. Readers Guide Inside

A NEW YORK TIMES BEST BOOK OF THE YEAR • From "one of our most nuanced thinkers on the intersections of race, class, and feminism" (Cathy Park Hong, New York Times bestselling author of Minor Feelings) comes a memoir "as electric as the title suggests" (Maggie Nelson, author of On Freedom). A BEST BOOK OF THE YEAR: The New York Times, TIME Magazine, Oprah Daily, The New Yorker, Washington Post, Vulture, Buzzfeed, Publishers Weekly The Pulitzer Prize-winning critic and memoirist Margo Jefferson has lived in the thrall of a cast of others—her parents and maternal grandmother, jazz luminaries, writers, artists, athletes, and stars. These are the figures who thrill and trouble her, and who have made up her sense of self as a person and as a writer. In her much-anticipated follow-up to Negroland, Jefferson brings these figures to life in a memoir of stunning originality, a performance of the elements that comprise and occupy the mind of one of our foremost critics. In Constructing a Nervous System, Jefferson shatters her self into pieces and recombines them into a new and vital apparatus on the page, fusing the criticism that she is known for, fragments of the family members she grieves for, and signal moments from her life, as well as the words of those who have peopled her past and accompanied her in her solitude, dramatized here like never before. Bing Crosby and Ike Turner are among the author’s alter egos. The sounds of a jazz LP emerge as the intimate and instructive sounds of a parent’s voice. W. E. B. Du Bois and George Eliot meet illicitly. The muscles and movements of a ballerina are spliced with those of an Olympic runner, becoming a template for what a black female body can be. The result is a wildly innovative work of depth and stirring beauty. It is defined by fractures and dissonance, longing and ecstasy, and a persistent searching. Jefferson interrogates her own self as well as the act of writing memoir, and probes the fissures at the center of American cultural life.

NEW YORK TIMES BESTSELLER • In this “essential” (Entertainment Weekly), “hilarious” (AV Club) memoir, the star of Mr. Show, Breaking Bad, and Better Call Saul opens up about the highs and lows of showbiz, his cult status as a comedy writer, and what it’s like to reinvent himself as an action film ass-kicker at fifty. “I can’t think of another entertainer who has improbably morphed so many times, and all through real genius and determination.”—Conan O’Brien ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vulture, Newsweek Bob Odenkirk’s career is inexplicable. And yet he will try like hell to explicate it for you. Charting a “Homeric” decades-long “odyssey” from his origins in the seedy comedy clubs of Chicago to a dramatic career full of award nominations—with a side-trip into the action-man world that is baffling to all who know him—it’s almost like there are many Bob Odenkirks! But there is just one and one is plenty. Bob embraced a life in comedy after a chance meeting with Second City’s legendary Del Close. He somehow made his way to a job as a writer at Saturday Night Live. While surviving that legendary gauntlet by the skin of his gnashing teeth, he stashed away the secrets of comedy writing—eventually employing them in the immortal “Motivational Speaker” sketch for Chris Farley, honing them on The Ben Stiller Show, and perfecting them on Mr. Show with Bob and David. In Hollywood, Bob demonstrated a bullheadedness that would shame Sisyphus himself, and when all hope was lost for the umpteenth time, the phone rang with an offer to appear on Breaking Bad—a show about how boring it is to be a high school chemistry teacher. His embrace of this strange new world of dramatic acting led him to working with Steven Spielberg, Alexander Payne, and Greta Gerwig, and then, in a twist that will confound you, he re-re-invented himself as a bona fide action star. Why? Read this and do your own psychoanalysis—it’s fun! Featuring humorous tangents, never-before-seen photos, wild characters, and Bob’s trademark unflinching drive, Comedy Comedy Comedy Drama is a classic showbiz tale told by a determined idiot.