When a girl washes onto the beach half-drowned, she wakes with no memory of what's happened to her, how she survived - or even who she is. She soon finds herself caught in the last war of a dying land, fighting desperately to rediscover herself before she and everything she loves is obliterated completely. Enter Melidora, a kingdom in the teeth of a disease that eradicates memory. Learn the secret history of the Halcyon, Melidora's creatrix, and follow the shipwrecked girl's rise to power over the wolf shadows of the Cradle Spire. Can she stand against the Nixian hordes to save Melidora, or will she be swallowed up and forget herself forever?

This book examines continuities and changes in narrative strategies deployed to deal with female desire in a broad range of fiction from the late sixteenth-century to the early nineteenth-century. By focussing on 'designing women' and the lengths to which they can and should go as agents of their desires, this book investigates the way generic and moral or social issues intersect in the depiction of female subjectivity. The book examines narrative strategies deployed in the representation of female desire in a broad range of fiction from the late sixteenth-century to the early-nineteenth century, discussing key texts such as Jane Eyre, Pamela, Pride and Prejudice and Arcadia

New Guinea, the largest tropical island, supports a spectacular bird fauna characterized by cassowaries, megapodes, pigeons, parrots, kingfishers, and owlet-nightjars, as well as the iconic birds of paradise and bowerbirds. Of the nearly 800 species of birds recorded from New Guinea, more than 350 are found nowhere else on Earth. This comprehensive annotated checklist of distribution, taxonomy, and systematics of the birds of New Guinea is the first formal review of this avifauna since Ernst Mayr's Checklist, published in 1941. This new book brings together all the systematic, taxonomic, and distributional research conducted on the region's bird families over the last 70 years. Bruce Beehler and Thane Pratt provide the scientific foundation for the names, geographic distributions, and systematic arrangement of New Guinea's bird fauna. All technical information is annotated and a geographic gazetteer and bibliography are included. This book is an ideal complement to the Birds of New Guinea field guide also published by Princeton, and is an essential technical reference for all scientific libraries, ornithologists, and those interested in bird classification. The first complete revision of the New Guinea bird fauna since 1941 Accounts for 75 bird species new to the region Includes a geographic gazetteer, bibliography, and explanations of taxonomic and systematic classifications

The first in-depth analysis of some of the most important epic poems of the Spanish Golden Age, Myth and Identity in the Epic of Imperial Spain breathes new life into five of these long- neglected texts. Elizabeth Davis demonstrates that the epic must not be overlooked, for doing so creates a significant gap in one's ability to appraise not only the cultural practice of the imperial age, but also the purest expression of its ideology. Davis's study focuses on heroic poetry written from 1569 to 1611, including Alonso de Ercilla's La Araucana, undeniably the most significant epic poem of its time. Also included are Diego de Hojeda's La Christiada, Juan Rufo's La Austriada, . Lope de Vega's Jerusalén Conquistada, and Cristóbal de Virués's Historia del Monserrate. Examining these epics as the major site for the construction of cultural identities and Renaissance nationalist myths, Davis analyzes the means by which the epic constructs a Spanish sense of self. Because this sense of identity is not easily susceptible to direct representation, it is often derived in opposition to an "other," which serves to reaffirm Spanish cultural superiority. The Spanish Christian caballeros are almost always pitted against Amerindians, Muslims, Jews, or other adversaries portrayed as backward or heathen for their cultural and ethnic differences. The pro-Castilian elite of sixteenth-century Spain faced the daunting task of constructing unity at home in the process of expansion and conquest abroad, yet ethnic and regional differences in the Iberian Peninsula made the creation of an imperial identity particularly difficult. The epic, as Davis shows, strains to convey the overriding image of a Spain that appears more unified than the Spanish empire ever truly was. An important reexamination of the Golden Age canon, Myth and Identity in the Epic of Imperial Spain brings a new twist to the study of canon formation. While Davis does not ignore more traditional approaches to the literary text, she does apply recent theories, such as deconstruction and feminist criticism, to these poems, resulting in an innovative examination of the material. Confronting such issues as canonicity, gender, the relationship between literature and Golden Age culture, and that between art and power, this publication offers scholars a new perspective for assessing Golden Age and Transatlantic studies

We, Hooriya and Safa, now the authors of BATTLE, are two Muslim Indian children. While enjoying the sips of coffee, we planned to utilise our freetime in writing fiction. We made an adventurous story and converted the story into words. After writing the story, we told our parents, teachers and friends about the story. They were very surprised and happy on hearing about the creative ability of 13 year and 10 year old girls. The moment when we held the book battle in our hands, was the best moment.

Reprint of the original, first published in 1876.

This enormous undertaking, which, according to one of the prefaces, professes to be a complete list of every bird known at the time of publication, kept growing even as it was being written. The Museum added eagerly to their already vast collections during the decades of publication, acquiring by gift the great collections of A.O. Hume on Asian birds, and those of Sclater and Salvin and Godwin on Neotropical birds, so that the size of the collection nearly tripled between 1874 and 1888. Sharpe originally intended to do all the work himself, but others were called in when this became clearly impossible. The plates are all of birds not previously illustrated. In the decades following its publication this catalogue was universally acclaimed as the most important work on systematic ornithology that has ever been published. (Zimmer, p. 96). And even after one hundred years it remains an essential reference for the serious ornithologist, as it underpins a great deal of modern bird classification. With 387 plates, most hand-coloured lithographs, some chromolithographs, by William Hart, J.G. Keulemans, Joseph and Peter Smit.