The guitar studies of Fernando Sor (1778-1839) have long been valued highly among the indispensable elements of a guitarist's training. A number of prominent virtuosi attribute a large portion of their development to the diligent study of these works. Sor's studies address an impressive array of technical and musical topics, including proper left-hand fingering, training of the right hand, interval and chord formations, scales, arpeggios, repeated notes, ligados, barring, natural harmonics, control of note duration, balance of melody versus accompaniment, and the handling of contrapuntal voices. A careful study of these pieces will lay the groundwork for a solid technique and allow the guitarist to build the control necessary for the expression of his or her musical concepts. In preparing this edition David Grimes worked with Sor's original publications, but incorporated some alterations that appear in those studies that Napoleon Coste chose to include in his Methode complete pour la Guitarre par Ferdinand Sor. Furthermore, Mr. Grimes has corrected misprints, modernized the notation and rectified some inconsistencies. Finally, some developments in technique since Sor's day have been incorporated in this edition.

The guitar studies of Fernando Sor (1778-1839) have long been valued highly among the indispensable elements of a guitarist's training. A number of prominent virtuosi attribute a large portion of their development to the diligent study of these works. Sor's studies address an impressive array of technical and musical topics, including proper left-hand fingering, training of the right hand, interval and chord formations, scales, arpeggios, repeated notes, ligados, barring, natural harmonics, control of note duration, balance of melody versus accompaniment, and the handling of contrapuntal voices. A careful study of these pieces will lay the groundwork for a solid technique and allow the guitarist to build the control necessary for the expression of his or her musical concepts. In preparing this edition David Grimes worked with Sor's original publications, but incorporated some alterations that appear in those studies that Napoleon Coste chose to include in his Methode complete pour la Guitarre par Ferdinand Sor. Furthermore, Mr. Grimes has corrected misprints, modernized the notation and rectified some inconsistencies. Finally, some developments in technique since Sor's day have been incorporated in this edition.

This text includes fifty-eight pieces of music as well as a recorded CD of the entire book. Ben Bolt believes these pieces are the best of the best for developing technique, musicianship, and exposing the guitarist to the ingenious musical world of Fernando Sor. Regardless of your current level of expertise, this music will be a joy to learn and listen to. Titles include: Napoleon's Theme; E Minor at Midnight; Rhapsody in D; March of the Wooden Soldier; and Easter Hymn are sure to please any audience. Ben Bolt's digital recordings of his arrangements are superb. His warm tone and singing vibrato bring Sor's music to life. All interpretations are classically correct. He plays on his Fleta and Sons concert guitar made in Barcelona, Spain (1976). Fernando Sor was born in Barcelona, Spain (1778).

This innovative and comprehensive arpeggio studies book takes the guitarist past the studies of Sor, Coste, Aguado, Giuliani, and Carcassi. These studies explore the entire fingerboard within the harmonic evolution of the 20th century with the key of E as the basic guide. the book deals with harmonies from triads through thirteenths in new, exciting ways-information which is extremely practical and invaluable for contemporary guitar performance!

Complete in three volumes, this widely used text presents classical guitar instruction in a logical and clear manner. the student is thoroughly grounded in left and right hand technical studies and is acquainted with the works of the masters. In notation only.

Here in a single volume is the original guitar method of Mateo Carcassi (1792-1853) translated to ENGLISH and SPANISH and published with his famous "25 Studies". Although regarded as moderately archaic in terms of modern guitar technique, Carcassi's time- proven method is second to none in its presentation of a graded learning system featuring scales, exercises, and engaging compositions in various keys. Written in standard notation only.

The present new Urtext edition of Sor's didactic pieces takes a different approach to that taken by other editions even recent ones. In preparing the material for publication, Chanterelle strove to maintain a close adherence to the composer's own statements regarding the pieces as they appear in his various writings. At the same time, each individual reference was evaluated against other available historical evidence to determine the extent to which it truly repesents Sor's applied technique, the way he actually performed these pieces himself. Opp.6, 12, 29, 31, 35, 44 & 60, with Historical Notes, Full Commentary, Thematic Index, and Playing Suggestions.

These 65 pieces and 6 etudes are originally found in Ferdinando Carulli's Complete Method for the Guitar, op. 241. This method is the last iteration of his original guitar method (op. 27), the first modern method for guitar. Originally published as 44 Progressive Pieces and 6 Studies, the present edition (based on an edition published by Oliver Ditson Company, Boston) in fact yields the following: 56 numbered studies, 2 slur studies, 1 rondo for all positions, 4 intervalstudies, 2 studies in harmonics and the 6 (rather didactic) etudes. (Not included in the present volume are numerous short scale exercises and cadences. These can be found in more complete and thorough treatments in numerous modern methods.) These studies clearly demonstrate Carulli's familiarity with his Italian operatic heritage. They are nearly all in recognizable song forms and the compositional style is simple melody with harmonic accompaniment. Counterpoint is almost totally absent. Yet within these limits Carulli creates very fine music indeed.Great care was taken to make this a performing edition. All of the pieces fit on 1 or 2 pages. The few that take 3 pages have page turns inserted in logical places. The few fingerings presented are found in the Ditson edition and are logical and obvious. It is hoped that these pieces will present a delightful anduseful supplement to the studies of Sor and Giuliani published during the same period. They are truly progressive; the first 10 or so are in the keys of C, G or D (and their relative minors), all in first position, using mostly tonic and dominant harmony and can be learned by most students in just a few lessons. They continue to increase in complexity and difficulty through the final 16 (studies 41- 56), which are some of the most delightful music written for guitar. I hope you all enjoy working on and performing these works as much as I have!

A comprehensive collection of solos written early in the evolution of the guitar. These are not lute transcriptions but actual early guitar pieces. Written in standard notation.

Contains 110 musical arrangements of the great classical guitarist from Paraguay.